The Dartmouth Digital Synthesizer
2024 stock. Jon Appleton, Sydney Alonso, and Cameron Jones set out to create a new digital synthesizer at Dartmouth College’s Thayer School of Engineering in 1972. They considered the computer-controlled synthesizer superior to analog because of its “ability to create, by digital means alone, time-variant timbres which make all natural sounds interesting to our ears.” This 1976 recording presents the results of their effort—four different compositions, one each by Jon Appleton, Lars-Gunnar Bodin…
The Pruttipal Index
What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (li…
Stikhiya
*2022 stock. Limited edition of 100 copies.* “Having realised the errors in rational knowledge I found it easier to free myself from the temptation of futile theorizing” Leo Tolstoy (1880) I understand this phrase as an expression of Stikhiya, the word used by Russian poet Aleksandr Blok in early 20th century to describe the fundamental value of primitive immediacy. Contradictory to intellectualism and rationality, Stikhiya is emerging from organic holistic experiences, it is perceived as an unf…
Under My Skin
*2022 stock. Limited edition of 100 copies.* Gintas K has been active as a composer, performer and interdisciplinary artist since the 1990s, focusing on experimental digital music aesthetics — overloaded massive structures, static and physically overwhelming frequencies, melodic ambiences, voice and field recordings. Gintas K has released several albums, four of which in "Crónica: Lengvai / 60 x one minute audio colours of 2kHz sound" (2006), "Lovely Banalities" (2009), "So On" (2010), and now "…
Musiques d'ordinateur
Sébastien Roux imagines new listening situations. He uses algorithms, games, movement, spatialisation, and diagrams to articulate two complementary notions: the perception of form and the forms of perception.
Musiques d'ordinateur (Computer music) gathers pieces written between 2011 and 2020. The tracks on this CD are the more or less predictable results of more or less complex programs. The sounds and their organization (the score) are calculated. There is no editing nor mixing. The algorithm …
Clang-Tint Modulude
Last copies. Edition of 250 copies. Curtis Roads (° 1951) is a sound artist and composer and researcher in electronic music composition. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. A researcher at MIT (1980-1986), he also worked in the computer s…
Hidden Codes
Trinovantes is a new collaboration between old friends Franz Kirmann and Stuart Bowditch, who originally met in 2007 at the Multivitamins events in Shoreditch.
"The body of work on Hidden Codes employs a new approach. Songs by metal bands were interpreted by algorithmic functions into MIDI. The extracted data was then edited and played through a variety of software and synthesisers to generate warm, ambient layers that, whilst removed from the original songs, retains a sentiment of the original …
How It's Not Meant To Be
The Tapeworm presents How It's Not Meant To Be by Venozkts. Many hours were spent surfing the airwaves, with often surprising results… No synths were used during the making of this album. The mysteries of the ether continue to enthral and provide. Mastered by Franz Kirmann. Published by Field Music. With thanks to Bana Haffar, Klingenfuss and all the freqs. Illustration – “The Map Is Not The Territory” by Bana Haffar.
Downfall
Limited 2 LP edition. Downfall is the first album under the name Saito created by Lena Saito, aka Galcid, and produced by accomplished analog synthesizer guru, Hisashi Saito, aka Lena's husband. Having descended from a long line of Japanese sword-smiths, the industrial sound of smashing steel is embedded in Lena's DNA and reflected in her music, however there are also refined, hypnotic tones showing a side with more finesse. The music itself is not scored and is predominantly improvised. Words a…
To Eeyore
**Edition of 200** Nika Breithaupt aka Nika Son aka Nikae is one of the most active and sensitive artists in Hamburg. Her versatile and multi-layered work bears witness to her ability first to allow things time to develop their full impact and then to listen and look very carefully before modifying and assimilating them creatively into her own work. Nika’s most recent release is “To Eeyore”, a very special cartography of moments and feelings. - Thomas Venker
Allon (Kaye) from Entr’acte had asked…
Horror Vacui
**Edition of 250** Music nowadays is a crime. The whole dark art consisting in whether the composer opts for death by suffocation (maximalism) or death by strangulation (the perennially fashionable anti-fashion that is minimalism). Jon Doe One’s debut record, Small Numbers, involved layer after layer of obsessive construction. Faced with its delirious palimpsest of rhythm and sound, listeners — those curious lost souls, I count myself amongst their ranks, alas — had no choice but to gag on the e…
Tonstich
Amelie Duchow’s interest in electronic music grew in the 90s being close friend to several Munich DJs. Getting into a “new world” of DJing and underground clubbing, she soon started to develop her own music style, continously searching for new international electronic and contemporary sound material. In 2003 moving from Munich to Italy her slow minimal ambient sound, presented under her moniker Fräulein Amelie, entered directly into various locations in Florence. In 2005 she presents her DJ set…
What's That For, Mate?
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
Work 2006-2011
Wall and Rodgers have worked together informally and irregularly for the best part of two decades, but it has been since Wall took the leap into improvisation, roughly five years ago, that the potential for their collaborations to become something more solid has evolved. So the pair have worked together, either just informally in Wall's studio or out playing live gigs since 2006, and they have produced a body of material that Wall has then sculpted into the composition that appears on the CD. Th…
Unter den linden / Und transit
The 'Grundton' of this 30-minute composition is the recording of the concert given at SND Studios Sheffield (UK) in March 2009, entitled 'Why is there something rather than nothing?' by Mark Fell and powered with d&b speakers by Tony Myatt (MRC, University of York). The sounds of planes have been recorded in Mallorca (Spain) in 1987, and in Pilat (France) in 2009. This music comes after HCDC, composed in November 2008 after the death of Daniel Charles Ð his last days were darkened by brea…
Five mountains of fire - Antartica ends here
Cindytalk - Five Mountains Of Fire: Gordon Sharp (electronics), Paul Middleton (drums), Dan Knowler (Guitar), Gary Jeff (Percussion) and Sherrill Crosby (Electronics). Pre-mixed and re-played by GS at Roi Vert, Okamoto, Japan, March 2009. Robert Hampson - Antarctica Ends Here: Dedicated to John Cale. Recorded and Mixed at Thirst 2007Ð2009 in London and Paris. Design: Dave Coppenhall. Cindytalk's Gordon Sharp and Robert Hampson (Loop. Main...) are 2 characters of legend circulating on the …
The Drive
Billed as a soundtrack to an imaginary road movie this latest album from Jon Egeskov's Pixel project (his third in all) reaches into your subconscious and yanks out whatever images are lodged in there. Using a basic palette of miniscule percussive elemnts and delicately manipulated amplifier hiss Egeskov instils a sense of gentle motion, sounding out dream-like engine noise that propels the listener down whatever shady lane they're prepared to venture down. The floating hum and crinkled analogue…