Monochromes
*In process of stocking* “Tolimieri makes a universe of micro-nuance audible, with each piece consisting of hundreds, thousands or even tens of thousands of points of contact. Each point is just a little different from its predecessor. One by one, the points carry the music outwards, until the sound canvas is radiantly filled with the sensation of a particular touch.
The succession of Monochromes on these discs has a beautiful logic. I hear it as an attempt to “begin again”, to rediscover the pi…
Ocean
*Restored and remastered from the original tapes* "My task is to allow the listener to penetrate deeper into the music. The music is wholly improvisational. It has no concept in the rational sense of the word. It’s concept is purely intuitive. It presumes The Law of Analogies: “As above so below. Man is the same as the Universe. The Universe is the same as Man.” ("Emerald Tablet” by Hermes Trismegistus"). This intuition is a kind of rephrased logic which uses many more symbols which contain not …
Suite 8 & 11 per pianoforte
*2022 stock* Giacinto Scelsi (1905–1988) is one of the most unusual composers of the twentieth century, a unique figure whose importance was only fully recognized and celebrated after his death. During his lifetime, he was often dismissed, especially in Italy, as a pretentious dilettante because he did not notate his music himself. Beginning in the mid-1950s, he recorded his improvisations at the piano and had them transcribed by others. In this way, in the course of only a few years hundreds of…
Music For The Double Life Of Amphibians (Landmark Recordings)
*2022 stock* 'The literal meaning of “amphibian” is “double life” and applies to animals living part of their lives in water and part of their lives on land. In the program note to his electroacoustic classic Music for the Double Life of Amphibians, Morton Subotnick states that “amphibian” is to be taken as a metaphor for the work’s structure and programmatic content, which follow a metamorphosis of being through the stages of amphibian to beast to angel. But it also applies to the musical mater…
The Wild Beasts - Landmark Recordings
*2022 stock* Morton Subotnick achieved fame in the field of electronic music with Silver Apples of the Moon and The Wild Bull, his best-known tape works of the late 1960s. Since then, he has been active combining electronics with other media, notably employing gestural sketches on tape to alter sounds produced by voices and instrumentalists. The two works on this 2015 Wergo release are representative of Subotnick's methods, using a trumpet with a chamber ensemble in After the Butterfly, to reali…
Heliogabalus Imperator / Works For Orchestra
*2022 stock* The relationship between Hans Werner Henze and Oliver Knussen was one of great mutual respect. The German composer admired the British conductor and composer for electrifying performances of Henze’s own and other composers’ works. Knussen was an untiring and enthusiastic champion of his friend Henze’s music. The recordings collected here display Knussen’s deep understanding of Henze’s music. Knussen conducts the BBC Symphony Orchestra in sensitive and meticulous performances of comp…
Alvin Lucier
Alvin Lucier (1931 – 2021) was one of the most influential American minimalists. Some call him "sound physician" as his compositions are often based on acoustic research settings. His pieces tend to turn inside-out the properties of space and instruments: poems based on acoustic settings! zeitkratzer worked with the composer in Dijon, France in 2008, and presented his music in various places. These recordings have been realized at Philharmonie Luxembourg that turned out to be the ideal space for…
Nam June's Spirit Was Speaking To Me
A spellbinding tribute from one multi-faceted artist to another. New York-based artist Aki Onda (b. 1967) conjured a transduction to the Korean multi-media pioneer Nam June Paik (1932-2006).
For Philip Guston
*2022 stock* Performed by Julia Breuer (flutes), Matthias Engler (vibraphone, marimba, glockenspiel, tubular bells), Elmar Schrammel (piano, celesta). Recorded 2007. One of Feldman's classic long-term late works, written in 1984. Wergo is proud to present Morton Feldman's four-hour-long trio For Philip Guston, performed by the ensemble Breuer-Engler-Schrammel. Feldman disagreed with those who regarded his works since the 1970s as being too long. 'In music, it's very difficult to distinguish betw…
Canti Del Capricorno
*2022 stock* Michiko Hirayama inspired Giacinto Scelsi to write his twenty-part cycle "Canti del Capricorno" between 1962 and 1972. To this day the Japanese singer (b. 1923) is a unique performer of this spiritual yet energy-filled work for solo voice, with instrumental accompaniment for certain songs: Scelsi’s notes in his own hand in the score; that is her treasure, when she comes to Ulm in May 2006 to give a concert in the series neue musik im stadthaus. Michiko Hirayama is a vocal power stat…
Nothing Is Real ...
