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A collection of Stockhausen’ s most important works from the 1950s, particularly “Gesang der Jünglinge” (“Song of the Youths”) 1955-56, probably the most iconic piece of electronic music ever written. Only because of Stockhausen’s complete understanding of electronic equipment, along with his creative genius, was he able to produce this masterwork, the first piece of music to unify vocals and electronics.
“Kontakte” (1959-60), Stockhausen’s first piece to use both electronics and traditional instruments together, marks a turning point in his career, when his music was beginning to show the influences of American avant-garde jazz and composers like John Cage. In “Kontakte” live musicians play alongside a tape recording of percussion sounds that have been altered by different electronic devices (i.e. a ring modulator or a reverberator). Stockhausen wanted the musicians to improvise over the prepare…
This sequel to the acclaimed Cosmic Machine compilation released in 2013 is another fantastic journey through time and space. At the time musicians were trying to capture the sounds of meteorites entering the terrestrial atmosphere thanks to machines developed by NASA engineers, a new generation of analog synthesizers enabled electronic music composers to take over the charts. It seemed the machines were definitely made to serve a radical avant-garde, and many years later, we're glad to be able …
With his 1978 album Ambient 1: Music for Airports, English musician/producer/conceptualist Brian Eno coined the terms “Discreet Music” and “Ambient” as “music designed to induce calm and space to think.” The album, comprised of four dissimilar yet completely cohesive movements, was created with simple keyboard melodies, serial tape loops and embedded voices. The effect is sheer weightlessness, the disc's soft ebb and flow of synthesized patterns imbued with live brass and strings. More than just…
Eno's solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs on which Eno mostly reprises his Roxy Music role as "sound manipulator," taking the lead vocals but leaving much of the instrumental work to various studio cohorts (including ex-Roxy matesPhil Manzanera and Andy Mackay, plus Robert Fripp and others). Eno's compositions are quirky, whimsical, and catchy, his lyrics bizarre and often free-associative, with a decidedly dark bent in their humor (…
Continuing the twisted pop explorations of Here Come the Warm Jets, Eno's sophomore album,Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album -- often inscrutable, but still playful -- about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connec…
Eno's first four solo albums are all among the most underrated releases of the 1970s. Experimental, catchy and genre-hopping releases similar to that of contemporary David Bowie over the same period. Before and After Science might even be the pick of the bunch, combining the best elements of Taking Tiger Mountain and Another Green World. Eno's slightly thin, hammy English vocals might be the only deterrent, but get past that, and you've a quartet of desert island discs. Quality, quality effort.
Another Green World is where Brian Eno creeps up behind me, and whispers how all pop music is about art, how all art is about life, and life is really a vessel for pop music. Where I forget what is a song and what is not a song, and where Eno realizes you can create something at once high art, low art, and not art at all. Most importantly, Eno discovers there is more beauty and worth in the discreet nuances of subtle sophistication than in all the blunted bluster in the world.
With Another Green…
“Feelings” is considered an absolute cult inside the library music panorama. As the same Torossi recently said, the album “was played only by studio musicians... the best we could find at the time, and the results show”. The album sees the participation of Sandro Brugnolini, Giancarlo Gazzani, Puccio Roelens and Stefano Torossi, famous songwriters in the field of soundtracks and library music. “Feelings” had been released for the first time in Italy by Carosello Records, under the pseudonyms of …
Jean Rollin’s twins of evil Fascination (1979) and Requiem Pour Un Vampire (1972) Previously unreleased full soundtracks. New twin soundtrack of vintage French synth experiments and free-rock from art house femme vamp film director” Comprising key scores by two of his regular collaborators, and bookending his most creative and lauded decade, the release of two original soundtracks to French director Jean Rollin’s Fascination (1979) and Requiem Pour Un Vampire (1972) mark Finders Keepers’ latest …
For the 1979 cult sci-fi movie L'umanoide (The Humanoid), directed by Aldo Lado (credited asGeorge B. Lewis), the legendary Ennio Morricone composed a score of catchy, futuristic, synthesizer-based arrangements with great electro-orchestral disco grooves and dissonant atmospheric soundscapes, marking quite a departure from his usual style.
