“The fearless work of the late avant-garde pianist is celebrated with a momentous new anthology, showcasing his immense talent and passion. (8.4)”
When he was in kindergarten, the late avant-garde pianist “Blue” Gene Tyranny brought his favorite records to show-and-tell. He made tape recordings of sounds in his backyard, sang in his Lutheran church’s choir, and even attended additional Baptist services to accompany them on piano. At 11, he took composition classes at Trinity University, where his teacher sent him off with Charles Ives and Harry Partch LPs after their first lesson. For one of his early assignments, he unintentionally composed a 12-tone piece. He soon befriended composer Philip Krumm, and the two put on events where Tyranny performed music by John Cage, Morton Feldman, and Anton Webern, as well as theater pieces from Dick Higgins, George Brecht, Yoko Ono, and La Monte Young. He was 14 at the time.
Despite his stage name, Tyranny was a kind, funny, and self-effacing person who uplifted others whenever possible.
Originally published by Pitchfork.Read the full review on Pitchfork
