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Reissues

Hippocosmos - Onuitgegeven Opnames 1967-1979
"A monster in the ultra eczema archival series, we have been wanting to put this out since some years now and are really proud of this great document!Paul De Vree was a very active man, a visual artist, a publisher of various books, editor of the international visual poetry revue "de tafelronde", and a intense international communicator with other artists and poets such as Sarenco from Italy, Henri Chopin from France, etc.this lp was released at the Symposium about Paul de Vree (1909-1982) under…
Lebenserinnerungen Eines Lepidopterologen
Unavailable for over 10 years, this new edition of 'Lebenserinnerungen Eines Lepidopterologen' ('Memoirs of a Lepidopterist') collects the collaborative and early solo works of Andreas Martin and Christoph Heemann as an extensive 2CD retrospective. Moving between minimalist guitar compositions, tape-music narratives, and an array of cascading electronics, each of Martin and Heemann's solo recordings blend seamlessly within the milieu of their collaborative work. While one can hear how this forge…
Narc Beacon/Nag Nag Bacon
Goodiepal or Gæoudjiparl van den Dobbelsteen, whose real name is Parl Kristian Bjørn Vester, is a controversial Danish/Faroese musician and composer. The eccentric and self-made Goodiepal has influenced the course of modern music through radical excursions into computer technology and media art. Until recently he has been employed as a teacher at DIEM (Danish Institute for Electro-acoustic Music) at the Royal Academy of Music in Aarhus, Denmark. Goodiepal declared intellectual war against …
Schwarz (Eruption)
Kluster was a short-lived project of three musicians/artists/performers: Dieter Moebius, Hans-Joachim Roedelius and Konrad Schnitzler. They recorded two albums in 1970, unprecedented in their experimental radicalism. Chaotic, apocalyptic (noise) improvisations, a sound later termed industrial music. Kluster disbanded as Moebius and Roedelius found the financial risk of bringing out a third album too daunting. Schnitzler decided to go ahead on his own, releasing the material they had recorded tog…
Works 1987-1993
Both of these projects hardly need an introduction. Merzbow is since the late '70s the project of Masami Akita working in the field of noise music, having released a few hundred CDs/LPs/cassettes by now. In 1987 Kapotte Muziek was then the solo project of Frans de Waard, after Christian Nijs left the group early '87. De Waard concentrated on working with other musicians, and started trading tapes with a few musicians he was already in contact with, and one of them was Merzbow. The first release …
Palais Schaumburg
The influential German post-punk electronic pop band Palais Schaumburg has reunited in the classic line-up. Since its release in 1981, their debut album has remained in a league of its own: fleet-footed and peculiar, abstract and pop, amateurish and savvy, it showed real alternatives to the then-pervasive crude search for identity found in the "new German wave." The band, which consisted entirely of divergent personalities, has reunited in this formation to rediscover their common ground, …
Apollo And Marsyas: Het Apollohuis 1980-1997 An Anthology Of New
A special bundle edition for this double CD-set with accompanying 4 books that provide an outline of the programme series as het Apollohuis from the fall of 1980 to the mid 90s. Four catalogues and the two discs with thirty-eight excerpts are arranged in chronological order and give a truthful and appealing view of the width, the depth and the diversity of the concert programme of Het Apollohuis. The CDs feature Derek Bailey / Ernst Reijseger, Tom Johnson, David Gibson, Group 180, Rolf Juliu…
Con 3
This album saw Conrad Schnitzler head further in the direction of pop music. Like Consequenz, Con 3 (1981) is a collaborative effort with Wolfgang Seidel, alias Sequenza. Con 3 is a really odd mixture of numerous ingredients which Schnitzler was capable of combining with dexterity and taste. His musical handwriting is immediately apparent in the foreground. Effervescent electronic sequences can be heard on all nine pieces, coming from somewhere and appearing to go wherever -- this is Schnit…
Consequenz
Commercial Schnitzler? How quickly, how prematurely are opinions and judgements bandied about when an artist suddenly changes the form of his work. Conrad Schnitzler fell under such a cloud when, after 1978, his songs, for a time at least, did not exceed the catchy compactness of pop songs, while their harmonies and rhythms seemed to be drifting towards pop. Produced by Peter Baumann (Tangerine Dream) the Con (1978) album and the Auf dem schwarzen Kanal 12" EP (1980) ushered in this phase, …
Produkt der Deutsch-Amerikanischen Freundschaft