"A weird later Ennio Morricone soundtrack – and one with some surprising use of electronics and keyboards too! The maestro has used electric instrumentati…
**CD version** Before talking about Psichedelica, one of the many and rare library albums signed by Piero Umiliani, we must step back in time, until June 1968, when Umiliani was working on the score of Svezia Inferno e Paradiso (Sweden Heaven and Hell), one of the many collaborations between director Luigi Scattini and the Maestro. In fact, a large part of the music recorded for that movie, one of Umiliani's most popular works, would be later selected for this library release. Originally issued …
Walter Bachauer has been an active part of Berlin's but all in all Germany's electronic and progressive music scene as long as he lived with his greatest achievements being the Meta Music festivals in Berlin in 1974, 1976 and 1978 while he worked as a line producer at RiasBerlin, the city's biggest radio station. In the early to mid 80s he got back to compose and play music under the pseudonym Clara Mondshine and this is his second out of three albums from 1983 “Memorymetropolis”. So let me take…
Clara Mondshine was a musical project of the late radio director, journalist, and composer Walter Bachauer, who worked for RIAS Berlin in the '70s and '80s. Mr. Bachauer was also involved as musician in projects with electronic artist Peter Michael Hamel and krautrock act Between in the '70s. With Clara Mondshine he was able to score three albums before his untimely passing in 1989; Luna Africana, originally released in 1981, is the first of these, and it fits exactly into that era, when the…
2016 re-edition in green-black splatter vinyl. Released in 1971, under the blanket of library music anonymity, Jungle Obsession is one of those rare and precious records whose extraordinary personality is instantly recognised by the ear of the listener. Timelessluminous!! Though it may look like a sexy piece of exotica from the heyday of tiki culture -- the '50s and early '60s -- Jungle Obsession was originally released in 1971 by the French Neuilly label. Nino Nardini was a master of library mu…
There is a distinct possibility that this is the greatest record ever recorded before 1968. Space age bachelor pad music meets concrete music. 1963 was the recording date ! Unbelievable. Strange synths, oscillators and custom made electric guitars with help of the lowrey organ. No words can really describe this record. The jazz genre spawned a couple of quite colorful subspecies that were part of important pop cultural movements to let the ordinary man escape from the daily grind. Two…
**finally restocked, very last copies** Requiem of Art Fluxorum organum II Opus 50 was first issued in 1973 by Edition Schellmann alongside Schottische Symphonie with Joseph Beuys. This is the authoritative version of one of the greatest works by the late Henning Christiansen (1932-2008), Danish composer and Fluxus artist, presented with the full cooperation with the Henning Christiansen estate. 180-gram LP in spot-varnished sleeve with a four-page high-gloss booklet containing the complete s…
Necessary, 1st-ever vinyl issue of Colin Potter’s fizzing post-punk & avant-pop experiment, The Scythe (1981), repackaged with a handful of alternate mixes and a cut from Nightshift, plus new sleeve design by Jonathan Coleclough, who also did the original tape artwork.
Leading on from Deep Distance’s 2013 reissue of Two Nights, which was also made and first issued in 1981, The Scythe finds the Nurse With Wound member really indulging and exploring his thang for krautrock, dub and noisy ele…
**back in stock** The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronized by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos, De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere and presented here in full soundtrack form for the first time. Proudly claiming the dubious accolade of the Spanish sexp…
First ever re-issue of this recently discovered Maurizio Bianchi private tape from April 1980. Fetish Tape was recorded right after Mectpyo Blut. Fetish Tape, as with the other tapes (Atomique, Cold, Voyeur,Industrial), features heavily distorted sounds and records played backwards and/or at the wrong speed! Also on the B side of Fetish Tape we find a track mostly made with radio waves. A very odd and fascinating M.B. experiment!Limited edition of 250 numbered copies in digipack. Cover image is …