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Eric Chasalow (b 1955), who grew to aesthetic maturity as Postmodernism was evolving, points (not at all surprisingly) to jazz as part of the family tree. In 1983, Chasalow created a set of three works for soloist and electronic sounds. The composer …
This recording is the product of a remarkable intercultural musical experiment. It contains five strikingly varied works, each one the fruit of musical cross-pollination between America and the island of Bali. The three American composers represented…
Carlos Surinach (b 1915) is an American composer whose Spanish heritage, together with the rigors of German musical training, has enabled him to produce an oeuvre that "achieves an effect of novelty by exploiting all the familiar clichés of the `Span…
Michelle Ekizian (b 1956) and Louis Karchin (b 1951) represent a generation of American composers that has seen postwar American serialism enriched by other compositional approaches, both new and old. The process of stylistic synthesis and individual…
The music of the Chinese-American composer Bright Sheng (b 1955) sometimes floats like delicate fragrances on a breeze and sometimes screams and writhes in actual or remembered agony. This is music, to paraphrase William Blake, of innocence and of ex…
In 1986, three composers and three flutists met in a novel commissioning project supported by a National Endowment Consortium Commissioning Grant. Flutists Ransom Wilson, Carol Wincenc, and Paula Robison, each a longtime supporter and performer of ne…
At the outset of his career, Harold Shapero (b in 1920) was widely recognized as one of his generation's most promising composers. While in his twenties, he undertook to study closely the musical phraseology and rhetoric Haydn, Mozart, and Beethoven,…
A few years ago a German presenter asked me for my "artistic Credo," which seemed a characteristically European request, but in the spirit of international cooperation I furnished the following: "to make each piece different from the others, to find …
Modern music-especially American music, with its tendency to invite various traditions to share the same compositional space-can be a generous art, an art which welcomes inclusivity. Here are works by John Cage (b 1912), Yehudi Wyner (b 1929), John H…
Of the three composers recorded here, it is Jacob Druckman (b 1928) who has changed the most in his approach to composition. After years of involvement with serial techniques, it was in Windows (1972) that he began to readmit elements of the musical …
Stephen Paulus's musical style is melodic and highly rhythmic. He tends to work in traditional forms, and his music is accessible to listeners possessing a wide range of tastes. Those seeking well-crafted contemporary music with a decidedly neo-Roman…
George Crumb's (b 1929) music often juxtaposes contrasting musical styles. The references range from music of the Western art-music tradition, to hymns and folk music, to non-Western musics. Many of Crumb's works include programmatic, symbolic, mysti…
Faye-Ellen Silverman has been prolific throughout her career. She has written a wide variety of orchestral and chamber-music works, which have been performed by major ensembles throughout America and in Europe and Asia. A graduate of Barnard College,…
Perhaps best known for his vast catalogue of vocal music-operas, song cycles, and choral works-Ned Rorem (b. 1923) also has composed three symphonies, four piano concertos, and an impressive array of other orchestral and chamber works. He received th…
William Schuman was born in 1910 in New York. His earliest musical interests were at first confined to current popular music. In 1930, after hearing his first concert of symphonic music-Toscanini and the New York Philharmonic in a program of music by…
While a student at the Horace Mann School, Elliott Carter came to know Charles Ives. Carter continued his education at Harvard and then studied with Nadia Boulanger in Paris. Ives and Boulanger were formative influences: Carter's music draws on Ameri…
Perhaps from the habit of our nineteenth-century parlor-music tradition, perhaps from the frustration of trying to get orchestral works performed, American composers seem to have remained more active in the genre of the chamber sonata than their Euro…
This recording contains four works for violin by four disparate American composers with unique conceptions of the instrument and its possibilities, technical and expressive. Elliott Carter's Riconoscenza is a short work for unaccompanied violin imbu…
John Harbison's music draws together gestures and ideas from musical worlds that reflect such favorite composers as Robert Schumann and Heinrich Schutz, the songs of George Gershwin, and the hieratic qualities of Igor Stravinsky. His work has always …
The Third Essay was Samuel Barber's last completed work and its drama and lyricism are entirely characteristic of the neo-Romantic style he composed in for his entire life, a style which won him a large and faithful audience. In his avowed concern f…