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The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight. Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix – RIP…
1992 release ** "Greinke and Angus met at Penn State where they started composing and performing together. In 1982 they moved to Seattle and began playing in clubs and festivals, working with a variety of musicians in various bands and projects. Their work as a duo was documented on the classic album Crossing Ngoli (Ear-Rational, 1992)."
1995 release ** "Trance Mission creates powerful electro-tribal ambience with a variety of standard, traditional, and eclectic devices. Meanwhile, their second CD, is a collection of tribal atmospheres forged with respect and passion. Stephen Kent, Kenneth Newby, Beth Custer, and John Loose are constantly on the same page. They impact the respect and reflect the passion. It is all done with varying degrees of urgency. Kent's didg creates the drone from which Newby's atmospheres arise. Custer's r…
1994 release ** "Tuu is one of those bands that manages to straddle the seemingly disparate worlds of traditional ethnic music and ambient electronica, somewhat the same way that African Head Charge and Mouth Music do, but with very different results. In this case, the interactions between synthesist Mykl O'Dempsey, exotic percussionist Martin Franklin, and flutist Rebecca Lublinski (who spends most of her time on either the bansuri or the Chinese flute) result in a music that is dark and strang…
*200 coipes limited edition* Among the many kind remarks and deeply personal stories that have been shared with zakè and 36 about their beloved series, Stasis Sounds For Long-Distance Space Travel, perhaps the most succinct and poignant is one from a fan, regarding the first installment: “I was terrified of space travel, until I heard this album.” In those few words, the complex themes and contrasts that the artists explore through their comforting hymns of cosmic scale are summed up beautifully…
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, it’s a special one.
A new year, label, album and handle for Ulla, a multifaceted artist who has draped our pages with wonder, under numerous aliases and collabs, for almost a decade. On ‘Hometown Girl’ they distill transience and flux into a quiet set of…
Ecstatic presents I Can Hear The Grass Grow, the transportive new album from Mancunian duo Celestial. Expanding on the bucolic dreamstates of their previous work, this latest release unfurls like dawn mist over dewy fields, steeped in fragile fingerpicking guitar aching with hushed intimacy.
Where Listen to the Sky traced the heavens, I Can Hear The Grass Grow sinks into the earth—its organic, fungal textures blossoming in layers of acoustic and electric guitar, droning harmoniums, and shimmerin…
Spool is a multi-disciplinary, collaborative project by musician and producer Florian TM Zeisig and artist and perfumer Angel Paradise. The project came about when both artists were living in Hinang, a small farming village in the Bavarian Alps. The work embodies a period of isolation, reflection and personal awakening. Florian TM Zeisig has a distinctive ability to weave compositions that feel weightless yet deeply evocative. His music carries a profound tenderness—a soulful presence that linge…
Kevin Drumm's "Neither Here Nor There" transforms 2+ hours of liminal drone into revelatory ritual. Dense, meditative compositions from 2018-19 explore existential boundaries between presence/absence. Vaknar's triple cassette edition captures minimalism as focused intensity—endurance test meets religious experience.
Somewhere is a place we have been waiting years to experience: a climate of sounds and spirits that gathers quietly and disperses with hazy grace, the result of a chance connection and long term correspondence. Over the past decade, ambient drone composer zakè (aka Zach Frizzell) has established his identity with numerous solo works, and his open-minded approach to peers has resulted in a complement of communal efforts; Pallette (who chooses to be known only by that moniker) has crafted no fewer…
Dungeon-crawling aficionados and devotees of gloomy synth-music, HDK Adventurers Magazine is for you! Each issue features a bunch of expert dungeon synth musicians who score the soundtracks for four "one-page dungeons", short adventure modules for fantasy RPGs.
Mysterious places inaccessible to humanity, cruel magical dungeons, a noble lineage of guardian warriors and a terrible gang of ruthless bugbears... These are the settings you will experience in this new sparkling episode of HDK Adventure…
*100 copies limited release* Small sounds and huge drones populate the surrealistic landscape of “Materia Vibrante”, Susana López’s gorgeous new album, her third for Elevator Bath and first on vinyl. Extraordinarily evocative, this LP is filled with detail and emotive tranquility, while occasionally swelling with the intensity of a raging sea. Surely López’s most elegant and finely hewn work to date, “Materia Vibrante” offers a fully enveloping sonic meditation. The album was built from field re…
*300 copies limited edition* Slowly yet firmly blooming into focus, An Unfinished Rose is the new album from Australian duo Troth. This is their first since relocating to Hobart, Tasmania and their introduction to Night School Records. With a detailed web of past releases on labels A Colourful Storm, Mammas Mysteriska Jukebox, Knekelhuis and Bowman’s own Altered States Tapes imprint, An Unfinished Rose is the group’s most realised and composed work thus far. While still drawing on the improvisat…
"Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of w…
*100 copies limited edition* Almost An Island marks the first collaboration between musician and producer Kenneth James Gibson and the husband-and-wife duo James and Cynthia Bernard. Gibson's career is a mosaic of sounds and ideas—so varied it might seem like the work of several artists, yet unmistakably his. From the widescreen psych-folk of Bell Gardens (with the late Brian McBride of Stars of the Lid), to the fractured electronics of Eight Frozen Modules, to intimate solo ambient albums and e…
Robin Richards, principal composer in beloved Manchester art-pop band Dutch Uncles, announces details of Taproots; his long-awaited debut solo album, set to be released 19th September on PRAH Recordings. Inspired by artists such as Flying Lotus, Arvo Pärt, Phillip Glass, Kate Bush, Boards of Canada and Tim Hecker, the album’s arc includes pieces about self-doubt, positive life changes, fatherhood and a suite of concept pieces about the life cycle of trees.
Taproots features contributions throug…
"To whom does a record belong, once it’s been released, once it's released and lives its own life, outside the thoughts of those who composed it? Does it not also belong to those who listen to it and find in it realities, unsuspected joys and desires at the time of its creation? For as long as I've known him, Michel Wisniewski has been exploring, under the pseudonym Supermalprodelica, the effects that the music of others, which he listens to with a sensitive ear, produces on him. And he has the …
1994 release ** "37 Strange (and not so strange) ethnic rhythms, chants and musical pieces sampled, repeated, distorted or transformed in nightmarish landscapes... it's not new age effect, this scares...."