“… really packs a punch. It positively pounds!”
Some music can be truly characterized as striking. Alain Thibault’s new album Volt, brought to us by Canadian publisher empreintes DIGITALes, really packs a punch. It positively pounds!
The opening piece, Concerto pour piano MIDI, follows the classical concerto schema, but the computer driven synthesizers and sequencers drive us into a decidedly contemporary space. Jacques Drouin does an admirable job of sticking with what Thibault himself describes as “the nightmarish precision of tape.”
Originally published by Paris Transatlantic.Read the full review on Paris Transatlantic
