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Repressed! "Roberto Cacciapaglia is an Italian electronic composer who's made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creatin…
180 gram vinyl version. Zwei Osterei is the second half of a recording session which took place on a single day in November 1970. Klopfzeichen is the first part. Yet the uncompromising Zwei Osterei surpasses the earlier Klopfzeichen album by some distance in terms of its harsh noisiness and near brutal sonic attacks. Everything that was left of the revolutionary verve of the late 1960s seems to have been distilled into this music with a burning glass: aesthetic destruction to liberate the mind a…
With Asmus Tietchens and Dieter Moebius, two artists counting among the greats of German avant-garde electronic music have come together. Both have been active for well over 30 years: Moebius (since 1970) as a member of Kluster/Cluster and Harmonia, as well as solo and in numerous collaborations (Brian Eno, Mani Neumeier, Conny Plank, Mayo Thompson and many more), and Tietchens (since 1979) almost exclusively as a solo artist, beginning in the fields of electronic music and musique concrète…
Bureau B reissues Günter Schickert's album Überfällig, originally released in 1979 on Sky Records. "No sooner had electronic music broken through in Germany, principally aligned in the two schools of Düsseldorf and Berlin, than Günter Schickert also began his first musical experiments. Although GAM, the group he founded in 1973, did not then release a record, he did issue his first solo effort, Samtvogel, a year later -- an album which was eagerly snapped up and re-released by the Brain lab…
Deep archeology into a long buried and previously undocumented chapter in the history of the early '70s loft era brings forth the revelatory Father of Origin, Eremite's box set retrospective of percussionist/bassist Juma Sultan's Aboriginal Music Society. Drawn from Sultan's mammoth private archive of recordings, this ground-breaking set includes two audiophile LPs and a CD, a 28 page 12x12' book featuring previously unpublished photographs and ephemera and a detailed historical essay by jazz sc…
Three guys in South Africa obsessed with Can, Red Crayola, Pere Ubu & like sounds, a disdain toward apartheid, & the means to record themselves make one fantastic 200+ press LP in 1981 which disappears in obscurity. S.S. Records gives it a second life. Underground DIY classic which belongs on the NWW list (if they only knew about its existence!). 330 pressed.
More from the Danish queen of the tape, this one differing rather significantly from Et Glasperlespil in its more pronounced use of concrète elements and the near-presence of a narrative - Else Marie Pade (b. 1924) is one of the pioneers of electronic music in Denmark. From the beginning of the 1950s, she, in close co-operation with technicians and assistants on Radio Denmark, produced a substantial amount of concrete and electronic music, partly in the shape of independent works for radio b…
Spoon Records and Mute are delighted to announce the release of Can -- The Lost Tapes, the long awaited box set of unreleased studio, soundtrack and live material. The Lost Tapes was curated by Irmin Schmidt and Daniel Miller, compiled by Irmin Schmidt and Jono Podmore, and edited by Jono Podmore. When the legendary Can studio in Weilerswist was sold to the German Rock N Pop Museum, they bought everything, including the army mattresses that covered the walls for sound protection, and reloc…
The name “Colin Potter” instantly rings bells in the head of experts of Nurse With Wound, Ora, Monos and parallel galaxies, not to mention a clutch of hidden beauties released as a solo artist. Back in the late 70s/early 80s, the man was already producing a sizeable quantity of recorded materials on limited edition tapes, the opening experiments in a route that led him to the above mentioned heights besides fabricating other kinds of sounds for exhibitions and documentaries at his ICR studio. Th…
Hermann Nitsch outstanding performance on the organ, his favorite instrument, in Pauluskerk, Tilburg... 4 heavy organ drones recorded in a church during the Incubate Festival where Nitsch also did a performance. Comes in a gatefold sleeve with pictures of the performance. Limited to 300 copies
Recorded live in concert. Rome, Italy December 12-13, 1977 by Nicola Bernardini and at Teatro Comunale, Pistoia, Italy December 14, 1977 by Carla Lugli Originally released as Real Time – ICTUS LP 006 and as CD on Ictus Reissue Series #4 including never released before tracks and Real Time Two ICTUS Reissue Series #8 CD except #6 * un-issued All Tracks Digitally Re-Mastered and Edited By Andrea Centazzo 2005 About: It has been a pleasure finding recently in the ICTUS archive two tracks from…
The original LP was released as a sound track on EMI 1975. Improvisation studio recording with LSD and Hashish. Recording member: CYRILLE VERDEAUX, TIM BLAKE (GONG), GILBERT ARTMAN (LARD FREE, URBAN SAX)...etc. Reissue with elaborate miniature paper sleeve of the original LP. 2008 digital remaster version, limited 1,000 copies!
