Reissues
A Message From Garcia
Jazz guitar autodidact and 1956 Downbeat Critics Poll winner Dick Garcia struts his stuff while the likes of Bill Evans, Gene Quill, and John Drew try to keep up! The combination of Bird, Christian and his own personality meld here in Dick’s own swinging style, delivering repertoire so diverse it required three different backing bands! Message From Garcia presents Dick in various contexts so as to give the listener an idea of his scope - the material is diversified in order to give Garcia and th…
The Fabulous Steel Guitar Sound
The sound of Nashville nightlife, circa 1962! Steel guitar pioneer Pete Drake slides and glides through a glimpse of what Music City instro sounds were like mid-century—the kinds you might hear at any neon-draped honky tonk—including everything from sexy-swing to country-cool on a dozen original tunes, ranging from the playful swing of “For Pete’s Sake” to the honky tonk shuffle of “Loves I’ve Known” to the hip jazz menace of “The Spook,” and on through the hillbilly cosmic in the album closer, …
Jazz For Hi-Fi Lovers
A smart set of fine beat-era jazz, beautifully programed and compiled for the hi-fi in your home! Includes some of the top players of the era- Zoot Sims, Paul Quinichette, Gene Roland, and others- in selections suited for a swingin’ starlit session! ”Start Here,” says it all as this both the perfect way to start this LP and the perfect way to start your jazz collection! From the distinctive style and touch of Randy Weston on the keys, to the tenor tones Paul Quinichette blows, these are the trac…
Islands of Sleep
Lovely archival work with sublime slices of musique concrète courtesy of Small Cruel Party, aka Seattle composer William Ransone. In his own words, this is “Manipulation of physical objects in acoustic space and a great deal of concentrated activity. Even in pieces involving dense sound at high volume the resultant effect is one of intense calm.”Small Cruel Party's work is focused on the inherent mysterious and beautiful quality of sound itself, with the emphasis on noninstrumental sound source…
Klinker
Factory pressed double CD in printed triple panel Ekopack cardboard sleeve. Derek Bailey : guitar. Simon H. Fell : double bass. Will Gaines : tap dance. Mark Wastell : violoncello. Recorded live at The Klinker, London on Thursday 24th August 2000. Compèred by Matt Scott. Original DAT recording by Tim Fletcher.Mixed and mastered by Simon H. Fell. Produced by Mark Wastell. One of the special qualities of improvisation is the array of responses musicians and performers have to the environment …
Rien ô tout ou linéaire un
Born in Montreal in 1940, Guy Thouin is a true original. He played drums in a variety of small bands prior to enrolling at Montreal’s School of Fine Arts where he studied sculpture and refined his understanding of the contemporary art world. By 1965, he had acquired a taste for all things experimental. Around then, he turned to collective improvisation – an experience that led him to explore free jazz and other forms of experimental music. He helped cofound Quatuor de jazz libre du Québec (1967)…
Evoluzione Interiore
**CD edition** Juri Camisasca is one of the towering artists of Italy’s remarkable musical avant-garde. Evolving across the 1960’s, 70’s, 80’s, as it continues today, this movement suffered under a long-lasting, one sided isolation - unheard by the world beyond. Recently, under the care of labels like Black Sweat, it has begin to emerge from the shadows, gathering a momentum of marvel and praise. Over the years, beginning with 1974’s legendary La Finestra Dentro, Camisasca has released a slow tr…
Musica Para El Fin De Los Cantos
In recent years, the vinyl reissue has emerged as major aggregator of change - the means to discover and appraise the lost histories of remarkable musics from across the globe. Among the most striking and neglected of these, are the sounds which rose from the Spanish underground during the 1980’s and 90’s. Long coveted by collectors - this movement, washed in strange structures and ambiences - mistakenly tied to broader gestures of New Age, is only beginning to receive the attention that it has…
Discaholics!
