The French improviser Pascal Battus seems like the ideal representative for the unique catalogue of Potlatch. Always experimenting, he has been focusing for many years now on building percussive environments (now, this might be a neologism), utilizing rotating surfaces with whatever has in his hands. From prepared guitars, percussion instruments up to any kind of small electronic device. You should definitely check his work with Bertrand Gauget and Eric La Casa, Ichnites (again on Potlatch) with Christine Abdelnour, plus Froid Solaire, with Magali Sanheira, which came out around the same time as Miracle.

As for saxophonist (here on sopranino and soprano) Michel Doneda what there is to say, that hasn’t been said? I consider him one of the few sax innovators of the past three decades.