Treatise (Prague Version, 1967)
Cornelius Cardew's graphic score Treatise in the only performance of its 2-hour version, recorded live in Prague on 15 October 1967 by the QUaX Ensemble directed by Petr Kotik, remastered from the original analog tape.
49 Waltzes for the Five Boroughs
A complete video realization of John Cage's 49 Waltzes for the Five Boroughs by Don Gillespie, Roberta Friedman and Gene Caprioglio, filmed at 147 New York City locations in 1994-95 with durations set by the I-Ching.
Works for Instruments
Edition RZ presents John McGuire's Works For Instruments. Performers: Ensemble Modern -- Julia Rempe (soprano); Pellegrini-Quartett: Antonio Pellegrini, Thomas Hofer (violin); Fabio Marano (viola); Helmut Menzler (violoncello); musikFabrik: Hermann Kretzschmar, Paulo Alvarez, Irmela Roelcke, Eun-Ju Kim, Ulrich Löffler, Jürgen Kruse (piano), Christine Chapman, Jodie Lawson, Charles Putnam, Rohan Richards (horns), Dirk Rothbrust, Carlos Tarcha (percussion). Each of the compositions of post-minimal…
Music for Merce Cunningham
John Cage's Five Stone Wind (1988) and Cartridge Music (1960), both written for Merce Cunningham dances, played by David Tudor, Takehisa Kosugi and Michael Pugliese. 2008 remaster of the 1991 release, Cage Edition volume 4.
Collected Recordings
The collected Recordings by exceptional Greek composer Jani Christou. Included compositions ranging from the late 1940s until 1968. Each CD comes in a book cover, containing lots of information to each composition. Truly an amazing series of recordingsVolume 1:Phoenix Music for orchestra in five continous movements (1948-49, 11'20'')Six T.S. Eliot Songs for mezzo-soprano and piano (1955, 12'27'')The Strychnine Lady for solo viola (female), five actors, instrumental ensemble, tapes, various sound…
Chromatophore
*In process of stocking. 2022 stock.* Anthony Pateras is a composer/performer based in Melbourne who is as comfortable writing for full orchestra as he is performing in intimate improvisational groupings. Pateras represents the best in the new generation of musicians combining the spontaneity of improvisation with the formal logic of composition and for his second Tzadik CD, he has chosen an eclectic mix of ensemble pieces that blend instrumental virtuosity and electroacoustic sonorities in star…
The revenge of the dead indians: in memoriam John Cage
Henning Lohner's 1993 composed film in memoriam John Cage, 130 minutes long, combining interviews, found footage and concert performances with 42 personalities in conversation, plus a complete video of 4'33".
The Artistry of Margaret Leng Tan
DVD of two films by Evans Chan on pianist Margaret Leng Tan: the documentary Sorceress of the New Piano (2004) and the bonus film The Maverick Piano (2007), with performances of Cage, Ge Gan-ru, Satie and Twining and toy piano.
Silenced Voices
Four recent works by Frank Denyer for very quiet voices and rarely combined instruments, including muted strings, flute, clarinet and percussion, played by The Barton Workshop under Denyer and James Fulkerson.
Gongs and Bamboo
The first release outside Japan of music by one of the most original and underappreciated composers in contemporary music brings José Maceda's remarkable catalog to international attention. Born in 1900 in the Philippines, Maceda created extraordinary compositions, often for large ensembles of the same instrument, across five decades of creative output. This CD brings together three very different pieces from his enormous catalog, showcasing the breadth and originality of his compositional visio…
Atlas Eclipticalis With Winter Music
Two live 1983 performances of John Cage conducting Atlas Eclipticalis with Winter Music at Seattle's Cornish Institute, first issued on LP in 1986, with a bonus disc of the 86-part Atlas Eclipticalis and Winter Music for 20 pianos.
