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George Lewis (b 1952) combines an astonishing level of creativity with trenchant critiques of many traditional conceptions about experimental music. The four compositions on this album reference a wide range of ideas, from rhetoric in Ancient Rome to actor network theory, and the album's eponymous composition finds its grounding in the concept of the "assemblage," (or agencement in French) a pragmatic, material, non-teleological approach to composition. Among the album's compositions, Mnemosis (…
The melodic and, in the case of the solo piano music, timbral materials from which Christian Wolff's (b 1934) music is made are rarely unusual; these are ordinary, everyday things. However, Wolff's rhythmic invention is of great range and variety: complex polyrhythms, speech-like-rhythms, the music flowing at a freely fluctuating rate or proceeding in a plain, straightforward manner, silences. This mix of unusual and ordinary results in a music unlike any other. And, in a piece of such length as…
James Romig (b 1971) endeavors to create music that reflects the intricate complexity of the natural world, where fundamental structures exert influence on both small-scale iteration and large-scale design, obscuring boundaries between form and content. Still, for solo piano (2016), inspired by the paintings of Clyfford Still, comprises 43 individual "Iterations" that may be performed in a continuous unbroken strand of music that lasts approximately 55 minutes, or it may be divided into smaller …
The title Dialogues and Contrasts describes the nature of the exchange which takes place between the performer and the materials committed to tape. In the first movement the exchange is more in the nature of an argument. Though initially each side appears to favor an independent thematic course, as the movement progresses the performers engage in direct response to the statements on tape. The second movement is more subdued and reflective, with many solo passages, particularly from the French ho…
The immersive sonic textures that characterize Michael Winter's (b 1980) music are crafted from comprehensive lists of data, with each composition encompassing a musical question that is addressed algorithmically. A performance lasts for as long as it takes to "answer" the question, expressing all results as efficiently as possible. Winter leaves room for unanticipated results by keeping things open, notably in the instrumentation, which, rather than specifying instruments, tends to designate ce…
Ezra Sims (1928-2015) was known mainly as a composer of microtonal music. Surrounded by world-class performers who championed his music, he produced a large number of chamber and solo, choral, and two orchestral works. With his unwavering commitment to his unique vision, he made an enormous contribution to modern music. This retrospective spans his entire career, almost fifty years of compositional activity, and is an excellent introduction to his very distinctive sound world. Sims’s lyricism an…
Lejaren Hiller (1924-1994) is, understandably, best known for his computer-assisted compositions and works utilizing electronics. The three pieces included in this collection span a crucial fifteen-year period in Hiller's career. The first was written two years before Quartet No. 4 for Strings, The ILLIAC Suite. The second work was written three years into his time as a music professor at the University of Illinois, while the final sonata in this collection was written during his second year at …
Born in Michigan but for most of his life a true Californian, Robert Erickson (1917-1997) had a reputation as a maverick. His musical path was never a straight line, nor, really, a line at all but a landscape, with ranges of features rather than mere points of interest. He was a profound and original musical thinker who embraced the expressive possibilities of all music, from the Western classics and moderns of his own early education to Indian and Balinese traditions and all manner of contempor…
Rory Cowal is a distinctive pianist, one who draws liberally on classical chops, ample experience with improvisation, and a predilection for the new and uncharted. This makes him especially attractive to composers who wish to blur the boundaries between traditional styles and genres. A musical adventurer at heart, Cowal seems drawn to challenging and unusual projects. The eight pieces on this CD reflect this willingness to experiment, to not just play the same old (now canonic) warhorses of the …
"All his life, my father played the trombone and sang; just before he died, he became a music critic. He said "Chords, yes Alvin, but it needs more melody." SCHTYX was the answer. It opens with a dotted quarter at 50. From the start, implications appear and never cease. They remain open for business like a river. The melody, first thought terminal, is recycled on a child's buzz saw, but then reappears as a mensch. Ten minutes later, it turns up a 5/4 Waltz scrutinized by a group of unemployed ha…
