…we return to ground…
Other Minds is pleased to present …we return to ground…, a new recording by Irish composer Karen Power and Quiet Music Ensemble. This double CD features three of Power’s large-scale pieces pairing natural sounds with musical instruments, written for and with Quiet Music Ensemble over an 8-year period. Beginning with instruments of ice in 2015, Power's experience of pairing natural sounds with musical instruments has evolved into a transformative body of work. Her approach to composition, creatin…
Harpsichords
Tip! "Three harpsichords in various states of disrepair were kindly offered to me by Leeds Conservatoire. I accepted, and a memorandum of understanding was swiftly drawn up. The offer was made under the condition that I might make some music from them, given my penchant for infirm instruments, and their conventional worthlessness to anyone wishing to use them for their intended purpose. There seemed to be an auspiciousness surrounding these harpsichords, the stories they might reveal, and more i…
The Nordheim Tapes
*2024 stock* Arne Nordheim might not be the best known early electronic music composer, but with this fabulously presented double disc of work it should help his music achieve at least a little wider recognition. He might be best known (at least outside his native Norway) for the discs on Rune Grammofon, but here we get some of his earliest tape work from the 1960s, possibly his most interesting period, at least to me. As a die hard Radiophonic Workshop enthusiast this collection seems to come f…
Dystophilia
Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.
The music of this album from MC Maguire’s apocalyptic aural imagination, is poured into tw…
Infinity Avenue
Robert Carl is no stranger to space. Standing on the shoulders of such visionaries as Charles Ives, Carl’s early compositions ranged far and wide through musical history, the “ultramoderns,” and beyond. Recently, however, his works have forged a new direction: a personal take on the ever-expanding spiral structures of the overtone series. Infinity Avenue offers six of these monumental sound experiences, taut in their simplicity yet expansive in consciousness. A state of being “close to nature” i…
Ice Door
To the bemusement of the rest of us, mathematicians often describe certain equations, processes, and proofs as “elegant,” “beautiful,” or even “sensuous.” Artworks based on algorithms, conversely, might seem less predisposed to such descriptions. But what if those complex calculations actually produced perceptibly emotional qualities? Take, for example, the work of Spanish composer-mathematician Juan J.G. Escudero. His cult classic, Shapes of Inner Timespaces (Neuma 134, 2021), evoked such respo…
Theory Of Becoming
The ECM New Series debut of Evgueni Galperine is one of the most strikingly original and evocative albums of the year. A composer of Russian and Ukrainian heritage, living in Paris since 1990, Galperine is working with sound, texture and dynamics in new and powerfully expressive ways. As he explains, the sound world of Theory of Becoming represents an “augmented reality of acoustic instruments, created from recordings made with real and virtual instruments. The numerous transformations the inst…
Brigitta Muntendorf: Trilogie
*2024 stock* bastille musique presents its twenty-second release »Brigitta Muntendorf: Trilogie« featuring world premiere recordings by the GrauSchumacher Piano Duo. The album includes both the Trilogie für zwei Flügel, produced by the WDR, and the respective films of Theater des Nachhalls, a concert installation for multichannel video and audio. In addition to the recordings and the films, the set also contains a 52-page bilingual booklet (EN, DE) with articles by Dirk Wieschollek and an interv…
Hypnokaséta
“Hypnokaséta (2020-2021) is a continuous set of 16 pieces for string quartet, improviser (playing cassettes and any instrument) and live electronics. The source material is based on dreams that I had during the first few months of lockdown, April-June 2020. Accounts of these dreams are encoded in the music that is played by the quartet and also encrypted in the sound textures that surround this. The pieces alternate between quartet as the foreground and electronic interludes, where solos or duos…
Binomial Cascades
Tip! "I just released a new album as my solo project, Agencement. This is a follow-up album to 'Six Juxtaposed Works', which was released in 2017 on the Copenhagen label Tochnit Aleph. It's been about 35 years since I produced 'vinyl' by myself, so it's very emotional, although since the 1990s, it has become difficult to manufacture vinyl LPs in Japan and there were no channels to outsource overseas because I was disappointed in the situation. Musically, I think it's a further step in the direct…
Resonant Trees
Black Truffle is pleased to announce Resonant Trees, the first vinyl release from French composer-performer Léo Dupleix. An active member of the international community of younger musicians working with just intonation, Dupleix has composed works for solo instrumentalists and ensembles in Europe and Japan, as well as performing extensively on harpsichord, piano and electronics. His music is distinguished by a formal clarity and elegance of surface, gently shaping pure intervals into delicate mel…
Vanishing Points / A Cappella
CD digipack. In his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology tha…
New American Music, Vol. 4
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…
Dots Kinematics For Electronics & Chamber Orchestra Version II
The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…
(Amsterdam) Memory Space
*2024 stock* The openness of Lucier's instructions belie the difficulty in dealing with the idea of how one can translate a sound from one medium into another and what kind of transformation of information takes place in that exchange. While interpreting this work, a musician becomes intensely aware of the processes by which one listens, both consciously and subconsciously; how one is constantly decoding sounds in one’s environment, filtering out essential and non-essential information, discerni…
50 Years
In 2012, the Wergo label celebrates its 50th anniversary. For half a century, Wergo has been synonymous with contemporary music. The label's catalog reads like a virtual who's-who of modern music, both in terms of composers and performers. From the beginning, the intent of founder Werner Goldschmidt (from whom the label derives its name) was to provide listeners with a snapshot of current musical activity and innovation. Goldschmidt's label and mission, now managed by the publisher Schott, is ma…
-> Sonic Patterns
For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works.
Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…
Music for Save Rooms 1 & 2 (2CD)
* Double CD set containing both albums - Music for Save Rooms 1 & Music for Save Rooms 2. First edition of 150 copies * John Also Bennett’s Music for Save Rooms 1 & 2 compiles two volumes of minimal music conceived as infinitely looping and morphing compositions for “save rooms” - temporary safe spaces within video game maps. The compositions primarily stem from a week spent at work in a former military barn in the Marin Headlands just north of San Francisco, spurred on by multimedia artist and …
No Longer Human
*200 copies limited edition* 'No Longer Human' is dedicated to the life and work of Osamu Dazai and his novel No Longer Human
First notebook:Antonio Tonietti: chitarra battente preparata, duduktavola armonica, synthClaudio Milano: voceMassimo Amato: piano
Second notebook:Antonio Tonietti: basso preparato, basso, synthClaudio Milano: voce
Third notebook:Antonio Tonietti: basso, synth, field recordingGiorgio Pinardi: voce
Epilogue:Antonio Tonietti: Electric Koto, field recordingSilvia Pegah Scagli…
On A Dark Night
*2024 stock* Berlin Strings is a string quartet consisting of Lisa Marie Vogel, Johanna Wundling, Tabea Haarmann-Thiemann and Luisa Babarro Fernández. Since meeting in the National Youth Orchestra and founding Berlin Strings 13 years ago, they have developed into explorers of their own sound. A sound that has always been imbued with the discipline of classical music, pure craftsmanship, the sublime rules of composition that make communication wordless. But also experimentation, flirting with dis…