Composition / Drone

Roto Vildblomma, a re-worked, re-mixed and re-mastered edition of MMMΔ’s first ever recording is now available on vinyl by Improved Sequence. Roto Vildblomma marked the beginning of MMMΔ’s (still ongoing) quest to tame the beast of melody grafted intermodulations. It was first released in May 2010 under the Mohammad moniker.

Just over one hour and five minutes, Harley Gaber’s “I Saw My Mother Ascending Mount Fuji” (2009, for Tape and processed Violin and Alto Flute) offers proof of music’s power to transport (the listener) in ways generally associated with film and literature. “Fuji’s” Kaidan-like atmosphere—the Japanese world of ghosts and spirits—unfolds slowly in its process of uncovering and revealing a deeper and different spirit world in what might be termed a spiritual journey: The ascension and transformatio…

KRAAK is proud to present the first LP by Bloedneus & de Snuitkever, Milli Mille. Finally in wax, it’s Lukas De Clerck’s musical vehicle for his explorations with the aulos, that ancient reed instrument that mainly satyrs and archeological enthusiasts found beguiling. Equipped with his handmade pipes and the artful sense of devotion of a true modern-day aulete, De Clerck has dug deep into the technical and cultural peculiarities of this long-silenced instrument, paying it the kind of attention a…

A somnambulant modern masterwork, Kali Malone’s 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies.

At the onset, we hear a single, heavily distorted power chord. The chord  fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and familiar. To others, this sound is surprising, perhaps arresting—an unexpected opening from a composer known for music of quiet, prolonged stillness. This chord and its four attacks signal the opening of The Complexity of Distance, a 58-minute collabora…

Tip! First pinging our radar with her ‘Headflush’ album for Catch Wave back in 2019, Leila Bordreuil has a tactile, extreme approach to the cello, one that focuses on its visceral aspects in a way that mimics the most spirited, fraught and melancholy human emotions. Despite the complex nature of her playing, you can trace Bordreuil's lineage back to Arthur Russell’s defining ‘World Of Echo’ in methodology and spirit - Leila plays with no processing or effect pedals, everything stems from the pla…

Originally released in 2008 on CD and in a very limited vinyl edition, "The Malady Of Elegance" by Goldmund aka Keith Kenniff finally gets its long-deserved vinyl re-release, featuring a new artwork and remastered audio by Taylor Deupree.Taking cues from 'Corduroy Road' Keith Kenniff (aka Helios) again restricts himself to the piano in conjuring up his humble soundscapes and again we are pulled into a deep, meditative and filmic world as the notes glide to a slow, pensive meter. Keith's preceden…

**200 copies** "This is a study version composed in the studio from a single recording of a violin glissando. It was never intended to be performed live. The final version for 7 violins was the result of this study.""A single recording of the violin glissando of Johnny Chang has been turned into a multi-track recording. Here one violin becomes sixteen. Peter Ablinger’s Augmented Study Serie is focused on 'tension between redundancy of material and complexity of experience'. Because this work is …

Fritz Hauser scrapes a single small gong for almost an hour, from the edge of silence to a dense, shifting cloud of overtones. Solo version of Schraffur, recorded in Piedmont in 2011 and mixed by Hauser himself.

Inspired by minimalistic icon La Monte Young and guitarist Allan Holdsworth, Nightclouds is a powerful collection of jazz pieces for solo pipe organ. Over long improvisation and shorter compositions, Swedish composer and installation artist Ellen Arkbro employs her usually epic chord structures and adds in a more self-reflective tone than previously.

Organist Dominik Susteck plays John Cage's Organ²/ASLSP and Toshio Hosokawa's Cloudscape and Sen IV, with three of his own improvisations using mobile MIDI instruments by Gerhard Kern, at Kunst-Station Sankt Peter, Cologne. Deutschlandfunk, 2015.

Two Scelsi piano works played by Stephen Clarke: the first recording of the 1930 Suite No. 2 and Action Music (1955), in the second volume of Mode's Scelsi Edition devoted to the piano.