The Harry Partch Collection, Volume 4
Meticulously remastered from the original mono master tapes! The Bewitched was Harry Partch’s first work solely intended for dance (and mime-dance at that; he was not overly enamored in his lifetime of so-called “modern dance”). Drawing heavily from his deep affection for the music-theatrical performance traditions of Greek theater, as well as those from Africa, Bali, and Chinese opera, Partch conceived of a contemporary American music ritual-theater where musicians not only play, but also funct…
The Harry Partch Collection, Volume 3
The four works on this newly remastered CD are eloquent testimony to Harry Partch’s aesthetic of corporeality. The music he composed for The Dreamer That Remains, for Rotate the Body in All Its Planes, for Windsong, and for Water! Water!, was intended as only one component in the total artistic experience. In these works music joins with drama, with film, with dance, even with gymnastics, as integral parts of the composer’s vision..New World's The Harry Partch Collection, Vol. 3, as was the CRI …
The Harry Partch Collection, Volume 2
Harry Partch’s compositions of the 1940s have remained until recently an unwritten chapter in the history of American music. And yet it was these very pieces—the collection of four works he would later collectively entitle The Wayward—that brought him to the attention of the New York musical world. His concert of these pieces for the League of Composers established for him a small but permanent reputation as a musical maverick who had wandered off well-worn tracks and had developed a sort of lat…
The Harry Partch Collection, Volume 1
This newly remastered reissue marks a welcome return to the catalog of the first volume of the classic 4-CD collection that was formerly available on the CRI label. The works recorded on this disc span the first six years of what Harry Partch (1901–1974), slightly tongue-in-cheek, called the “third period” of his creative life. They show him moving away from the obsession with “the intrinsic music of spoken words” that had characterized his earlier output (the vocal works of 1930–33 and 1941–45)…
ShamanSong
Composer/performer Joan La Barbara (b 1947) has been an influential figure in experimental music since the early 1970s. She has devoted her career to the exploration of the human voice as a multi-faceted instrument. Going far beyond traditional boundaries, she has created works for multiple voices, chamber ensembles, music theater, orchestra and interactive technology. ShamanSong features three premieres of vintage La Barbara "sound paintings" of pensive beauty and spiritual resonance.
ShamanSo…
1967-1975
Led by pianist Franco Evangelisti, Gruppo di Improvvisazione Nuova Consonanza performed as a collective from 65 -71. The focus was to expand both the sonic capabilities of their instruments, but also the sensitivity of each performer within the context of the improvisation. The result(s) remain some of the purist and elevated abstract explorations put to tape retaining both warmth and intelligence. Piano, percussion, double bass, trombone, cello, trumpet, etc are the tools for unparalleled types…
The Marvelous Aphorisms of Gavin Bryars: The Eearly Years
Early works by Gavin Bryars from 1969-71: first recordings of Pre-Mediaeval Metrics and Made in Hong Kong, plus 1, 2, 1-2-3-4 and The Squirrel and The Ricketty Racketty Bridge, played by Ulrich Kreiger, Seth Josel and others.
Dust
Dust is an opera by Robert Ashley and Yukihiro Yoshihara (video direction) whose imaginary setting is a street corner anywhere in the world, where those who live on the fringes of society gather to talk, to each other and to themselves, about life-changing events, missed opportunities, memory, loss, and regret. Five "street people" recount the memories and experiences of one of their group, a man who has lost his legs in some unnamed war. As part of the experience of losing his legs, he began a …
Yellow Man With Heart With Wings
1990 CD issue of Robert Ashley's 1978 piece for voice and electronics. A two-part composition with narration (part one in Spanish and part two in heavily altered English) commissioned by public radio station KUNM in Albuquerque, this music has a plain, serene beauty. Part one is a narration by Guillermo Grenier in dreamy, flatly inflected Spanish, backed by a four-note synthesizer track, and punctuated by mysterious, heavily processed vocalizations. Ashley throws in extensive sound washes and ot…