2024 stock. This is a recording that explores the "extra"- ordinary potential of the CD not only as a carrier of traditionally recorded instrumental sound (CD 1), but also offering a different view through binaural encoding of the same materials spatialized (CD 2). - Please note: the binaural recording is only available as part of the 2 cd set. not as a downloadFirst you are presented with two solo compositions-Kokoro and Focus a beam, emptied of thinking, outward…-and the duo Process and Passio…
"Sciarrino is an important, and distinctive, figure in the Italian avant-garde. The present work is a setting of thirteen brief texts (its subtitle is ’12 canti e un proverbio’, twelve songs and a proverb) for baritone and 14 instrumentalists – the booklet notes say fifteen, but only fourteen are named. It puts before its hearer fragmentary, skittering sounds, sudden changes of dynamics, as sounds loom out of silence and disappear just as quickly. There are fluttery, fugitive sounds, repetitive …
"All is alive in Liza Lim's music, permeated by unstressed urgency. It's hard to think of anything less Kafkaesque than her Annunciation Triptych, in which she shatters the Romantic trope to pieces, rebuilds it in other ways, and uses the orchestra as a historical and cultural prism wherein the women - Sappho, Mary, and Fatimah - are portrayed as sources of transhistorical light in every movement. Each 'prism-orchestra' is, moreover, an assemblage itself, filtering its figure's radiance in unpre…
Stunning document of a one-off performance by Powell and London Contemporary Orchestra at Barbican Centre, London. Captured from a three-hour multi-channel recording of unheard music. Unique acoustic rendering of a unique moment in time.Performed in January 2022 alongside works by Jon Cage, Alvin Lucier, Micah Levi.First music on Diagonal after a brief pause for growing up and babies.
*Includes a 40-page booklet with full text of the work, introductory texts and photos.* Giovanna Marini is an almost unique figure in Italy: a classically trained musician (graduated from the Conservatory of Santa Cecilia in Rome, perfected as a guitarist with Maestro Andres Segovia, then a lutenist with Maestro Quaranta's "Concentus Antiqui" ensemble), from the early 1960s she began a work of studying and transcribing songs from the Italian folk oral tradition. Beginning with "Bella Ciao" in 19…
*2022 Stock.* “I was born and raised in Kentucky, and for many generations my direct ancestors and extended family have been farmers. So, creating music that is ‘about’ soil, plant life, and the natural world, is my way of honoring that legacy.” Composer Tyler Kline’s tools, though, are not the plow – and vegetables are not the crop – in this collection of brief piano pieces commissioned by and for over a dozen pianists. Instead, Orchard is a celebration of fruit. Each sketch draws on a specific…
Other Minds is excited and proud to bring you a near-unheard early composition by legendary American Maverick composer Lou Harrison, Sonata for Unaccompanied Violin (1936), performed by our friend Kate Stenberg. This short piece was written by the precocious composer when he was barely out of high school, still a teenager, but already a year deep into studies under Henry Cowell, studies that occurred during Cowell's stint in San Quentin State Prison.
The piece was entirely unheard from its comp…
*2022 stock.* Brooklyn-based string instrumentalist/composer Jessica Pavone is known for her sparse, melodic music inspired by folk music, improvisation and minimalism. Modeled after the legendary Leonard Cohen album Songs of Love and Hate, these eleven marvelous and lyrical songs for string quartet use hauntingly simple beauty to evoke the ghosts of things lost. Performed by the brilliant young members of the Toomai String Quintet, this is lovely and expressive instrumental music from this eloq…
*In process of stocking. 2022 stock.* Anyone who thinks of multifaceted composer/performer Fred Frith primarily as a guitar player with Henry Cow and for his 1974 album Guitar Solos is way out of touch with what he's been up to in, say, more than 30 years. The 2008 release of Back to Life on Tzadik represents a good opportunity to reconnect with Frith and summarize what he has been doing since the heady days of his scrambling, intense electric guitar improvisations like "Alienated Industrial Sea…
*In process of stocking. 2022 stock.* Born in Seoul and now a resident of Brooklyn, Ha-Yang Kim is a cellist, composer and improviser who has developed a unique language of extended string techniques and electronics. Drawing upon influences as far ranging as Balinese and Karnatic traditions, jazz, rock, western classical music and downtown experimentation, she has created an original music of imagination and passion. Her first CD features a startling solo piece, two pieces for her long running d…