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Ultra-minimal digital modular chaotics setup recorded direct to two-track. David Burraston (aka Dave Noyze aka Bryen Telko) is an artist/scientist involved in technology and electronic music/art since the late 1970s. Self-taught in the areas of music composition/technology, generative art, chaos, and complex systems, he is recognized as a leading practitioner/theorist in the field of generative music, producing both peer-reviewed publications and musical compositions. Burraston is a peer-reviewe…
Friends edition of 99 printed on red vinyl. Comes with fold-out book for the 7 LPs, a white on black t-shirt, an autobiography insert and includes the numbered official certificate. This outstanding deluxe Box-Set delivers an excellent and extensive overview of John Benders music-output recorded between 1976-1985. John Bender is without any doubt, the protagonist, if not the inventor of a whole musical-genre known as Cold Minimal Wave/Synth. His synthesizer-sounds already carried elements of tec…
Last copy, tiny wear on cover Milestone! Asmus Tietchens, a German electronic synthesist and musician whose interest in experimental music and musique concrète already started during his childhood. He began recording sound experiments in 1965 with electronic musical instruments, synthesizers and tape loops. In the 1970s he met producer Okko Bekker, and the two formed a decades-long partnership. In 1980 Peter Baumann (of Tangerine Dream) heard a recording of Tietchens' music and offered to produ…
ICR is proud to announce the re-release of a double CD of 2 seminal works of UK electroacoustic music by Trevor Wishart. "This Double Album brings together many of my major pieces from the last 40 years. "Red Bird" has been held up as a pioneering work, using both a "cinematic" approach to audio, and sound morphing, especially because it predates the use of computers but prefigures many of the techniques later used for making computer sound art. "Anticredos" brought together my research int…
Kallabris and Lepenik have been collaborating on an unnamed project for years. At one point, wasn't even sure that it will see the light of the day at all. But, never provoke with destiny! Different musical personalities but with many common musical points, offered extremely polarized piece of art, some kind of kaleidoscope of musical suprises and always on the edge of disintegration. A record that mixes a wide range of styles, opening with slow ambiesque vignettes, elegiac passages, continuing …
2014 release ** "This recording features a concert by Italian composer and multimedia artist Roberto Paci Dalò entitled Ye Shanghai, recorded at the ORF Funkhaus in Vienna for Kunstradio. This complex and poignant sound collage is comprised of recorded voices that quickly dissolve into ambient electronic sound that grows increasingly in intensity over the course of this reflective piece. With mysterious instrumentation and vocal recordings, Roberto Paci Dalò creates a powerful composition of swi…
Composed in 2012 as a closed archive of sounds and actions to be recombined in different forms and then presented on various occasions during the first half of 2013. The version for this cd is the almost exact replica of the one diffused during a concert in Nantes, Cable festival, May 2013. thanks to Anne-Laure Lejosne, Christophe Havard and Will Guthrie. Edition of 200 copies in letterpress sleeve.
A founding figure of New York's early electronic music underground, finally excavated in full. Richard Bone began his journey in the early 1970s, studying drama at the New York Academy of Theatrical Arts while obsessively collecting reel-to-reel tape recorders and rewiring their circuits to create his own primitive electronic compositions. This fascination with sound design led him to create scores for experimental off-Broadway theater, and by the late 1970s he had emerged as one of the key figu…
Luv / Kopfüberwelle unfolds in two halves, each radiating the signature sensitivity of Sabine Vogel. “luv,” a nearly thirty-minute solo piece, sits at the intersection of field recording, flute improvisation, and subtle electronic manipulation. Vogel’s work with the Landscape Quartet shapes her approach, drawing not just on musical material but on a careful listening to site - birdsong, wind, water, and distant activity form a natural acoustic tapestry into which the flute dissolves and emerges.…
The finest German Minimal Synth from the early 80s NDW underground, finally given the deluxe treatment it deserves. Jürgen Schweighart, working under the Bowie-inspired moniker V2 Schneider, was one of the true hidden figures of the Neue Deutsche Welle era - not quite punk, not quite goth, but something altogether more singular and strange. Operating out of basements and towers in the south of Germany with his band Blindgänger, Schweighart created a body of work that sits comfortably alongside t…
*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack of the sound of each instrument was eliminated, and the work was taped through repeated overdubbing. This produced a variety of beautiful harmonics that otherwise could not be produced from a single instrument's sound, and the interference of harmonic…
**2022 stock "Funakakushi" [1]: This electronic work was composed for the opening ceremony of the hotel "Funakakushi-en" in Kagawa prefecture in 1963. It was realized as a sound installation and used many speakers inside a built-in stone sculpture. They were designed by sculptor Mitsu-aki Sora (b. 1933) and were arranged here and there in the main garden of the hotel. The sound was made from a modified Japanese traditional instrument, biwa, as well as from a sea wave sound [2]. The engineer Juno…
LL (Another Timbre at70) chronicles the collaborative project Partial - namely, Chicago experimentalists Noe Cuellar and Joseph Clayton Mills. Commissioned as part of a site-specific installation at Pilsen Vintage and Thrift, the album uses only the sound materials found in the store’s crowded basement: toys, tools, clocks, broken dishes, odd bits of furniture, and personal relics - each object transformed into a sonic protagonist. Across “Marcel” (24:35), “Paul” (15:46), and the miniature “a si…
One of the most magical recordings you'll hear this year is the first LP by UK-based one-man transcendental-drone band Tuluum Shimmering. Behind this enigmatic moniker is Jake Webster, an artist who has established his own record label, Tuluum Shimmering Records, and developed a unique approach to ambient music that defies easy categorization or geographical placement. The sound of Tuluum Shimmering is like a sort of loop-driven, timeless ethnic music without a region or a tradition. This remark…
2013 release ** An electronic exploration of scrapes and whispers, silence and noise. Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.
** Edition of 300 copies on opaque white vinyl in printed clear PVC sleeves ** This is a true sensation: a masterful album released as a double 12" (available separately) housed in a silk screened pvc sleeve, on white vinyl; a steely, scratchy looping expansion form the backbone, tension, haunting layers of undertones combined with dark, spectral murmurings...Outstanding! "Through the use of sound generated from modular synthesizer, tapes and samples Nicola Ratti Ossario is a collection of ten …
Electro-Anâhata (1986-1994). Fully electro-acoustic version of Anâhata realized on the composer's personal computer from the original electro-acoustic recordings of this work. Electronic music studios where the original Anâhata was produced (1984-86) : Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Tokyo-Gakuso studio, Tokyo (1983): for the Shô a…
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
** Edition of 200 copies ** Back on wax after a four-year hiatus, Claudio Rocchetti gives us a one-sider vinyl assembled at home - in Auerstr. 7, Berlin - with the inspiration of the work by Robert Smithson. Including a sample from Trilogie de la Mort by Eliane Radigue and some sounds provided on purpose by Al Doum, Von Tesla and Stefano Pilia, "Pointless Vanishing Point" is a three-parted journey into the recurring environment of awkward sounds and slow frequencies interrupted by a distant soun…
** Edition of 200 copies ** Lettera 22 is the duo of Matteo Castro and Riccardo Mazza, two main characters in the Italian noise and experimental scene, building incredible collages of field recordings and abused dynamics. The lucky few who attended their live set at the Dome in London for the Broken Flag 30th Anniversary - where they caused a speaker stack to fall over, almost setting fire to it - saw their potential unleashed and knows what we mean by saying that they have an incredible control…