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A Sige Records repress of Mamiffer's second full length Mare Decendrii.Artwork is different from the original pressing. Edition of 600. Credits : Recorded from September 2009 to September 2010 at: Studio Litho, Aleph Studio, and London Bridge in Washington State. Produced by Randall Dunn. Co-produced by Mamiffer. Engineered by Randall Dunn. Assistant engineers: Mell Dettmer and Shawn Simmons. Mixed at London Bridge Studio by Randall Dunn. Mixing assistant: Mell Dettmer. Mastered by Mell Dettme…
The holy grail of Spiritual Jazz movement, available as double LP in a tiny edition on 20 copies only (no jokes! It's numbered as well), cosmic echoes and free jazz at the best. "Credited only to "Your Exotic Prince" on the dust jacket, this record is my all-time favorite Smith Street find, and I'm pleased to share it here in its entirety. As outrageous as the cover is, the music is even more so. It comprises six tunes, each one essentially a nonstop caterwauling of horns, accordion, banjo (…
The Topography of the Lungs is finally re-issued. A landmark album in the British avant garde – the first record ever on Incus Records (originally released in 1970) and a monumental set of improvisations between Parker, Bailey, and Bennink, considered by many to be a key recording in the history of improvised music, it brought together three musicians who then continued to develop the genre in the intervening three decades:EVAN PARKER (soprano & tenor saxophones), DEREK BAILEY (guitar) and HAN…
Two concerts from an eight-year gap in the published recordings of the Iskra 1903 trio of Paul Rutherford (trombone), Philipp Wachsmann (violin & electronics) and Barry Guy (bass & electronics), masterful improvisation blending acoustics and electronics.
"Two recordings from the beginning and the end of the longest-lived version of the SME - the trio of John Stevens (percussion, cornet or mini-trumpet, voice), Nigel Coombes (violin) & Roger Smith (guitar). The 1978 Newcastle concert was considered by the musicians and others to be the best performance by the trio, while the 1992 studio is also very fine."-EmanemExcerpts from sleeve notes written by Martin Davidson: "This release containing recordings from 1978 and 1992 could be subtitled t…
Theta is the first album from Mai Mai Mai, the tracks have been recorded in Rome and them mixed in L.A. by Jamie Stewart (Xiu Xiu). Nasty beats and sharp sounds emerges from a cloudy background of noises and field recordings, over which Mai Mai Mai applies some recorded ancient greek chants or slowly recites his sermons.
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
Aoyama Crows is the fifth album by Peter Brötzmann's Die Like a Dog Quartet. Saying the music can still surprise would be a lie. But that doesn't mean it lacks excitement, on the contrary. The performance, recorded at the Berlin Total Music Meeting in November 1999, contains all the elements necessary for an enticing free improv session. The rhythm section formed by Hamid Drake and William Parker is tried, tested, and true. The drummer can oscillate in and out of a pulse with incredible ease. He…
"This is Charles Gayle's most accessible work. Gayle's mastery of free jazz is blended with a more traditional compositional style of jazz on this disc. Touchin' on Trane is composed of five original songs, and even includes ex-Coltrane drummer Rashied Ali. As the title insists, Coltrane is the influence for the music on this disc. The influence ranges from the upbeat tempo of "Giant Steps" in "Part A," while "Part D" is reminiscent of Coltrane's "Live in Japan" performances. Gayle, bassi…
"I would like to make a few notes and hopefully clear up a potential misunderstanding or two. Most importantly, no matter what you think about the original Tristano performances, this music is not "cool" – with feverish intensity, volcanic dynamics, explosive technique, aggressive attitudes ... there is an enormous amount of drama here, and none of it is sedate, reticent, or bloodless. Note the treacherously difficult heads on tunes like "Two Not One," "Dreams," "Lennie's Pennies," and "A…
How rare, and valuable, it is to be able to experience one composer’s masterwork through the sensibility of another significant, stylistically distinct composer – via a performance that reveals unexpected aspects of both. that is to say, an approach to performance not as an act of self-conscious, flamboyant or dramatic interpretation, according to the concerns of technique, expression, and projection that are at the heart of an instrumentalist’s presentation of a musical score to an audie…
The title is a double pun. The score is the first that John Cage devised allowing the hexagrams of the I Ching to fully determin e how the music would procee d, event by event, gesture by gesture—the musical details (pitch, duration, dynamic s, density, tempi) being painstakingly, albeit fortuitously, derived through point-by-point con sultation from charts of possi bilities designed by the composer. (Christian Wolff, Cage’s young friend and musical associate, had presented Cage with a co…
"Noah Creshevsky composes some of the most meticulously constructed electronic music around. For his third Tzadik CD he has created a sonic history of his life work, inspired by the idea of a retrospective. The Four Seasons presents a new large-scale composition that reflects his work from 1992 on to his present work with Hyperrealism, creating virtual "super-performers" using the sounds of voices and traditional instruments pushed beyond human capacities. Another brilliant and varied program ch…
This DVD presents a rare and powerful solo performance by one of the most important and original artists in the world. Recorded in 1980 at a studio on Long Island, Meredith is in full voice, relaxed and creatively inspired by a small audience of Monk cogniscenti. Recorded with a 3-camera shoot and then put on the shelf, Tzadik is proud to present the first release of this astonishing virtuoso solo performance.
An outstanding recording, and an unjustly neglected contribution to prepared piano performance by Area member Patrizio Fariselli issued on Cramps in 1977 (in the legendary "DIVerso" series), a record with energy that's somewhere between John Cage and Cecil Taylor! At times, Patrizio Fariselli plays with a great sensitivity to silence – letting it emerge with as much force as his well-placed work on the keys of the piano. But at other times, he comes off with a full, frenzied sound that's really …
Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…
Pogus is very honored to be able to reissue this recording of works by the late Jerry Hunt (1943-1993), originally released on What Next? Having long been fascinated by Hunt's work, it is great to be able to have these last works of his available on CD once again. To quote Blue Gene Tyranny: In the 1970s electronic music practitioners constituted a rare and marginal population on the frontiers of interactive media and performance. Audio, with its modest bandwidth requirements, led video by at l…
"Which side of the picture should be hung uppermost? 2003, London: the first time I visited Tate Britain, Tate Gallery, and the first time I saw and really experienced the paintings of JMW Turner (1775-1851). Overwhelmed, especially by his late and unfinished works I was stunned by the power of the stillness of his work. 25 years before that something similar; me, as a young man in Madrid; Prado, Goya paintings and etchings - for me an initiation which opened up the door to earlier art an…
MINDBLOWING! Dead stock find of some incredible original 70s editions of the best experimental and electronic Piero Umilani LPS. Each one is worth already some money, but here's your chance to get them as a beautiful handscreened box made especially for this occasion in order to give 'new life' to this wonderful ageless music.After the first appreciated edition of Umiliani box, containing his ethnic compositions, we are glad to announce the "Piero Umiliani - Lost & Found Volume II: The Electro…