Naldjorlak
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This album brings together two complete performances …
Continuité, fragilité, résonance
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later recorded it for this album with the presence of the composer, during a three-day recording session in August 2022 at the Auditorium of Zentrum Paul Klee in Bern, Switzerland. Both quartets have premiered other works of Frey's in the past and have a d…
L’Occhio Del Vedere
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic residency at GMEA in Albi, France, he and Tarozzi and Holterbach made a trio recording, which was later completed by Di Domenico as a one-hour piece. Within a ‘triptych’ structure framework, sparse melodies discreetly and repeatedly emerge from the three i…
Alvin Lucier: Navigations
*2023 stock* “It is not enough just to play the right notes at the right time in the right way; one must also have the right consciousness. It places the performer in the role of explorer of the interior in order to produce, and being still in order to be active.” — Pauline Oliveros "These words, spoken by Pauline Oliveros, remind us of how fundamental an influence Alvin Lucier has had on the development of new music and its interpretation; they remind us of our role as explorers of sound, and o…
Four
*In process of stoclking. 2023 stock* A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.
Baobab
*2023 stock* "Originally written for orchestra, Phill Niblock’s Disseminate (1998) and Baobab (2011) were arranged by the composer specifically for the Bozzini Quartet, or rather, for ‘multiples’ of the Quartet: twenty different tracks are mixed in each piece — twenty different instruments, the equivalent of five string quartets. The music is essentially a work on the shifting nature of overtone patterns that arise from acoustic instruments. As composer Robert Ashley convincingly argued, these p…
Spiralis Aurea
Venturing into untapped realms of creative exploration, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, returns to Die Schachtel with “Spiralis Aurea”, a double LP of material that intertwines traces of sacred geometry, collective experience and elusive connections between nature and human kind.
Clear and Hazy Moons
Another young composer who you’ve probably not heard of, but whose music you really should get to know. Four stunning pieces, three played by Apartment House, and one by the Rothko Collective. Brilliant music that really shouldn’t be possible from someone so young.
Vesperi
Another Timbre is back with yet another incredible statement from the contemporary landscape of experimental sound, “Vesperi”, the debut album by the Italian composer Marco Baldini from the Florence-based ensemble, Blutwurst. A striking series of minimal works for acoustic instruments, drawing their inspiration from early music and North Indian (Hindustani) classical music, and executed by two remarkable ensembles - a quartet of two cellos and two double bass, and a trio of cello, double bass, a…
Revolver
*2023 stock* Inspired by the kinetic physicality and aesthetics of balance found in Ken Unsworth's work, the music embodies a feeling of suspension between movement and stasis. Evolving and revolving melodies, poised skilfully in polyrhythmic structures, the music creates an intoxicating and emotional impression. There is a feeling of constant motion and flow of sonic currents that typifies much of Kate Moore's music.
The music shifts from the material world, the gradually shifting stone-like cy…
Rocco e Rollo
*In process of stocking. 2023 stock* "Gottschalk’s works and if you are looking for new-to-you works, this album would be a welcome one to the audio library. The title work of the album starts an eerie flicker of sound from hollow trills that swell to the orchestra’s entrance with a similar character and trills echoed. As the first movement continues, Parisi’s aptitude for both conventional and contemporary techniques are apparent with technical passages sounding effortless as he spans the range…
For Saxophones
*In process of stocking. 2023 stock* "As a chamber music ensemble the saxophone quartet has a surprisingly long pedigree. The first work for it was written in 1857, less than twenty years after Adolphe Sax invented it, a Saxophone Quartette Club was founded in New York in 1879, and by 1896 a California Saxophone Quartet was on tour. While the modern saxophone quartet is now most likely to be associated with the jazz tradition, the standard ensemble of soprano, alto, tenor and baritone saxophones…
Brutto, Ignudo
Proudly co-produced with Teriyaki records, this volume is simply Unique!
Lifelong Ambitions
*2022 stock* "Leroy Jenkins, free jazz's greatest violinist, has always worked best in intimate situations with equally talented partners. He certainly had the optimum conditions on this duet date pairing him with outstanding pianist, composer, arranger, and conductor Muhal Richard Abrams. The duo played six Jenkins compositions for the session, which was recorded live. Abrams and Jenkins frequently alternate roles, letting each other set the pace, never colliding, and forging a highly effective…
Solo Piano
With Solo Piano, Glass presents himself “unplugged” - no electronic keyboards or synthesizers, and no overdubs, either - just solo piano. “Metamorphosis” was written in 1988 and takes its name from a play based on Kafka's short story. Its second track, “Metamorphosis Two”, formed the basis of one of the main musical themes in the film “The Hours”. It is also the song that the American rock band Pearl Jam uses as their introduction music to concerts. “Mad Rush” was written for the occasion of the…
Dyslexic Harp (Deciphered In The Dark)
Amgen presents Jean-Luc Guionnet's Dyslexic Harp (Deciphered In The Dark). Concert for pedal harp solo.
Recorded, edited, mixed and mastered by Jean-Luc Guionnet. Recorded 17th and 18th of January 2010 at q-02, Brussels
The Age of the Russian Avant-Garde - Futurists & Traditionalists
Modernity in Russian music emerged despite its struggles with the Soviet regime in the early 20th century, with the mystical vision of Scriabin’s musical legacy providing a foundation on which to build. In these acclaimed albums we discover Medtner’s life affirming Sonatas, and hear Lourié’s journey from Impressionism to pioneering Cubist conceptions. Mosolov’s works are bold and complex, while Roslavets new tonal system brings ‘fi re and ice’, and Stanchinsky’s sophisticated virtuosity anticipa…
Ys
Florence Cats is a poet, visual artist, sound composer, performer and acupuncturist. Born in Vilvoorde in 1985, she is currently living and working where Brussels meets the Sonian forest. Ys is a generous debut. A genuine personal statement. It's raw and courageous. Sunken Cathedral is Florence interpreting Claude Debussy’s La Cathédrale Engloutie (trans. the Sunken Cathedral). The track reminds me of one of those fabled Charles Ives home recordings. Recording himself on Speak-O-Phone - an old b…
Ogura Plays Stockhausen
This 2 CD album features Japanese pianist Miharu Ogura’s jaw-dropping rendition of Karlheinz Stockhausen’s Klavierstücke I–XI, for solopiano, recorded live at Monopiano festival 2021. Includes a 20 page booklet with
an essay by Robin Maconie, former Stockhausen pupil and author of the book “Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007”.
Solastalgia
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…