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Music and Words 2 is the much-delayed second instalment in an ongoing series of archival documents of Adam Bohman's early work. As with the first volume, this CD is divided into two separate areas of his work. Adam is probably best known as an improviser, playing prepared instruments and objects, but the music here uses little of these purely-improvised techniques. On this CD, the musical sections consist of idiosyncratic lo-fi songs alongside short collage pieces and other experiments, recorded…
If I were to look at the ideas promoted by the Experimental Studio against Ma e Instrumenty's practices, I would refer to the concept of music which is - for certain reasons - 'impossible' studio electronic productions, preparing instruments, using and editing tapes - all those practices once broadened the perspectives of the art of sound. However, the 'unreachable' sound combinations produced by Ma e Instrumenty could also be considered as an attempt to overcome the 'impossibility' in music. Ho…
In all respects, Andrzej Biezan (1945-83) was an original and creative composer. His main means of expression were intuitive creation based on general assumptions and well balanced improvisation respecting proportions typical of traditional narrative.According to Biezan's approach, music that is written down is 'music about music'. True creation is only possible in the present moment - neither in the past nor in the future. It is an activity performed in real time. Any reference to the r…
Re-issue of Japanese tribal/industrial pioneers, released back in 1989 on Musica Maxima Magnetica. Originally recorded and mixed in London, Napoli and Tokyo 1988, now remastered with additional bonus track. Comes as 6-side digipack.
2014 repress. Recollection GRM is one more label within the Editions Mego family of labels. Its aim is to make available on vinyl the vast archives of Groupe De Recherches Musicales (GRM). Being released in batches of two every three months, it will present both known and lesser-known works. All releases will be re-cut at Dubplates & Mastering and packaged in new artwork by Stephen O'Malley, featuring bi-lingual (French/English) texts. Some of these pioneering works have been out-of-print …
2014 Repress. Third release on the newly minted eMego offshoot Recollection GRM, two pieces realized by Bernard Parmegiani in 1970. The former is full of negative space and low, coiling drones. For listeners whose only exposure to GRM came in the form of the first two installments in the Recollection GRM catalog, this material will come across as much less frenetic and more cinematic, particularly the beautiful, cosmic landscapes that make up the middle portion of the A-side. "Dedans-Deho…
**Very last copies, still sealed, light seamsplit on top** A masterpiece. Absolute. There are certain records that burst into the cultural mechanisms of "modernity" of each period, which mould fashions and manners, styles of life and shape the thought of what's contemporary.These records, and the music they contain, transform themselves into signals, points of arrival, undisputed targets for the youth cultures they meet. They are points of reference for the reading of sound periods. Others inste…
LP version. Comes on 180 gram vinyl. In retrospect, we might suspect that Asmus Tietchens was deliberately leading us up the garden path with the discordant pseudo-pop of his early musical productions. Four albums between 1981-1983 and a handful of individual pieces comprise the \"Zeitzeichen\" (time signal) phase which, in the words of their creator, was characterized by the implementation of \"rhythmic-harmonic set pieces and gaudy record sleeves.\" These albums do indeed feature elements…
Kapital is an encounter of two artists that usually penetrate different musical genres and ideas. It is an encounter of two musical worlds: psychoactive electro-acoustic music generated with electronic instruments and found objects and extreme psychedelia based on the sounds of processed guitar. Zio?ek and Iwan'ski worked together for the first time during recording sessions of improvisational group Innercity Ensemble formed in 2011. In August of 2013 they recorded in Bory Tucholskie their debut…
'Music for Stocking Top, Swing and Staircase' is a spellbinding archival discovery documenting a performance by one of the missing links in experimental electronic and prototypical industrial music. John Lacey is one of the background players in British electronic music and conceptual performance art. He was an early collaborator with Chris Carter and Cosey Fanni Tutti and a crucial member of COUM Transmissions alongside Throbbing Gristle's Genesis P-Orridge. Lacey contributed technical directio…
Re-issue of industrial music's 'holy grail', released back in 1984 on Eskimo Records. Not much is known about this obscure Japanese band, White Hospital are a duo, Jun Konagaya of Grim and Tomo Kuwahara of Vasilisk. In the early 80s Jun formed White Hospital together with Tomasada Kuwahara. They released one album called “Holocaust” in 1984 and a 7″ “We Wish You Are Merry X’mas”. Kuwuhara moved on to Vasilisk, while Jun released a number of solo records as Grim and one track as Howling Of Himala…
Re-issue of Japanese tribal/industrial pioneers, released back in 1988 on Eskimo Records. Originally recorded and mixed in Tokyo from December '87 to May '88, now remastered with additional bonus track. Comes as transparent blue vinyl.
Re-issue of Japanese tribal/industrial pioneers, released back in 1987 on Eskimo Records. Originally recorded and mixed in Tokyo from December '86 to March '87 now remastered with additional bonus track. Comes as transparent purple vinyl.
Burn-printed and stained wooden boxset containing: the first 3 albums "Whirling Dervishes", "Mkwaju" and "Acqua", each one with a bonus track - the exclusive album "Live Blood", featuring UNRELEASED recordings from the band's early years - all LPs in different transparent-coloured SPLATTER-vinyl
** Edition of 300 copies, double LP comes in a five colour screenprinted gussetted 2xLP jacket with essay on the artist by M.S Horwood. ** Totally synth & Electronic experiments. Bizzarre & Wonderful trip thru Williams work. William Ashley Cooper was a draftsman by trade. He represented another in a long line of accomplished musician-composers who preferred working on his own without the encumbrances of outside forces such as reviewers, publishers and promoters. While he took instrument lessons …
Early 70’s, a group of musicians around Jean-François Gaël, André Chini, Philippe Gumplowicz, Pierre Buffenoir and Youval Micenmacher formed Sonorhc in 1971 near Paris. This discreet band had released only three albums in twenty years : « Purf » (LP-1972), « Outrelande » (LP-1982) et « K’an » (CD-1991). 2014, Fractal Records propose today the first official reissue of the two first albums in a beautiful remastered edition after more than forty and thirty years respectively (!) ; two rare albums,…
Obscure 1970's French underground band cantered around Robert Diaz and Florence Leroy. Other members have included Armand Miralles and Kristof Temple. Feeling like a mix of Etron Fou Leloublan and Faust (in acoustic mode that is), with hints of Albert Marcoeur, Red Noise, it is full of invention and typically French eccentric touches. It was also much touted by Chris Cutler (of Henry Cow fame) at the time as the French Faust.Double CD retrospective of this amazing « mysterious » underground Fren…
** 300 copies ** The 20 years old young David Chesworth experiments with the gigantic Serge synth that occupies half the room of the latrobe university electronic studio. On the traces of pioneers such as Tristram Cary or Warren Burt, a new avant-garde is blooming in Sidney and Melbourne with bands like Severed Heads, The Makers, The Loop Orchestra and The Like. David Chesworth will soon play a major role by coordinating the Clifton Hill community music centre in Melbourne, by co-founding the cu…
** Edition of 200 copies ** In "Spectral Arrows", Marco Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end of the working day, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the performance, and affirming the deskilled et…