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1989 release ** 20th Century piano music by Nikolai Roslavetz, Arnold Schoenberg, Karlheinz Stockhausen, Luciano Berio, Brian Ferneyhough, Sylvano Bussotti, Salvatore Sciarrino.
1992 release ** "This audite recording pits percussion sounds from Europe and the Far East against each other, creating exciting contrasts. Significant twentieth-century Japanese composers place the marimba at the central point of their compositions and incorporate strongly extra-musical impressions in them. In Dream of the Cherry Blossoms, Keiko Abe was inspired by the blossoming of cherry trees celebrated annually in Japan; the work borrows elements from a traditional folksong. Akira Miyoshi's…
This is a lovely and surprising treat indeed. Composer andmulti-instrumentalist Tim Hodgkinson (Henry Cow and much more) partners with vocalist Atsuko Kamura (Mizutama Shobodan aka PolkaDot Fire Brigade and Frank Chickens) to present 37 compositions,expanding the usual sub-10-second acoustic life of classic haiku into avaried suite of compositions which place the gem-like poems, spokenand sung in both English and Japanese by Hodgkinson and Kamura,into gorgeous musical frames composed by Hodgkins…
1991 release ** How well early, full notated, Cage is standing the test of time, especially the works for prepared piano and for percussion. The Perilous Night is a 12-minute prepared piano piece completed two years before Cage started his classic Sonatas and Interludes. The Perilous Night, which uses fairly elaborate preparations, is nothing like so well known, although included on Jeanne Kirstein's important 1970 CBS double LP. The connection between Cage and Jasper Johns was re-emphasized whe…
1990 release ** "Beautifully performed pieces from 1942 to 1985 by vocalist Joan LaBarbara with piano and percussion. Contains: A Flower (1950), Mirakus (1984), Eight Whiskus (1984), The Wonderful Widow of 18 Springs (1942) for voice and closed piano, Nowth upon Nacht (1984), Sonnekus (1985), Forever and Sunsmell (1942), Solos for Voice (from the Songbooks) #'s 49, 52, 67 (1970), Music for Two (by One) (1984)."
2011 release ** Works for flute and percussion by Petros Korelis, Jacques Di Tucci, Roger Lersy, François Rosse, Alain Féron, Giacinto Scelsi, Yoshihisa Taira, Jean-Yves Naviner.
1990 release ** "The 'Gruppe Neue Musik Berlin' (Berlin New Music Group) represents an interesting aspect of Berlin's recent musical history: unlike comparable ensembles in other German cities, it is not, and has never been, committed to a unified style or to any one school. Although an organised, creative group, improvisation remains a permanent element. The cooperative project's aim is to facilitate performances outside the avant-garde music establishment, while preserving a high standard of i…
1998 release ** "Wendy Mae Chambers (b 1953) is known for the scope and originality of her works, typified by large and unusual instrumental combinations. In Chambers’s own words, Twelve² is a voodoo tone poem in eleven movements for twelve percussionists. Each movement is about 4 minutes in length. The last movement is 4'33" of lots of sound (in tribute to John Cage's 4'33" of silence). Voodoo drumming [calls] forth Cage’s spirit and the bells, chimes, and gongs [celebrate] ... celestial qualit…
1986 release ** "Ondekoza (鬼太鼓座, Ondekoza) ("demon drum group"), sometimes referred to as "Za Ondekoza", is a Japanese troupe specializing in taiko drumming. Founded in 1969 by Den Tagayasu, Ondekoza was influential in the rise of the kumi-daiko (group taiko) style of taiko. Not a taiko player himself, Tagayasu helped transform taiko from a festival-based music form to a virtuosic performance art performed on stage. Ondekoza's performances in North America in 1975 was the first exposure for many…
1991 release ** "Luis de Pablo represents the first post war generation in Spain, a lawyer, his music has graced all the primary festivals of new music in Europe, not so much the USA,nothing at all. He writes incredibly for strings in any genre there, solo, duets or trios. These pieces are more colorful mixtures of winds percussion,piano and strings and reveals a certain surface playfulness, an affinity for the dance gesture I think. The Notturnino has a kind of wispy arid flush of colours, ongo…
Olivier Messiaen saw birds as his greatest teachers, capturing their songs with passion and precision. His piano works, especially Catalogue d’oiseaux and Petites esquisses d’oiseaux, translate birdsong into rich, colorful music. Messiaen’s fascination with rhythm, color, and nature shaped his compositions, blending ornithology with spirituality. Pianist Alfonso Gómez delivers an astonishing interpretation on this recording, adding to his acclaimed discography for this label. As Messiaen himself…
Evis Sammoutis’ music is a dynamic fusion of physicality, virtuosity, and cultural depth. Drawing on his Cypriot roots and diverse training, his compositions explore tactile soundscapes, poetic contrasts, and neurological aesthetics. Works like Echopraxia and In Darkness challenge conventions of imitation and vulnerability, while Rhymes and Engravings evoke intricate structures and materiality. Inspired by literature, visual art, and the expressive potential of sound, Sammoutis crafts music that…
First released in 1969 on the Advanced Recordings label, this album represents Richard Maxfield’s music manifesto. A wild collage of highly manipulated sonic events from an extreme variety of analog sources.
Realized on the legendary Buchla Electronic Music System at California Institute of the Arts, in 1970, this work, based on a series of intense modal improvisations over electric organ drones, stands as one of the greatest examples of early minimalism.
In his album Tarió, Manuel Contreras Vázquez presents a profound engagement with Latin American history, sound exploration, and experimental notation. Through intricate timbral textures and an architectural approach to composition, his works navigate themes of memory, resistance, and human experience. From intimate solo pieces to collective vocal and instrumental forces, Contreras Vázquez challenges conventional musical boundaries, blending silence, phonetics, and social narratives. This album o…
This compelling album presents works by Israeli composer Chaya Czernowin, exploring the fragile balance between destruction and communication, control and surrender. Seltene Erde transforms the double bass and ensemble into a shifting landscape of illusion and resonance, evoking the invisible forces shaping our world. Atara, born from the isolation of 2020, is a powerful orchestral lament, where vast sonic masses collide with the delicate voices of two singers, lost yet luminous. Through these w…