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Karlheinz Stockhausen – “Cosmic Pulses” is the last electronic composition by Karlheinz Stockhausen, and it is number 93 in his catalog of works. It is the 13th "hour" of Stockhausen's originally-planned 24-part cycle Klang ("Sound") which is based on the 24 hours of the day. This electronic work is composed of 24 layers of synthesizer-generated melodic material, with each layer having a different speed and pitch register. The layers enter one by one, starting from the lowest/slowest layer, a…
* 2021 Stock * Packaged in two double CD cases suited in a card slipcase along with a 46 pages booklet that includes texts in german and english. Karlheinz Stockhausen – “Elektronische Musik Von Sirius” Realisation at the Studio for Electronic Music of the West German Radio in Cologne from July 1975 to March 1977 using an EMS Synthi 100 synthesizer.. "In connection with the composition ‘Sternklang’ I closely watched the star constellations in Kürten. From my study as well as from the kitchen my …
*2022 Stock.* Karlheinz Stockhausen – “Musik für Posaune und Euphonium (Music for Trombone and Euphonium)” In Freundschaft (Für Posaune) for trombone – Signale Zur Invasion (1992) for trombone, electronic music and sound projectionist – Kinntanz (1983 / 89) for euphonium, percussionist, synthesizer player and sound projectionist "Stockhausen’s birthday gift composition for Suzanne Stephens - In Freundschaft - has been played by a number of soloists over the years, i.e., on different kinds of so…
*2022 Stock.* Karlheinz Stockhausen – “Synthi-Fou / Dienstags-Abschied ” "A double –CD like this one falls right into that crystal clarity, giving yet more insight into how his art is achieved, piece by piece, structurally – but as it is with human beings or a flower or an Earth sun rise, the result is much more and something else altogether than the sum of all the parts… and somewhere in that realm lies the real mystery; that elusive, vibrant core of beauty and truth which can’t be accounted fo…
*2022 Stock.* Karlheinz Stockhausen – “Oktophonie ” Realized at the Studio für Elektronische Musik, WDR, August 23 - November 30, 1990 & Aug. 5-30, 1991. " (...) Stockhausen also points out that the production and spatialization are described in the separate OCTOPHONY score. This score is indeed a very meticulous and detailed one, indispensable for aficionados who will want to enter the inner workings of the OCTOPHONY structure. It is an extreme score in this aspect, in the minute details of its…
Karlheinz Stockhausen – “Donnerstag aus Licht” (“Thursday from Light”); opera in three acts, a greeting and a farewell for 15 musical interpreters (4 solo voices, 8 instrumental soloists, 3 solo dancers), chorus, orchestra and magnetic tapes (1978 – 1980) " It arises in a silvery, calm motion of wind instruments – obviously preparing us for something of importance and vast durations. It is “Donnerstag-Gruss” (“Thursday Greeting”); the start of “Donnerstag aus Licht” (“Thursday from Light”); the …
*2022 Stock.* Karlheinz Stockhausen – “Sirius” eight-channel electronic music and trumpet, soprano, bass clarinet, and bass is a music-theatre composition by Karlheinz Stockhausen, composed between 1975 and 1977. "It begins with a slowly emerging hum - like a disturbance in the wiring of your sound equipment -; then evolves into a murmur of great timbral depths, finally releasing itself into a spinning, swooshing, disturbing sound of higher frequencies in the foreground, panning between the spea…
Packaged in two Multiboxes, with a 124 page booklet (in English language), in a 2" thick slip box. Karlheinz Stockhausen – “Aus den sieben Tagen” for six players (1968) (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s).." This type of composition or instruction or whatever on…
*2022 Stock.* Karlheinz Stockhausen – “Kurzwellen” for six players (1968). Participants: Aloys Kontarsky (piano & short-wave radio), Harald Bojé (electronium & short-wave radio), Alfred Alings & Rolf Gehlhaar (tam-tam & short-wave radio), Johannes G. Fritsch (electric viola & short-wave radio), Karlheinz Stockhausen (filters & potentiometers). Kurzwellen is one of a series of works dating from the 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "f…
