“Crafted at home in a period of unusual focus, the Italian synthesist’s latest album feels like a reflection of a world gone haywire: one part prayer, one part screaming at the void.”
Holiness has a way of creeping into unexpected spaces. Caterina Barbieri’s Spirit Exit, her first foray on light-years, the label she founded after 2017’s lauded Patterns of Consciousness, is proof that the same spirit that takes hold of you in a basement club can also reach inside the walls of a locked apartment while a virus ravages the city outside. In Barbieri’s case, the space was Milan, the time 2020, and the synth virtuoso’s latest project is an aptly named portal between chaos and transcendence. Uncertainty lets the light in, and the Italian composer’s music, created on a custom modular synth that she thinks of “more like a mechanical fortune teller,” is incandescent with discovery. The songs are an unexpected but faithful reflection of a world gone haywire: one part prayer, one part screaming at the void.
Originally published by Pitchfork.Read the full review on Pitchfork
