Reissues
(the drum)
(the drum) is one of Ulises Carrión’s early linguistic exercises in English, originally handwritten in black ink in 1972. The artist fragments the names of musical instruments to express a sound. His attitude to poetry precluded, to a certain extent, his book The new art of making books: “The text of a book in the new art can be a novel as well as a single word, sonnets as well as jokes, love letters as well as weather reports.-5Ulises Carrión (1941-1989) is one of the most important figures of …
Nation Time
Corbett Vs. Dempsey presents a reissue of Joe McPhee's Nation Time, originally issued in 1971. It's been nearly five decades since McPhee assembled a group of musicians to perform the weekend concerts that would become Nation Time, his second LP. It was December 1970; thirty-one-year-old McPhee was inspired by Amiri Baraka's poem It's Nation Time, and the students at Vassar College didn't know what hit them. "What time is it?", shouted McPhee. "Come on, you can do better than that. What time is …
Groupcomposing
Corbett vs. Dempsey presents a reissue of Misha Mengelberg's Groupcomposing, recorded in 1970 and originally released in 1978. Comprised of a one-time international free music supergroup, and originally released as the sixth production on pianist Mengelberg and drummer Han Bennink's ICP label, Groupcomposing has been largely absent from the history books. This is the case because the record has been so unavailable, certainly not as a comment on the magnitude and magnificence of the music. With i…
Babi
Corbett Vs. Dempsey presents a reissue of Milford Graves's Bäbi, originally issued in 1977 on Graves's own IPS label. This is the first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on …
Keep Going
It's easy to be cynical these days, maybe difficult to imagine that music can change the world, but not for Joe McPhee and Hamid Drake. With Keep Going, they will make the planet a better place for humanity, a place to be humane, to preserve humankind. At 78 years old, Poughkeepsie multi-instrumentalist McPhee is a national treasure, and he's making more music than ever before, pushing himself to tour incessantly, issuing astonishing new records at a fierce rate. But this release, with legendary…
Brace For Impact
Some recordings, the world is just not ready for them when they're made. In 2008, Swedish born, Austrian resident saxophonist Mats Gustafsson and Poughkeepsie, New York multi-instrumentalist Joe McPhee made a suite of studio recordings, Brace For Impact that they loved so much they immediately culled, mixed, and mastered them. A decade later, when the original label for which they were planned had not yet issued them, Gustafsson and McPhee offered them to Corbett Vs. Dempsey, and when the label …
Ajanma
Hariprasad became 80 the this year. A good moment for this unique solo album of the world legend bansuri master form India. Hariprasad Chaurasia is an Indian virtuoso flautist in the Hindustani tradition, born 1 July 1938 in Allahabad, Uttar Pradesh, India. 'Ajanma' takes a unique place in the discography of the North Indian flute legend. The recording was captured in a small 16th century Church in Rhoon, Netherlands in June 2014, which is well known for the character and quality of it's acousti…
A Life Is a Billion Heartbeats
A Life Is a Billion Heartbeats continues Yannis Kyriakides and Andy Moor's
exploration and mining of the rich and mysterious terrain of Greek
rebetika music from the early 20th century. Their first release of this
project (simply titled Rebetika (2010)) was for the most part
taken from a live recording at the Centre for Contemporary Arts,
Glasgow, in 2006. In the years that they have been performing the set
since, the songs and improvisations featured on this LP have grown and
expanded in…
Music Emporium
Blistering rockers with wispy melodies, Buddhist chants with wild-eyed psychedelic anthems: all part of the unique acid-folk vision of LA's Music Emporium, led by keyboard virtuoso/singer Bill "Casey" Cosby. For this first ever legitimate reissue of their supremely rare 1969 album--now on vinyl pressed at RTI, (with original die-cut, gatefold cover faithfully reproduced!)--we've purchased the original masters, interviewed the band, found never-before-seen snapshots, and added two cool previously…
Leading Stolen Horses
Edition of 300 copies. “One of the best shows I went to in San Francisco during 1984 was the Glorious Din & Trial gig. This show really changed my life & made realize that I had to follow my dreams. Both of these bands were local bands, but they had created this killer post-punk sound that could hold its own with any band from anywhere. Around this time, Glorious Din released their classic album Leading Stolen Horses. This album is a post-punk gem that many people have never heard – trust me, af…
Willoughby's Lament
