Reissues
Music for Fragments from the Inside
A "classic" from the Sub Rosa catalog, never released on vinyl before. An astonishing piano-player drifts on beats and soundscapes. Recorded during a magical night in the courtyard of a Siena Renaissance Italian Palazzio where the lightness of Harold Budd meets Eraldo Bernocchi's deep electronics. Beats and bass, drones and soundscapes tie together harmonically to meet one of the most emotionally-involving piano players/composers.
Hortexte Zwei
A precious double picture disc LP and booklet of radio plays (Horspiele) from sound artist and poet Ferdinand Kriwet, presenting 6 works including Hortext I, and Rotoradios I & II. Ferdinand Kriwet (b. 1942, Dusseldorf, Germany) is a German visual and audio artist who has produced films and sound works for radio and television, in particular throughout the 1960s and 1970s. As a sound artist, Kriwet is more known for his Horspiele (radioplays) series named Hörtexte (Radiotexts) produced for G…
Seguente
Re-release of ed. RZ LP Luigi Nono plus three remarkable recordings. All works by Luigi Nono: ("A Carlo Scarpa" for large orchestra), ("A Pierre" for contrabass flute, contrabass clarinet and live electronics), ("Guia Al Gelidi Mostri" for electronically treated winds, voices and strings). Plus an additional CD of compositions not on the original LP: "Caminantes" and "No hay caminos, hay que caminar." Regarding Nono's concept of "new listenings": "This no longer means revolutionizing the e…
Rang'ala
Open-hearted, fresh, lovely, bumptious recordings of women’s singing, from Rang’ala village in southwest Kenya. ‘Dodo’ is a type of traditional Luo music mostly used for entertainment at weddings, drinking parties and wrestling festivals. Songs in praise of the happy couple, the hardest drinkers and the best wrestlers. Ogoya Nengo was born in 1943. Her vocal abilities were discovered when she was herding cattle, as she never attended school, though nowadays her professional name signals bot…
Tape Archive 1973-1978
MILESTONE! Bureau B releases a limited 3LP box set to celebrate Hans-Joachim Roedelius' 80th birthday. During the legendary Forst years, Roedelius had a private workspace with a Farfisa organ, a Revox-A77 tape machine, an echo device and a synthesizer which he borrowed from the Cluster studio next door, now and again. Here he experimented, practiced, and allowed his imagination to flow at any hour of the day or night, whenever he was not in the studio with Dieter Moebius and/or Michael Rot…
Through Two More-Than-Mysterious Barricades
“Les Barricades Mistérieuses,” the harpsichord gem by French Baroque composer François Couperin, has been a long-running source of exploration for Fluxus musician Philip Corner, who for years has used it as a jumping-off point for piano improvisations. Through Two More-Than-Mysterious Barricades comprises two very different takes on the same piece. The first dates from 1992, in collaboration with dancer Paulette Sears (who provides the ‘singings and screamings’ of the album’s subtitle); it moves…
Forms Of Forgetting
Forms of Forgetting is a studio construction investigating memory/forgetting and attention/inattention as catalysts for formal development in long-duration sound work. An extension of Seth Cluett’s gallery-based practice and created out of a sequence of materials developed for performance, the piece is the culmination of two years of in-situ live experimentation. Part site-specific performance, part modular, mobile form, this work employs techniques that aim to explore the fallibility of …
The Golden Hour
Portland guitar wizard Marisa Anderson's long-awaited solo guitar record. Marisa has been a fixture on many a music scene for years and years, playing with everyone from the Evolutionary Jass Band to Tara Jane O'Neil to The Dolly Ranchers. In any context, she can't escape her rag/blues/folk roots, no matter how hard she tries. On this LP featuring only guitar, no vocals, no overdubs, we are treated to a very intimate-sounding home recording filled with delicate grace. Comparisons to John F…
The Long Hot Summer/Interview Oct. 1969 /Waiting for Commercials
This CD restores three documents from the Charlotte Moorman canon. One happy example is a choral work performed on the 3rd of September 1964, during the second New York Avant Garde Festival, a performance of Jackson Mac Low's composition "The Long Hot Summer." This very relevant concert, distinguished by a marked ethico-political intonation and valence, sees in an exceptional reunion the names of Charlotte Moorman, Nam June Paik, Benjamin Patterson, Philip Corner, and Malcolm Goldstein, as well …
TV cello
Of the famous "TV Cello," conceived by Nam June Paik for Charlotte Moorman as a "living sculpture," this CD offers an in-situ recording released on one of the three days inaugurating the Paik retrospective at the Museum of Contemporary Art in Chicago, on the 11th, 12th and 14th of September in 1982. This version contains, respectively, the "TV Cello Duets" with Paul Garrin and the "Concerto for TV Cello and Videotapes," largely improvised, "including a tape collage by Ornette Coleman prepare…
Musiciens - Magiciens
Atoll is one of the most renowned progressive rock bands to came from France and is also the only French band that had an English vocalist in its lineup. Atoll released five studio albums in all, and "Musiciens Magiciens" is their first, originally released in 1974. Featuring a unique, almost symphonic sound, with dynamic and melodic arrangements, Atoll are sure to appeal to fans of Genesis, and Yes, as well as fellow countrymen such as Mona Lisa, and Pulsar. Reissued in a deluxe gatefol…
Ignobles Limaces
Ptôse possess an early electro-wave-experimental sound with lots of primitive electronics, drum machines, and funny voices. It is all obviously influenced by The Residents as well as groups like Tuxedomoon, Der Plan, Pyrolater, etc, yet remains unmistakably French. This album probably resonates even stronger today in these post-post times than it did upon its original release in 1984. Reissued on 180 gram vinyl.
