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A suite of five pieces for acoustic instruments and electronics by Argentine-born composer Santiago Diez Fischer, who lives and teaches in France and whose work occupies a unique space between new music, experimental rock, and free improvisation. All five pieces were written specifically for Gyre Ensemble - Alejandro Oliván López (baritone saxophone), Stefanie Mirwald-Keiser (accordion), and Christian Streit Smith (percussion) - a trio whose particular combination of timbres and approaches has c…
How does a composer who spent years immersed in cultural theory and philosophy return to music-making? For Eldritch Priest - known to many through his provocative book Boring Formless Nonsense - the answer involves cultivating a compositional sensibility that appears offhanded while remaining rigorously structured, music that flirts relentlessly with ideas to blur distinctions between trivial regard and focused attention. This release documents three works spanning more than two decades, tracing…
What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroacoustic works - Fluctuating Streams (from The Current Inside, 2019) and Chora (from Vegetal Negatives, 2018) - undergo radical transformation into acoustic versions that stretch, deepen, and reimagine their original forms. Initiated by Blutwurst in 202…
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (piano). These pieces unravel at the tempo of spoken thought, suspending lyrical lines in unhurried motion and sudden illumination.
This double portrait places Chopin’s beloved Préludes in nimble counterpoint with new ensemble works from Ramon Lazkano, translated by Maroussia Gentet and Ensemble Cairn under Guillaume Bourgogne. The result is both homage and reinvention, unlocking resonances between eras through lyric immediacy and textural experiment.
Tzimtzum imagines four sweeping new orchestral canvases from Sarah Nemtsov, weaving Ensemble Nikel’s hybrid-electric force with WDR Sinfonieorchester’s expressive palette under Peter Rundel. Her music traces broken cycles - rupture, echo, and repair - through deeply textured instrumentations and bold structural arcs.
Éclat-Multiples unmasks Pierre Boulez’s music at its most mercurial and sensorial. Michael Wendeberg leads Collegium Novum Zürich and Ensemble Contrechamps through shifting prismatic textures, capturing Boulez’s fascination with timbre, spatial construction, and the suspended motion of silence and sound. Each gesture is meticulously contoured, reinforcing the line between energetic outburst and architectural poise.
Ensemble 0 presents L'Étrange Femme des Neiges, a fresh addition to their exploratory discography and the official soundtrack to a new film featuring Blanche Gardin and Philippe Katerine. This release demonstrates Ensemble 0's knack for understated textures and melodic invention, crafting a sonic atmosphere that seamlessly blends cinematic intimacy with expressive minimalism.
Jeux d’eau by Copenhagen Clarinet Choir and Anders Lauge Meldgaard is an electro-acoustic meditation inspired by the fountains of Villa d’Este. Blending clarinet resonance with the fluid timbres of the New Ondomo, the work reveals a continuous dialogue between water, sound, and human presence—where improvisation and structure merge like converging streams.
**Edition of 200 with artwork by Lutz Beckmann and liner notes by Ralf Hoyer.** Released on occasion of his 75th birthday, Edition Telemark presents the first LP since 1986 by German composer and sound artist Ralf Hoyer. Hoyer's versatile new music oeuvre includes works for chamber ensembles, choir, orchestra, chamber opera, as well as electronic, electro-acoustic and multi-media pieces. Hoyer grew up in East Berlin where he worked as a sound engineer for the GDR record company VEB Deutsche Scha…
Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.
The concert version of Einstein on the Beach by Ictus, Suzanne Vega, and Collegium Vocale Gent distills Philip Glass’s pioneering minimalism into a mesmerizing sound ritual. Stripped of Robert Wilson’s grand staging, Vega’s measured narration weaves through the ensemble’s crystalline precision, revealing the raw musical architecture of this modernist epic.
Infinity Gradient unites Tristan Perich’s meticulous 1-bit electronics and the grand timbre of James McVinnie’s pipe organ in a sustained, seven-part exploration of sonic architecture. This hour-long symphony envelops listeners in a hybrid sound world that fuses mathematical clarity with the emotive breadth of the organ, traversing austere pulses and prismatic harmonic clusters with exceptional scale and subtlety.
Round Sky brings together Léo Dupleix and Asterales in an exploration of just intonation and radiant calm. The album’s three compositions subtly merge analogue synthesizer, harpsichord, spinet, bass, flute, and guitar in landscapes of nuanced minimalism. Methodical in structure yet alive to spontaneous beauty, the record unfolds as a quietly luminous meditation on the complexities of harmony and texture.
Vanessa Wagner breathes new life into Philip Glass: The Complete Piano Etudes, revealing the powerful lyricism and subtle turbulence of Glass’s minimalist language. Her interpretation brings emotional intensity and poetic nuance across all 20 etudes, reflecting over a decade spent exploring the repertoire and making for an immersive listening experience.
Deluxe 2LP Three-sided with etched artwork on Side 4. Raven Chacon begins by listening. The Diné composer, born in Fort Defiance, Arizona within the Navajo Nation in 1977, describes himself simply as a listener, but the attention he gives to sound encompasses far more than what's immediately audible—it includes what has been deliberately silenced. Yucca Alta Records now presents the first vinyl edition of Voiceless Mass, a three-sided double LP featuring Chacon's 2022 Pulitzer Prize-winning titl…
Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's meditation on silence and resonance to an unprecedented duration. Tolvi discovered the piece through Philip Thomas's five-CD Feldman Piano box set on Another Timbre, becoming fascinated by Intermission 6 as "the piece which has the most silence in it, and…
Japanese guitarist Tsunehito Tsuchihashi, celebrated for his versatile artistry across both classical and contemporary repertoires, proudly presents his debut solo album, “Crypte.” This extraordinary recording, released in April 2025, brings together the visionary works of five contemporary composers, most written on commission and premiered by Tsuchihashi himself, showcasing his commitment to expanding the guitar’s expressive potential through innovative collaborations.
“Crypte” is a testament …
This album features two film scores by Satoshi Satō. Scooping Water, the Moon in Hand is a documentary film tracing the life of legendary poet and Chinese literary scholar Ye Jiaying (1924–). It won the Best Documentary Award at the 33rd China Golden Rooster Awards (2020), often referred to as China's Academy Awards. Ye Jiaying is also a scholar of Du Fu, and Satō Sōmei set Du Fu's poem “Eight Poems on Autumn Feelings” to music at the request of the film director. Director Oguri Kōhei's Foujita …
*2025 stock* Renowned Japanese composer Jo Kondo unveils his captivating album “Near And Far,” performed by The Cambridge New Musik Players and conducted by Paul Hoskins. This distinguished release, first presented in 1996, features five transcendent works that invite listeners into Kondo’s unique sound world across 47 minutes of meticulously crafted chamber music.
With a deep sensitivity to both space and sonority, “Near And Far” balances subtle instrumental interplay with Kondo’s signature min…