Dance and Secret & Joy and Peace
** 2021 Stock ** CP² Recordings presents Artur Schnabel: Dance and Secret & Joy and Peace; Sonata for Solo Violin performed by Paul Zukofsky, Conductor and Violinist; The Gregg Smith Singers. Dance and Secret & Joy and Peace by Artur Schnabel were recorded February, 1993 at BMG (originally RCA) Studio A, New York City. Producer: Joanna Nickrenz. Sound Engineer: Jay Newland. Montage: PZ, with Elite Recordings, New York City. Mastering: Soundbyte Productions, New York City. Sonata for Solo Violin…
Symphonies 1 & 3
** 2021 Stock ** CP² Recordings presents Artur Schnabel: Symphonies 1 & 3. Performed by The Bbc Symphony Orchestra; The Prague Symphony Orchestra; Paul Zukofsky, Conductor. Symphony No. 1 by Artur Schnabel was recorded April 26-28, 1994 at Maida Vale, BBC Studios, London, England. Producer: Joanna Nickrenz. Engineering: Neil Pemberton, with Chris Muir, and Graham Petrie-Brown, Assistants. Montage: PZ, with Elite Recordings, NYC. Mastering: Soundbyte Productions, NYC. Symphony No. 3 by Artur Schn…
Five Stanzas / Pelleas & Melisande, Op. 5
** 2021 Stock ** CP² Recordings presents Dane Rudhyar: Five Stanzas; Arnold Schoenberg: Pelleas & Melisande, Op. 5 by Colonial Symphony and Sinfóníuhljómsveit Æskunnar; Paul Zukofsky, conductor. Sinfóníuhljómsveit Æskunnar (the Youth Orchestra of Iceland) was founded in 1985, by Paul Zukofsky, and was a continuation of the "Zukofsky Seminars in Orchestral Music" which began in 1977, and were sponsored by the Reykjavik College of Music. The aim of both groups was to provide an opportunity for Ice…
Symphony No. 2
** 2021 Stock ** CP² Recordings presents Symphony No. 2 by Artur Schnabel. Performed by The Royal Philharmonic Orchestra; Paul Zukofsky, conductor. Recorded July 18-20, 1988, at All Saints Church, in Tooting, London, England.
Chorals / Cheap Imitation / Freeman Etudes I-VIII
** 2021 Stock ** CP² Recordings presents John Cage: Chorals / Cheap Imitation / Freeman Etudes I-VIII performed by Paul Zukofsky, violin. The original recording of the Freeman Etudes was supported in part by public funds from the New York State Council on the Arts. The generous support of Betty Freeman is gratefully acknowledged. Recording Engineer (Chorals and Cheap Imitation): Paul Goodman. Recording Engineer (Freeman Etudes): Robert C. Ludwig. Editor: Joanna Nickrenz (Elite Recordings, Inc.…
Spring of Chosroes / Sonata for Violin and Piano
** 2021 Stock ** CP² Recordings presents Morton Feldman: Spring of Chosroes and Artur Schnabel: Sonata for Violin and Piano by Paul Zukofsky, violin; Ursula Oppens, piano. Recorded at the Library of Congress, May 11-12, 1979. Spring of Chosroes is published by Universal Edition, Ltd., and was commissioned by the McKim Fund of the Library of Congress which also assisted with this recording. The Schnabel Sonata for Violin and Piano is published by Boosey and Hawkes, Inc. Recording Engineers: John …
For John Cage
** 2021 Stock ** CP² Recordings presents Morton Feldman: For John Cage by Paul Zukofsky, violin; Marianne Schroeder, piano. This recording was supported in part by public funds from the New York State Council on the Arts.The generous support of Betty Freeman and Paul Sacher is gratefully acknowledged. For John Cage was recorded April 7, 1984 at Sonographic AG, Schlieren, Switzerland. Recording Engineer: W.A. Wettler; Montage: Elite Recordings, NYC; Publisher: Universal Edition, Ltd., London.
Yeo-Neun
** Small repress, absolutely astounding! ** Anyone encountering the efforts of the cellist, Okkyung Lee, faces an unavoidable truth. She’s an unreckonable force. Few players in the contemporary landscape relinquish themselves so completely to the practice of free improvisation, adapt with such ease without sacrificing the distinctions of self, or exist in the moment so completely, not to mention her awe inspiring technical skill. Her latest LP, Yeo-Neun, issued by Shelter Press, stands as tower…
Popol Vuh
"The Popol Vuh- the Book of Counsel“ of the K'iché-Maya belongs to the most important creation myths of the early advanced civilizations in the world. A Maya from the K'iché people, who had learned Spanish during the conquista, wrote down the the texts in K'iché with Latin letters between 1545 and 1555. Before that, the texts were only passed on orally. Father Francisco Ximenéz copied this book and translated it into Spanish. Then he returned the original to the K'iché people. In this way the b…
Sais.
