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Another Timbre presents The Willow Bends and So Do I, a new work from Swedish composer Magnus Granberg, performed by his long-running ensemble Skogen. Known for their subtle explorations of time, fragility, and sonority, Granberg and Skogen craft music that hovers between composition and improvisation, weaving delicate structures that unfold with profound patience.
At the heart of this recording lies Granberg’s distinctive method of filtering fragments of historical repertoire through a contem…
Felipe Lara’s music is driven by a visceral sense of presence and process. Beneath its notated clarity lies a deep trust in the performers: a shared language built over years of collaboration, where every sound becomes a negotiation between gesture, breath, and form. Lara’s work moves between the intimate and the monumental, but always seeks what lies behind the surface – where structure becomes porous, expression is embodied, and music emerges as a living tension between instability and control…
*200 copies limited edition* Undertones is a composition for percussion idiophones, electronics, and variable field recordings, originally composed for four channels. It develops in four movements and is expressed through a graphic score which provides multiple instructions to the musicians and, simultaneously, requires their input and interpretation of the given instructions, including a particular part of the instrumentation. The field recordings, identified as variable, change with each perfo…
An Index of Metals, Fausto Romitelli’s final work, is an ecstatic ritual of sound, light, and image—a multimedia opera that fuses electronic music, psychedelic ecstasy, and brutal-poetic texts into an intoxicating sensory flood. Blending techno, pop art, noise, and spectralism, Romitelli propels music theatre into a hallucinatory present: metallic, eruptive, rebellious. The voice is distorted, the image disintegrates, sound becomes palpable material. In this uncompromising fusion of composition,…
With this album, Heleen Van Haegenborgh returns to her roots as a pianist. In recent years, she has primarily composed works on commission for a diverse range of ensembles, from recorders to foghorns. On this solo album, her entire journey of musical encounters and compositions comes together subtly.Van Haegenborgh doesn't think in terms of stories or boxes, but rather in colours, energy, and texture - without drifting into the abstract.
She remains true to her personal inside piano world, inclu…
"Eau" is the lovely new album from aus, the solo project of Tokyo-born composer and producer Yasuhiko Fukuzono, who has gained attention, in Japan and overseas, for his thoughtfully paced and sensitively skillful music as well as his intriguing sound design for exhibitions and experimental cinema. Having worked primarily with keyboards and electronic sound up to this point, "Eau" is a slight yet fascinating shift for aus; the album, while still primarily an electronic work, revolves around the s…
*300 copies limited edition* Valby Vokalgruppe returns with Solids for Voices — a new album landing on 7th November 2025 via Hands in the Dark. Initiated in 2008 by Anja Jacobsen, the Danish collective’s current line-cup is completed by Lil Lacy, Sonja LaBianca, Cæcilie Trier and Laura Marie Madsen. The group has written and performed a large number of cross-aesthetic pieces over the years, including an album Bah New Era released in 2012 on Eget Værelse.
Sharpened to its core, the group dives de…
The influence of Alvin Lucier’s work on acoustic phenomena and the interplay between sound and space is difficult to overstate. His legacy continues to echo through the work of countless composers and sound artists today. Lucier’s music is marked by a sense of childlike wonder and sonic simplicity - shifting our perception from what we hear to how we listen.At the heart of his compositions lies the sine wave: the purest, most elemental form of sound. Clarinetist Dries Tack pays tribute to this …
*75 copies limited edition* On Not here but somewhere, the Japanese ambient guitarist crafts freeform soundscapes that feel less composed than discovered. Each track unfolds like a whispered conversation between emotion and environment — guitar lines ripple like wind over water, subtly shifting direction, as if carried downstream by a current of pure intuition. The result is a quietly enveloping odyssey, where every piece becomes a new place, felt more than defined.
EM Records is proud to present 8 Automated Works, the first full release by Componium Ensemble, an "indeterminate chamber music" ensemble helmed by Spencer Doran of Visible Cloaks. The project is inspired by the long history of automated musical instruments, beginning with the ancient Greek Archimedes and further developed by the Banū Mūsā brothers in 9th century Baghdad, who "first perfected the concept of a programmable, automated musician: a mechanically controlled flute which used hydraulic …
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
Big tip!!! Firework Edition Records is proud to announce the release of a new 7-CD box documenting Lars-Gunnar Bodin's (1935-2021) musical and artistic output during the years 1960-1987. Apart from more than 8 hours of electroacoustic music and text-sound compositions, the box also features extensive documentary visual material, along with essays by Jesper Olsson, Sanne Krogh Groth, Leo Nilsson, Åke Parmerud, Svante Bodin, Charlotta Bodin och Axel Bodin.
It is hard to give a picture of such a m…
2019 release ** "Dust is a collection of music for solo violin and electronics. Daniel describes the record as 'a full exploration of the sound world a violin allows. The electronics meld with, lift, surpass and dance around the organic rawness of the strings. The piece is all my years of not conceding or diluting myself to the needs of others, compressed into one long musical expression. It is hope and birth and death and melancholy'. Music by: Valgeir Sigurðsson, Edmund Finnis, Heinrich Ignaz …
Tip! Marja Ahti is a Swedish artist living in Turku, Finland. She works with found sounds, objects and electronics, creating auditory assemblages that reveal a profound sensitivity to sound’s tactile potential. This new record sees her palette expand to include more recognisable acoustic instrumentation, albeit working in collaboration with musicians who are already reconfiguring how those instruments can sound.
Touch This Fragrant Surface of Earth has its roots in a tape piece presented at Lamp…
Luigi Nono (1924 –1990) was a great innovator in the use of spatialization of sound and experimentation with performance space, non-linear time and the collapsing between sound and silence. Beginning in 1959, he distanced himself from serial orthodoxy and the Ferienkurse compositional scene. His new works reflected a concern in political and cultural events and introduced the use of tape and electroacoustic technology. His compositional process was increasingly involved with specific performers,…
Award-winning producer and composer Giorgi Koberidze offers up a head-spinning debut of Georgian modern classical music shot through with 360° electroacoustic textures.
This album presents Annea Lockwood’s complete concert piano works, born from a deep collaborative journey. It culminates in a new version of Ceci N’est Pas Un Piano, where voice and memory resonate through the piano’s frame via transducer speaker.