Violin Concerto / Little Symphony No. 1 (LP)
First recordings of two acclaimed orchestral works composed respectively in 1954 and 1945, released on Columbia in 1964.
Violin Concertos (LP)
Two 1979 concertos for violin and orchestra performed by Itzhak Perlman with the Boston Symphony Orchestra conducted by Seiji Ozawa, and released by EMI in 1985.
Instrumental Music (LP)
Contemporary pieces for piano and ensemble composed in the 1970's and released on CRI's "American Contemporary" series in 1976.
O, O, O, O, That Shakespeherian Rag / String Quartet No. 2 With Soprano (LP)
A 1958 composition for mixed chorus and chamber ensemble backed with a 1961 string quartet with soprano, released by CRI in 1963.
Two Pastels / Andante For Strings / Concerto For English Horn And Orchestra (LP)
Three orchestral works composed in the 1950's and 60's and performed by the Minnesota Orchestra conducted by one of the two composers, released on Desto in 1972.
Piano Concerto / Passacaglia Recitatives And Fugue (LP)
Two late 1950's compositions for piano and orchestra performed by the Royal Philharmonic Orchestra conducted by Igor Buketoff, released by RCA in 1971.
Symphony No. 9 - The Ardeatine Caves / Sinfonia Janiculum - Symphony No. 9 (LP)
First recordings of two 9th symphonies composed in the late 1960's performed by The Philadelphia Orchestra conducted by Eugene Ormandy, released on RCA in 1971.
Robert Floyd Plays New Music by Hans Werner Henze and Larry Austin (LP)
1971 LP on Advance Recordings with late 1950's / early 60's compositions for piano by the German composer and by the founder of The New Music Ensemble, performed by Robert Floyd.
Ellsworth Snyder Plays New Piano Music (LP)
1976 LP on Advance Recordings with contemporaru compositions for piano, including two paragraphs from Cardew's Treatise, spanning from 1957 to 1972, performed by Ellsworth Snyder.
10th Anniversary Recording (LP)
Contemporary chamber music composed in the 1980's and performed by the Musical Elements ensemble, released on CRI in 1987.
New Trends (LP)
1975 LP on CRI presenting four contemporary instrumental pieces from the 1970's for solo instrument, duo or ensemble with vocals, plus Cross' Three Etudes For Magnetic Tape.
New American Music Volume 3 (LP)
Third volume of Folkways's four-volume "New American Music" series released in 1975, presenting four excellent avant-garde compositions from the 1970's including Rzewski's great and intense Three Songs.
Four American Composers (LP)
1960's contemporary chamber works by four composers released on Desto in 1971.
The Feast Of Life / Poem VI; Poem VII / Dialogue / Wildcat Songs (LP)
1976 LP on Max Schubel’s Opus One label with five compositions for solo instruments or duets by as many composers, including electronic music pioneers J.D. Robb and Alice Shields, spanning from 1966 to 1975.
Cader Idris / Pièce Percussionique Number Five / Sonata (LP)
1982 LP on Max Schubel’s Opus One label with three compositions dating from the 1970's respectively for brass quintet, for percussion and for piano.
Exultation And Lament / Pre-Amnesia / A Little Cosmic Dust / Pieces Of Eight (LP)
1982 LP on Max Schubel’s Opus One label with four contemporary compositions respectively for alto saxophone and timpani, clarinets solo, alto sax solo and piano and tape.
Daysongs / Sonata Da Chiesa / Variations For Solo Flute (LP)
1982 LP on Max Schubel’s Opus One label with three chamber works spanning from 1938 to 1974 respectively for flute and organ, alto flute and percussion, and solo flute.
Latin American Composers In The U.S. (LP)
1987 LP on Max Schubel’s Opus One label presenting three chamber works from the 1980's by expatriate South American composers.
New Music From South America (LP)
Great selection of 1960's South American experimental music for ensemble performed by a composers/performes group led by Lanza, released on Mainstream avant-garde series curated by Earle Brown in 1973.
De Reditu Suo
In this sonic journey, the cello gets lost and finds itself again within the folds of electronics—like an ancient soul echoing through the chaos of the present. Inspired by the words of Rutilius Namatianus in De Reditu Suo, this work unfolds as a pilgrimage between past and present, between whispered voices and archaic melodies that dissolve and reassemble in the reverberation of primordial frequencies.
Distorted Gregorian chants, deep drones, and fragments of lost voices intertwine to form a so…