On a rainy night in November 1980 Truus went to see Rhys Chatham's band in her Hometown of Eindhoven. Never suspecting that this evening would change the course of her life ! She met David Linton who played the drums with Rhys. They struck up a whirlwind friendship. Upon their farewell, David mentioned 'come see me in New York'. Fast forward two months later and Truus was in New York. Armed with backing track tapes, David and Truus started jamming around in his loft. Soon his roommate Lee …
For Bunita Marcus has an aura like that which emanates off Rothko’s greatest paintings, an aura that makes the experience, no less than the creation, more than an act of will, an act of devotion. — Art Lange
Neither has been identified by some as an opera (it was commissioned by the Rome Opera) but it makes use of none of the conventions of traditional opera. There is no story, no mise-en-scene. The intensity results from emotional/aesthetic tension, not plot manipulation or character confrontation. The music does not attempt to accompany or depict the text in the usual fashion; instead Feldman has created a kind of musical equivalent to the environment that Beckett's words suggest, invoking …
Arthur Russell, amplified cello and voice; Bill Ruyle, tabla, marimba; Peter Zummo, trombone; Rik Albani, trumpet; Guy Klucevsek, accordion; Mustafa Ahmed, percussion. with accuracy and humor, peter zummo (born 1948) often describes his unique music as 'minimalism plus a whole lot more.' he is an important exponent of the american contemporary classical tradition whose compositions explore the methodologies of not just minimalism, but also jazz, world music, and rock, while seeking to cre…
This latest release on the excellent Forced Nostalgia imprint is by some distance its most illuminating release to date - a split LP that features an astonishing rediscovery from the early 1980's synth-pop era. That album is 'Whisper Not' by Vazz - a duo consisting of Anna Howson & Hugh Small, and is redolent of so much classic, deeply cherished music from around the same period (think Crépuscules, Antena, early Cocteau Twins on the one hand, and The Cure's 'Seventeen Seconds' on the othe…
Debut release on this new imprint brought to you by FInders Keepers, Pre-Cert Home Entertainment and Boomkat, "Voices Of Packaged Souls" was the first album recorded by Suzanne Ciani, originally pressed up as a private edition of just 50 copies and now available in this limited run of just 1000 housed in screenprinted silver foil sleeves faithful to the original pressing** Dead-Cert is a brand new reissue venture with a focus on genuinely rare archival curiosities of early computer music, …
Much needed reissue of this early computer music classic, recorded between 1977 and 1980 and one of the first albums to feature music produced almost entirely with digital synthesizers. Remastered from the original tapes and cut to vinyl at D&M Berlin - made in an edition of 700 copies only, initial copies come on strictly limited white vinyl* Digitalis dig deep to unearth and reissue one of the first albums to be produced almost exclusively on digital synthesizers. The work of Canadian composer…
The second album of the Phantom Band is quite different to the predecessor. The line-up features the spoken word performer Sheldon Ancel on the microphone instead of bass player Rosko Gee. Whilst the debut album revealed many Caribbean or African influences and a generally positive frame of mind, "Freedom of Speech" is a somewhat darker avant-garde rock manifesto, interspersed with individual dub or reggae pieces. All they have in common are Jaki Liebezeit's inimitable monotone polyrhythm…