Karlheinz Stockhausen – “Prozession” (1967) / “Ceylon” (1970) Prozession is one of a series of works dating from the 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next "Prozession is an ensemble piece that Stockhausen wrote for his ensemble of the time, but it is…
Program notes in German and English in 200-page booklet. Karlheinz Stockhausen personally mixed down and mastered these recordings from the original analogue tapes for this CD edition. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 microphones, 2 filters with potentiometers (6 players) / “Mikrophonie II” (1965) for choir, Hammond organ, 4 ring modulators / “Telemusik” (1966) (electronic music). Together with Stockhausen's immediately preceding work Mixtur, for five orchestra grou…
Packaged in a thick 2CD jewel case with 128-page booklet in English. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 microphones, 2 filters with potentiometers (6 players) / “Mikrophonie II” (1965) for choir, Hammond organ, 4 ring modulators / “Telemusik” (1966) (electronic music). Together with Stockhausen's immediately preceding work Mixtur, for five orchestra groups, four sine-wave generators, four ring modulators, they form a tryptych of live-electronic works, where electronic …
*2022 Stock.* In short, some of the most breathtaking, intrepidly advanced electronic music ever recorded. A truly precious survey of a lone, pioneering voice in electronic music. Cardboard slipcase housing a CD jewel with 104-page booklet in German and English. Karlheinz Stockhausen – “Mixtur” (1964) is one of the earliest compositions for orchestra with live electronics, and is amongst the first compositions using live-electronic techniques generally. "Orchestral sounds transform into electron…
An unexpected musical combination of two masterpieces of modern music rethought through the use of contemporary electronic instruments that marvels at lively and innovative sounds, in the version with keyboards and electronics presented at Terraforma Festival 2019.
* Beautiful gatefold vinyl designed by the studio Experimental Jetset, Amsterdam with 12 page booklet featuring the photographic work of Johannes Schwartz and text of Maria Barnas used in the multimedia production of the work. * Face is a multimedia composition for voice, violin, piano, recorders, live electronics and video, based around the use of facial and emotion recognition software. Performers: Electra, Diamanda Dramm (violin), Susanna Borsch (recorder), Michaela Riener (soprano), Saskia L…
The first ever survey of the seminal British experimental music collective, Gentle Fire, "Explorations (1970 - 1973)" offers a remarkable and previously unavailable glimpse of their activities during the early 1970s.
The idea of exploring important 20th century electro-acoustic compositions within their historically informed performance practices, and using this as the basis for the production of a new interpretation in 5.1 surround sound, has created quite a stir. It originated at the Institute for Computer Music and Sound Technology (ICST) at the Zurich University of the Arts, and found its expression in the double SACD Les Espaces Électroacoustiques I. — This album now brings us further milestones of ele…
This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his close collaborator, Tudor. Together, these works constitute a fascinating and historically important document of the 1960s avant-garde in America.
In early 1968, Merce Cunningham created a new dance whose apparent impetus was Colin Turnbull's The Forest …
Double-CD collecting five of Marcus Schmickler's key-works composed and recorded between 2006 and 2016. "Richters Patterns" (2016), "Kemp Echoes" (2013), "E-UROPAS" (2006), "Fokker Bifurcations" (2014), and "Ata Oto" (2016). Full color digipak with eight-page booklet; edition of 400. "Richters Patterns" (2016) is a collaboration among Marcus Schmickler, artist Gerhard Richter, director Corinna Belz, and the Ensemble Musikfabrik. In 2011, Richter took an image of his work Abstract Painting and di…
Guitarist Cristián Alvear was born in 1979 and lives in Santiago, Chile. Active on the international contemporary/experimental music scene, he has since 2010 released numerous recordings on labels in various countries. Musician and programmer Klaus Filip was born in 1963 and resides in Vienna, Austria. ppooll, the software he developed, is used regularly by many improvisers, including Filip himself.
This album is comprised of a single track of 40 min., 58 sec., divided into six parts. Klaus Fili…