A strong case could be made that the vinyl version of Trippin’ Musik is the logical culmination of several conceptual threads that have always driven Steven Stapleton's work, as it combines a lavish visual presentation with a playfully twisted and enigmatic "hall of mirrors" approach to the actual music.  It is both an art object and a kind of surrealist game of chance: some songs are weirdly beautiful and immersive, while others are grinding, one-dimensional endurance tests.  None of the songs or records are numbered or identified, so the album's sequence is dictated entirely by the choices of the listener (and those choices will unavoidably be blind ones at first).  The newly issued CD version, on the other hand, offers a significantly altered and enhanced version of the Trippin’ Musik experience, as there are actual song titles and an ostensible sequence.  I definitely appreciate the…