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Pitchfork
★★★★★

“Shimizu’s long career has encompassed jazz fusion, city pop, and the omnivorous experiments of his group Mariah. This unreleased 1984 album showcases his electronic work at its most experimental.”

Yasuaki Shimizu’s endless curiosity has fueled decades of tireless creative endeavors. As a child, he learned to play multiple instruments—violin, clarinet, piano, guitar, percussion—but landed on the saxophone as his primary vehicle for expression. Ornette Coleman and Rahsaan Roland Kirk would influence his playing, but he soaked up all the musical education he could. Radio in hand, he’d dial in from his home in the Japanese countryside to hear sounds from across the world: chanson and flamenco, rock and canzone, music from Africa and music from the Middle East. He loved it all, but could just as easily walk to nearby rice paddies and revel in the insects orchestrating their own song. Nothing was off limits, which meant everything could inspire. As he grew older, local record stores would import more sounds from overseas.

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