**Small repress available** Swedish saxophone player/improviser/ composer/music archivist Mats Gustafsson has worked in the outer regions of jazz, avant-garde, experimental rock and free improvisation for more than 35 years. Gustafsson is also a passionate record collector who strongly believes that actively nurturing the urge to seek for rare and obscure vinyl is a gateway to higher musical knowledge – a knowledge that it is a musician’s duty to share. He has coined the term Discaholism – and o…
Ho incontrato un’ombra
**Restocked, reduced price. Limited edition of 300 copies.** Digitmovies is pleased to release the rare LP from the world of 1970s Italian cult TV. “I Have Met a Shadow” (original title: “Ho incontrato un’ombra”) was broadcast by RAI Television in Italy in 1974. The success of this screenplay was also due to the OST written by Romolo Grano. The main theme "A Blue Shadow" became a record and radio hit thanks to composer Berto Pisano’s evocative orchestral arrangement which was released on the EP …
Una ragione per vivere e una per morire
**Limited edition of 250 copies.** Digitmovies is releasing the complete Ost by Riz Ortolani for the Spaghetti Western “A Reason to Live, A Reason to Die.” Riz Ortolani composed one of his best scores during his long career with this one, an epic symphonic score where a heroic main theme played by horns and orchestra follows the group of courageous men to their deaths. A western score, but one that's put together with a slightly different feel than usual – almost more straight dramatic at times,…
Requiem per un agente segreto
A groovy little soundtrack by the great Piero Umiliani! The score is for a b-grade spy film from the late 60s – starring Stewart Granger as (according to the notes) "a seasoned secret agent, but always ready to kiss and to bang!" A lot to live up to, we know – but Umiliani more than does the job, with a wonderful mix of tunes that run from Barry-esque Bond to swinging Milan, blending electric guitar, bubbling organ, and exotic themes into a 17 track package that sparkles with the best o…
Indio Black (Adios Sabata)
Bruno Nicolai's soundtrack for the second and last film in the Sabata trilogy from the early 70s – noteworthy for the fact that Yul Brynner took over the starring role, and that Nicolai handled the scoring of the film! Nicolai's style here borrows a lot from frequent partner Ennio Morricone – and the overall feel of the work is extremely powerful – with the sort of broad, bold Morricone themes that we love so much – often done with unusual touches that include floating vocals, trilling f…
Retrospektiw
The first 10 years of Magma were celebrated on three memorable evenings in June 1980 at the Olympia theatre in Paris. This retrospective, reuniting most of the musicians who had performed in the group, was issued as two albums, Retrospektïẁ 1 / 2 (double) and Retrospektïẁ 3 (single). Issued first, Retrospektïẁ 3 comprises 3 titles Retrovision, a long piece in the style of the album Attahk, in which the vocalists Stella Vander, Guy Khalifa and Maria Popkiewicz turn in a blazing performance…
Saluki
The jewel in the crown of Compendium Records’ brilliant back catalog is the eponymous album from the progressive jazz- funk band Saluki, released in 1977. Featuring members from the highly signi cant proggers Junipher Greene, Saluki is a much loved rare groove classic and a crate digger favourite.
The album consists of eight advanced and ambitious tracks showcasing Saluki’s blistering fusion of prog rock, jazz, west- coast harmonies and funk, as well as great songwriting abilities. Extreme…
Principe di un Giorno
"Principe di un giorno" is the first and only album by Celeste, a Ligurian group born from the ashes of Il Sistema, a band with a considerable potential that, however, never managed to release a proper LP. Recorded between 1974 and the following year, "Principe di un giorno" was only published in '76, kept in the drawer by a label that kept saying they were waiting for the right time to release it, just to put it in the stores at the wrong moment!The almost non-existent consideration ensued at t…
Sconcerto 1978
Yet another 'out of time' band from the glorious golden season of Italian progressive rock, Il Baricentro - a name that does not coincidentally reveals the musicians' origins (Bari/center, Puglia) - were founded in the mid-'70s by brothers Francesco and Vanni Boccuzzi, out from the ashes of Festa Mobile.The debut "Sconcerto" saw the light in 1976: a beautiful instrumental jazz-rock LP, in which keyboards dominate over every other instrument. Despite the season of punk, new wave and disco music s…
Wide Open Spaces
Originally released on CD in 2003. The hour-long performance on this disc was captured live on October 5th, 2002 when Wobbly, People Like Us, and Matmos circled their wagons in the lecture hall of the San Francisco Art Institute. Having mutually agreed upon a country and western theme, Vicki Bennett (People Like Us), Jon Leidecker (Wobbly), and Drew Daniel and M. C. Schmidt (Matmos) pored over their archives of honky tonk classics, chopping and dicing Nashville's finest almost beyond recogniti…
Let Yourself Go
Previously unreleased live and studio sessions from 1969/70. Transeuropean Jazz by Bruno Spoerri`s and Hans Kennel`s sextet and octet “Jazz Rock Experience” from Zurich. Deep brew of electrified Jazz-Funk, spiritual sounds, folk music from Eastern Europe and free improvisation. Original material plus vibrant versions of Leadbelly, James Brown and Eddie Harris, featuring a.o. Spoerri (el-ts and ss), Kennel (tp), Dave Lee (el-pi, clavinet and vibes), Raffael Waeber (g), Jonas Haefeli …
Watarase
Mule Musiq present a reissue of Fumio Itabashi's Watarase, originally released in 1982. French-born English DJ, record label, owner, and music collector Gilles Peterson once called Watarase the best jazz record from Japan. Tokyo based Mule Music unearth Watabase, the second solo piano album of the Japanese jazz pianist Fumio Itabashi, remastered from the original recordings. While diving deep into the seven compositions on Watarese, any sensible listener finds out, that the instrumental piano pi…