Z=7L
Zao was founded at the beginning of the seventies by Yochk'o "Jeff" Seffer (saxophone, clarinet) and François "Faton" Cahen (pianos), both ex-members of Magma's first era, which includes the albums "Kobaïa" (1970), "1001 ° centigrades" (1971) and "Uniweria Zekt-the Unnamables" (1972). In this first album from Zao, "Z = 7L" (1973), the very complex melodic instrumental layers are enriched with the wonderful voice of Mauricia Platon (with its kobaïan accents). Zao’s progressive/zeuhl sound has lon…
En Public Aux Etats-Unis D'Amerique
Etron Fou Leloublan were a French avant-rock band founded in 1973 by actor and saxophonist Chris Chanet. They were one of only four bands invited by Henry Cow to perform at 1978’s Rock In Opposition festival. This, their third album, was recorded live while on tour in the United States. Recorded in public at the Squat Club, New York City, Trinity College, Hartford, Conn. in November 1979, “En public aux états-unis d'amérique” is the perfect introduction to the group’s avant-rock mayhem. Reissued…
Aachen Konzert, July 25th, 1966
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…
WBAI Concert, New York, Sept. 12th 1964
This CD highlights an exceptional document, a performance recorded by radio station WBAI in New York on September 12th, 1964. This event superbly represents the type of repertoire that Charlotte Moorman and Nam June Paik cultivated and proposed in the U.S., in the years following their meeting, in their memorable "duo" exhibitions. The program of the concert presented several true war-horses of their exhibitions like "26'1.1499 for a String Player" by John Cage, "Duet II" by Toshi Ichiyana…
Looking Ahead!
"One of Cecil Taylor's earliest recordings, Looking Ahead! (1959) does just that while still keeping several toes in the tradition. It's an amazing document of a talent fairly straining at the reins, a meteor about to burst onto the jazz scene and render it forever changed. Looking Ahead! is a vital recording from the nascence of one of the towering geniuses of modern music and belongs in any jazz fan's collection." --AllMusic
Live at the Cafe Montmartre
Jazz Advance is the debut album by pianist Cecil Taylor recorded for the Transition label on September 14, 1956. The album features performances by Taylor with Buell Neidlinger, Dennis Charles and Steve Lacy. "Though many did not understand his approach at the time, the passing years temper scathing criticism, and you can easily appreciate what he is accomplishing... With Jazz Advance, the revolution commenced, Taylor was setting the pace, and the improvised music world has never been the sam…
Jazz Advance
Jazz Advance is the debut album by pianist Cecil Taylor recorded for the Transition label on September 14, 1956. The album features performances by Taylor with Buell Neidlinger, Dennis Charles and Steve Lacy. "Though many did not understand his approach at the time, the passing years temper scathing criticism, and you can easily appreciate what he is accomplishing... With Jazz Advance, the revolution commenced, Taylor was setting the pace, and the improvised music world has never been the sam…
Abstract
"'Audiences now seem to be understanding what we're doing. We've stepped up the amount of free-form to about fifty percent, and all over the country we're getting better receptions for this kind of music than we get for conventional modern jazz.' Free-form tries, says Harriott, to add color to jazz: 'Of jazz's various components -- constant time signatures, a steady 4/4 tempo, themes, chord sequences, and so on -- we aim to retain at least one in each piece. But we may dispense with all t…