* 2021 Stock * Sais. is a piece about cows. Cows are a topic quite familiar for a composer who lives in an Austrian mountain village at 1000 metres hight. He finds them right in front of his door. The cows that are grazing on a juicy green under a bright blue sky - so we might imagine - are one side of the trio. Within the 100 page long score we meet them in the shape of a line of overtones. Just as natural as the life of a cow on an alpine meadow is the musical material that builds SAIS. as a s…
Augmented Studies
* 2021 Stock * "When I imagine, as I sometimes do, that evolution were possible, Complexity is not its goal, but perhaps the safety net for a possible Immediacy. This opens up the possibility to exercise sufficient safeguards in an ever finer woven net of abstractions ? if not to escape directly ? to at least be able to risk a glimpse through the netting: a glimpse unfiltered through abstraction, signs, predetermined patterns, a glimpse of unaltered reality." - Peter Ablinger
Synastria
* 2021 Stock * Philosophical writings from antiquity have frequently underlaid Zimmermann’s work of recent years, particularly in relation to notions of time an ‘harmonia’ [...] Another recurrent theme in later works is that of the ‘broken unison’ (both melodic and rhythmic), which clearly has an allegorical/social dimension as well as a musical one [...] The isolated performance of single of his pieces emphasises their ‘otherness’ in relation to the main trends in new German music, whereas the …
Questions
* 2021 Stock * Most music proceeds with great self-assurance, more like an answer than like a question, but these pieces raise questions. We hope you will not only listen to the music as the pairs go by, but we will also want to decide whether they are same or different. Try it. Maybe your musical perceptions are better than you think. And if not, well, no one is going to grade you, and you can always try again! - Tom Johnson
This situation raises new questions, which Johnson undoubtedly intends…
Nine unfinished Symphonies
The Nine Unfinished Symphonies were conceived as one entity. They are written in my musical native tongue; the musical grammar and idioms with which I have become so familiar that I can converse in them spontaneously, without thinking, so that I can devote my full attention to what I actually want to do. It appears that we need narratives, such as the ‘sacred’ number nine with symphonies, or the concept of the Unfinished, which stands in sharp contrast to the fragmentary or the ‘uncapitalized’ u…
Pathological Curves
To sonically modify sound, not as a composerly or listenerly injunction but as a condition of its possibility: such is the task of Elizabeth Hoffman. Hers is not merely a music of the "verb" - that composers "do" something or "perform" something on the sonic. Hers is an "adverbial" music.
Above all, adverbial music modifies - sound, yes, but more fundamentally the space in which sound appears and the temporality that it solicits as it vanishes, always. Adverbial music, reticently and generously,…
Wave Piano Scenery Player
Wave Piano Scenery Player consists of several artifacts brought into a single structure: large black oil paintings on paper sheets dividing an automatic grand piano in two parts (sounding body, keyboard); tree pieces of music hamonically linking the 88 keys of the piano by combining them with mirotonally tuned sinewaves; a subwoofer/loudspeaker reproducing the elctronic tones; a pianist and a computer, both acting as performers.
The time-based form is deivides into threee parts, in which Sabat c…
Painted Cakes Are Real, Too
When you are listening to his pieces and are completely at ease, they offer the listener the beauty of pure sound: I believe this also applies to his likeminded friends. Even when and if they are of a continuous narrative type, they just create the right situation to listen to sounds. As the title reveals: Painted cakes are real, too. The beautiful sounds are repeated in order to remain purely sound. This repetition does not build up a narrative, it becomes more complicated and excited not in or…
Ballad
The word "ballad" implies a tale or narrative, and while there is no literal story being told there, I found myself thinking of the two performers as co-travellers in a terrain - or as dance partners - and the music as sometimes like a song they sing together, sometimes a landscape they cross, sometimes a mood, sometimes a monologue, and sometimes a fine line they trace. In the end, it is a ballad about the cello and the piano, and the way I hear them together. - Linda Catlin Smith
Der Uhu des Ihi
"Leukert brings back intuition into the computer-mechanical techniques of contemporary classical music. His compositions derive from the hearing experience - he has become a David Lynch for the ‘cinema pour l’oreille’, who is operating with the ironically associative scepticism of Godard. A blessing that Maria De Alvear’s small label ‘World Edition’ now produced eight of Leukert’s audio pieces on CD; among them the enchanting trilogy Wildwechsel" . - Alban Nikolai Herbst
Improvisation
That’s the name of the game... Marco Blaauw plays on a quartertone double bell trumpet, a shell, brought from Madagascar,a slide trumpet, piccolo trumpet, quartertone flugel horneven megaphone and flexible tube. Gijsbrecht Royé plays on a self-made bass-zither. To play on the four groups of bass grandpiano strings, he uses different kinds of sticks; two bows (normally used for double bass), metal strings, nails, brushes, knives, rat-tailed files and metal scouring pads.