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Since the late 1970s Biota has ploughed its own furrow, producing a body of work that resembles nothing anyone else has done or is yet doing. Their compositions evolve in long, constantly shifting timbral blocks filled with fragments and echoes of quasi-familiar musical languages and sounds – or none - and use instrumental resources that span half a millennium and two thirds of the planet to create unique combinations of timbral colour in constant motion; this is a music in which everything is i…