"In the end Willoughby’s Lament is distinguished by sharper execution, both instrumentally and vocally, of more assured songs with greater overall heft the result; the growth is quickly discernible in the expertly rendered dynamic shifts of opener If I’d Live Alone and the chamber classical-inclined resonances of Interlude.Fleeting moments on The Wall I Built Myself could underscore Bob Brown as ambitiously striving to stand apart from an army of sensitive strummers with back pocket notebooks fu…
Sahrah
Official reissue of the excellent first mini album by End Of Data, originally released in 1984 by Divine records (Tuxedomoon, Fra Lippo Lippi, Mecano…). End Of Data existed in Rennes, Brittany (France) during the early eighties and shared members with Charles De Goal. They released only 2 records that are classics of the minimal synth pop and new wave. “Great and rare French album. Minimal Synth,post punk and some art rockish hints. Would appeal to all fans of Autopilot, Kas Product, Dark Day, …
Gaseneta
"Good things come to those who wait. It's a yellowing cliche but it also applies handily to the life, death, and eventual rebirth of Tokyo's Gaseneta. Formed at university in 1977, the volatile quartet barely lasted long enough to compose four perfect songs, none of which were released during the band's two-year existence. But the music's influence on subsequent generations of punk, psych, and avant-garage rockers belies such inauspicious beginnings. Jun Hamano's prickly, high-velocity guitar sp…
Shozyg Music For Invented Instruments
Last Copies ** Limited Edition of 200 copies. This is the first album in BeJazz reissue series of long-lost classics from the legendary vaults of FMP Records, presented in restored original packaging and newly remastered for optimal sound ** Working with his own, specially crafted electronic instruments, Hugh Davies generates soundscapes that are at times whimsical, ritualistic and profoundly playful. Shozyg, a performance and improvisational instrument, first created in 1968, consists of fretsa…
Eje Thelin At The German Jazz Festival
An amazing set from Swedish trombonist Eje Thelin – a live date, but a totally excellent session that stands as one of the best demonstration of his talents in the 60s! On the European scene at the time, Thelin was easily one of the most inventive players on the trombone – one of the few who could hit the soulful swing of American musicians like Curtis Fuller or JJ Johnson, but also an artist who was starting to stretch out into new realms too – just a touch of Grachan Moncur and Roswell Rudd, w…
Paêbirú
2018 limited repress. The vinyl version is a special edition 2-LP pressing, finished to exactly match the original release, including the 8 page jacket size booklet. The album is a collaboration between Brazilian artists Lula Côrtes and Zé Ramalho, a wonderfully off-kilter record full of fantastic hooky and strange tunes that range from full-on freakouts to quiet pastoral numbers displaying the entire range of 1970s hippie Brazilian musician culture.Paebiru is an obscure Brazilian psych concept …
Nebular Trajectory
Edition of 300. Quasar's debut LP , originally released in 1979. Nebular Trajectory's deceptively straight opening salvo scarcely prepares one for the deeply blasted kraut inspired vision of jazz rock that ensues. Dzyan's "Time Machine" is the most immediate and obvious reference point for the sizzling but liquidly loose interplay of their power-trio-plus-effects set-up. Man Coda if anything raises the stakes further by plunging the entire proceedings even deeper "into the pudding" via a further…
Man Coda
Edition of 300. Killer Aussie LP from from 1981. This is completely off-the-hook abstract Australian psych-rock. At the time self-produced by the Quasar and never formally distributed, copies of this super-limited pressing were creeping their way across the globe, and eentually it has been reissued. Recorded direct to digital tape by just a drummer, bassist, and guitarist, the sounds run the gamut from surging, moody, textural, and nearly beatless masterpieces like “Man Coda” and “Reality’s Way”…
Fly To Brazil
Walter Strerath passed away unexpectedly at age 39 in September 1981, just as a South American tour for 1982 was being organized. Fly to Brazil, recorded in Darmstadt in January 1975, stands as his final album—a culmination of a brief but remarkable career that took him from industrial management in Mönchengladbach to recognition as one of Europe's finest jazz pianists.
Strerath's trajectory was unusual. He began presenting solo performances in 1958 while working his day job as an industrial man…
More Modern At The German Jazz Festival 1966
An incredible meeting of talents – both American and European jazz musicians coming together at a festival that must have been one hell of a event – certainly more exciting than just about any jazz festival we've ever attended in our lifetime! Unlike other festival recordings, this isn't just any sort of rehash of standards, done by all-star groups – and instead showcases some of the best modern jazz talents on both sides of the Atlantic in the mid 60s – all trying to outdo each other with their…