Bureau B reissues the first Deutsch-Amerikanische Freundschaft album, originally released in 1979. True D.A.F. connoisseurs will, of course, be aware of the early phase of the Düsseldorf-Wuppertal combo. But most fans of the subsequently world-famous duo may well be taken aback when confronted with their debut album: forceful synth bass sounds, snappy rhythms, Gabi Delgado and leather all conspicuously absent. In their place, pure instrumental, unstructured noise-rock, played by long-haire…
The Unrock Tapes
Repressed. After having released records on labels such as Locust, Drag City and John Fahey's Revenant, Richard Bishop's The Unrock Tapes contains eight complete tracks, six of which are highlights taken from earlier tour CD-Rs that were released on micro-editions years ago. They have never been available on vinyl. Two completely new and unreleased songs make this album even more special. Bishop's guitar-playing skills contain a variety of influences. They could arouse the absurd impression…
Musique Electronique (1975-1983)
"This lovingly produced and gorgeously packaged LP contains seven previously unreleased electronic pieces that Gagnon realized at McGill University’s Electronic Music Studio. Leading off the proceedings is “Gwendoline Descendue!,” an electronics/tape piece crafted from snippets of Moog modular tones and a variety of instruments created by Hugh Le Caine. It’s a dramatic sample of sci-fi movie elements and jarring bursts of sound that heighten the tension. “Sea Lunch” was created with the not-quit…
Tres Cabecas Loucuras
Tres Cabeças Loucuras is the third album by Sao Paulo Underground. It's a very catchy, jazz + electronics album filled with sunny melodies, beats, noise, sounds and songs. The group formed around Rob Mazurek (cornet and electronics), a key player in the Chicago post rock/modern jazz scene, who has played with everyone from his own Exploding Star Orchestra and Chicago Underground projects to performing and/or recording with Tortoise, Jim O'Rourke, Pharoah Sanders, and many more and whose work ref…
Big Chief
Examples on record of sunny murray's enduring originality and influence as a drummer are many (refer to eremite 14, 45 & 46, among others), but very few recordings demonstrate his strikingly unusual voice as a band leader and composer. none do so more spectacularly than his 1969 album big chief. unfortunately it's been a sick collector's item since long before ebay. so it is with great pride and satisfaction that eremite returns to our friends in the human clan this long unavailable masterpiece.…
Red, Black And Green
Originally produced and issued by charles 'bobo' shaw himself, red, black & green, by the band "solidarity unit, inc." documents what happened at "the bag room" in st. louis, mo, the day jimi hendrix died.   shaw & the ten piece group produce a raw, teeming clattering sound, captured in a gloriously blunt low-res recording as stark as the b&w cover art.  lake & bowie were by this time already powerful soloists, & both declaim fervently and damn near relentlessly over shaw's swaggering themes. de…
Here Come The Cars
A year after the Clean's reunion LP Vehicle (also their first proper album ever) put them back on the international-pop radar in 1990, guitarist David Kilgour retreated with his new Revox tape machine (which he'd been singing about rapturously in his side-project Stephen and elsewhere: "Have you seen my new tape machine?!") and cut his first solo album, Here Come the Cars, issued by Flying Nun in 1991. From the jarring cover image of David through to the last note, Here Come the Cars is a specia…
1973
1973. Alfred Harth, tenor and sopransaxophon, lur. Nicole van den Plas, piano. Sven-ke Johansson, drums.
New World Pygmies Vol.2
Eremite continues its documentation of this remarkable duo, who have played together since 1973, with a double c/d set (140+ minutes) featuring two concert recordings from a 2000 tour. on both versions of "new world pygmies," parker's recent interest in double-reed instruments & moondoc's introduction of a soprano saxophone move their music into realms of joyfully non-tempered playing recalling the Master Musicians of Jajouka. elsewhere the bass & alto join for ravishing performances of composit…
Drum Dance to the Motherland
Deluxe reissue of this outsider holy grail, cosmic free jazz at the top!!There's not another record on the planet that sounds even remotely like vibraphonist khan jamal's eccentric, one-of-a-kind masterpiece, drumdance to the motherland. in its improbable fusion of free jazz expressionism, black psychedelia, & full-on dub-like production techniques, drumdance remains a bracingly powerful outsider statement thirty-four years after it was recorded live at the catacombs club in philadelphia…
Gong / Ear
** Limited edition of 305 copies, each with a hand-cut facsimile brass gong, silkscreened with Corner's calligraphy and mounted onto the jacket!!** A major figure in 20th century arts and music (and beyond), Philip Corner studied with Henry Cowell and Olivier Messiaen, and was one of the original Fluxus conspirators, among other highlights of his long and storied career. As part of the body of his 'Metal Meditations' work, Gong/Ear is a decades-long series of improvisations with dancers. Utilizi…