Joining their long-standing effort to reissue the most important and difficult to obtain artifacts from Merzbow's sprawling back catalog, Urashima returns with "Collection 001_010", an absolutely stunning 10 CD box set comprising the entirety of the project's "Collection" releases, originally self-released between 1981 and 1982 on Masami Akita's "Lowest Music & Arts" imprint. Capturing some of the band's earliest explorations, when it was still a duo of Akita and Mizutani, these are some of the most introspective, accessible, and engaging recordings ever made by a project that has long been defined by its unadulterated sonic assault, and represent a surprising ground zero in the movement of Japanese noise.

When it comes to Japanese noise, few projects have pushed boundaries or risen to a more iconic status than Merzbow. The mutant child of punk and experimental music, the project’s blistering sounds - as singular and wild as they are unique - are among the movement’s most important, definitive statements, continuously laying the groundwork for countless artists who have followed in its wake. Like so many artefacts of Japanese noise, Merzbow’s output - often released on small labels in tiny editions - has largely remained difficult to access and highly sought after. Fortunately, over the last few years, the Italian imprint, Urashima, has made serious inroads to making the project’s back catalog available via a dedicated reissue effort. Their latest, "Collection 001_010”, is among their most ambitious and expansive yet.

Merzbow came roaring onto the Tokyo scene in 1979, and remains, to this day, one of the most prolific and aggressively forward-thinking projects in experimental music. Eventually simply the moniker adopted by Masami Akita, in its earliest incarnation Merzbow was a duo of Akita and Kiyoshi Mizutani, taking their name from German artist Kurt Schwitters' pre-war architectural assemblage, The Cathedral of Erotic Misery or Merzbau, and quickly set out to challenge entrenched notions of what music could be. Embracing technology and the machine, even in its earliest iterations, Merzbow broke boundaries and pushed toward new territories of the extreme, arriving at a sonic space of pure, unadulterated noise that has continued, now for over 40 years, to set the pace for the entire genre of noise.

Merzbow was an early adopter of DIY cassette culture, self-releasing numerous cassettes, beginning with 1980’s “Fuckexercise”, on Akita’s newly launched “Lowest Music & Arts” imprint. Following hot on that album’s heels the following year, the project, still then the duo of Akita and Mizutani, launched a monumental project of releases, ten cassettes documenting their diverse activities, entitled “Collection 1-10”, now reissued as a complete collection of 10 CDs, for the first time, by Urashima.

"Collection 001_010" is easily one of the most important Merzbow reissues to have emerged in recent years. Not only does the collection’s contents rest incredibly close to ground zero of the Japanese noise movement, but it is a striking illumination of Merzbow’s early, rarely accessible activities, often entirely defying the perception of the project as full throttle sonic attack.

Recorded at various locations, the Merzbow we encounter at the dawn of the 80s is a more introspective, searching affair, often heavily defined by a close collaborative dialog between Akita and Mizutani. Unlike later Merzbow, within which bodies of exploration can be divided into rough eras, each entry of “Collection” appears like a free-standing world, with the project following a line in inquiry and experimentation towards a logical unforeseen conclusion, incorporating a vast range of instruments - tapes, organ, guitar, violin, percussion, effects, clarinet, synthesizers, drum machines, etc. - in a series of comparatively restrained, delicate works that draw surprising musicality from harsh distances and rhythms, sometimes driven inexplicably toward flirtations with pop music by the use of drum machine.

Ranging from free-flowing acoustic improvisations, tape manipulations and reworks of previous recordings, full throttle explorations of pure electronics, “Collection 1-10” is the roots of Merzbow as it would never be heard again, unveiling the intricacy and introspectiveness that has always rested below more than 4 decades of Masami Akita’s wall of noise. Spanning a vast range of creative output and numerous roads less travelled for the project, these singular works are also among the most listenable, engaging, and inviting of anything Merzbow ever produced, making them a perfect place for new fans to dive in, while holding the possibility of endless revelation for the indoctrinated.