*2022 stock* The focus of the pieces by Alvin Lucier on this CD is on the phenomena of resonance – sympathetic vibration – in many variations. “Time and again I find myself having to pare away any musical gestures in a work in order to uncover the true idea in a piece,” says Alvin Lucier.The composer knows which ideas he wants to liberate. But the process of causing the environment to resound is always a collaborative, interactive project. It needs someone who is creatively engaged, even obsesse…
s/t
Yiran Zhao makes use not only of musical elements but also of objects, bodies, movements and light-sources as compositional material. Many of her pieces inhabit the various boundary states between instrumental music, performance, sound-installation, and video-art. Leonie Reineke describes the composer in the CD-booklet as a “prudent researcher“, who encounters the sonic cosmos of her environment with great earnestness, and comes microscopically close to things.
In the composition “Piep“ she focu…
Earthing
"String quartet” seems a rather reductive way of describing any of the four utterly compelling works by Clara Iannotta that the Jack Quartet play here. For as well as demanding that the string players employ every conventional technique, the Italian composer extends their sound world farther, both with electronics and with “found objects” applied to the strings and bodies of the instruments.
The four pieces all date from the last seven years. The earliest, A Failed Entertainment, borrows the wor…
James Joyce, Marcel Duchamp, Erik Satie: An Alphabet
*2022 stock* This work began life as a radio play in 1982, a commission from and for Klaus Schöning and Cologne’s WDR. Working on the principles of collage, Cage brought together 15 unlikely characters – Narrator, James Joyce, Marcel Duchamp, Vocoder, Erik Satie, Jonathan Albert, Mao Tse Tung (as a child), Henry David Thoreau, Rrose Selavy, Thorstein Veblen, Buckminster Fuller, Brigham Young, and Robert Rauschenberg – who speak together, their dialogue comprised of literal quotations, freely ada…
Die Verwandlung des Zornes
*In process of stocking* The Zooming is implemented musically; it captures places on the globe that lie in a constantly narrowing field of view around the Kollegienkirche in Salzburg, the site of the piece's premiere. In the north and south, the latitudes represent the boundaries at 90° each, in the east and west, the longitudes at 180° each. The places where the four wind instruments play in the Kollegienkirche each lie on an imaginary line projected in the four different cardinal directions, n…
Mantra
*2022 stock* 'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develo…
Works For Piano, Toy Piano & Prepared Piano · Vol. III
*2022 stock* It may come as a surprise but one of the leading creators of keyboard music in the twentieth century is a composer by the name of John Cage. Cage’s reputation is so deeply associated with the avantgarde, with chance music, graphic notation, performance art, technology and Zen Buddhism that is early, conventionally-notated music for percussion ensemble and keyboards is sometimes neglected. Or was until recently. In the last few years – with the advent of performances and recordings l…
Etudes Australes
*2022 stock* 'Etudes Australes was composed specifically for Grete Sultan, so this album is among the definitive recordings. As an indeterminate piece for solo piano (okay, well, a "duet for two hands"), this sounds very similar to Music of Changes, Winter Music, etc. Here, though, Cage generates indeterminacy by turning once again to using star charts as tools of composition, as he did previously in the wonderful Atlas Eclipticalis.
In a way, I find the piano to be more suited to star charts th…
Circles · Sequenza I · Sequenza III · Sequenza V
Wergo presents Luciano Berio's compositions Circles · Sequenza I · Sequenza III · Sequenza V.
Continuum / Zehn Stücke Für Bläserquintett / Artikulation / Glissandi / Etüden Für Orgel / Volumina
*2022 stock* This CD of works by the Hungarian composer György Ligeti represents an extremely interesting combination of several of his serene works for harpsichord, organ, and wind quintet with two electronic compositions from the late 1950s.