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Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…
Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.
11th part in the ongoing re-release series of all early Tietchens albums between 1980-1991. Aus Freude Am Elend is based on the human voice as a primary sound source and was originally released in edition of 500 copies on Dom America in 1988. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. The original front and back cover. First edition of 600 copies'. 'Following my research of piano and water sounds (DS102, DS88) …
Swedish Contemporary Music on Fylkingen Records captures a snapshot of Sweden’s postwar avant‑garde: electroacoustic experiments, new chamber works and text‑sound pieces shaped at the nexus of Fylkingen, EMS and the ISCM, where technology and radical composition meet.
Original LP from 1982. "Since 1979, the Swedish Radio Company and the Stockholm Electronic Music Studio (EMS) have arranged an annual 3-day Stockholm Electonic Musik Festival. It's purpose is to present a sample of the electronic music being composed in different parts of the world. This record contains four works from the 1980 festival - two are Swedish and two are international; two are for tape and two combine tape with live performance." Lars-Gunnar Bodin: Epilogue; rhapsodie de la seconde r…
** 2026 Stock. Original 1977 Copies that may show some signs of long storage wear. ** Composed between 1972 and 1976, Clouds marks one of Lars-Gunnar Bodin’s most fully realized attempts to fuse electronic music, vocal writing, and visual dramaturgy into a single, inseparable organism. Often described as a pioneer of Nordic electronic and text-sound art, Bodin approaches this piece less as a “work for tape” and more as an advanced form of musical drama: three women singers, three dancers, eight-…
2010 release ** "The Low Frequency Orchestra is a small ensemble of 'paetzold' recorders, electronic devices, voice, double bass and drums and they team up here with one Wolfgang Mitterer who plays organ. The starting point of this CD is a live recording which has been 'repeatedly revised, de- and re-composed'. Taking into account this and the fact that this is a small ensemble, I was reminded of Mnemonists and Biota, who used similar group playing and extensive studio techniques to define thei…
"This work is not music in a conventional sense, it does inhabit that world, but in a new way. The cello is treated fundamentally, as a resonating body, transmitting sounds elementally. The bow on a string, the flux of weight, pressure, speed and angularity releases a myriad of complex sound phenomena. The juxtaposition of multiple sounds on adjacent strings creates fluctuating and rhythmical beatings. The detuning of the instrument increases its pitch potential and basso profundity. In combinat…
2CD version, including two CD bonus tracks. Pseudocode was a Belgian electronic improvised music band, active from 1980 to 1982, featuring Xavier S (Thrills), Guy-Marc Hinant (Sub Rosa co-founder) and Alain Neffe (Insane Music, Bene Geserit). While Xavier S contributed most of the lyrics and vocals, it was Guy-Marc Hinant who often played the core melody on his Pianet electric piano. Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic clo…
Includes 16 page booklet and a download code redeemable from the label with bonus tracks. It's a bountiful collection of unheard prog and space rock rich with minimoog, created by Franco Falsini - whose 'Cold Nose' recently turned up on Spectrum Spools. His later synth bits like 'Darkside' are exceptional and practically worth the admission alone. Not so sure about the earnest prog noodling, though... Packaged in reverse card slipcase with colour inners and a 20-page booklet of in-depth h…
Ambient describes something that imperceptibly pervades the environment to the point of barely existing. It affects us, but we might not know it. It controls what we regard as the most basic qualities of our lives, so basic that we consider them inconsequential, everyday, and normal. The earliest ambient music was likened to furniture. This is not ambient music. But there are the qualities of ambient music here. The sounds surround and envelop. Groundwork is laid for assumptions and choices to b…
Minimal Wave is proud to present Teenage Tapes, an LP of selections from the early tape archives of Felix Kubin. The recordings span his adolescent years, when he was between 11 and 15 years old. He actually began playing music at 8 years old, when he studied piano, organ, and glockenspiel. In 1980, he acquired a Korg MS-20 synthesizer and his recordings took off from there. He began experimenting and recording a variety of tracks, adding his own bizarre lyrics to them.
In 1982, he formed a band…
*150 copies limited edition* The Kansas post-hypnagogia psych enigma CVLTS create a strange distillation of improvisation, keyboards, loops and field recordings. Song length carpets of sound with the occasional attempt at dream pop. CVLTS are the Kings of Haze and they will make all your dreams come true.
Celer combine the chapters of 'All At Once Is What Eternity Is' and 'The Die That's Caste' EPs with new side 'I, Anatomy' to form a sumptuous extended narrative. The new material comprises two play-thru sides expanding and contracting between string swept serenity, blooming drone, location recordings and back again making for a truly transportive, blissful experience. Much the same can be said of their two EPs which were originally issued on 3" CD in 2007. Again using strings, theremin, tape and…
Solo project of long-time superstar Mike Connelly (Wolf Eyes, Hair Police) building the perfect negative of his bands - but still walking a similar path of his bandmates' solo work - trading noise for quiet and jolts for scraping echoes. Afternoon Summer Sex - so far the second LP release by Failing Lights for 2012 - is a black swamp full of analog processing, whirling drones, chiming tones and shrouded electronic crackles. A slow-pace listen of minimal repetiton that gives the idea of an eterna…
A breathless exploration into meandering soundscapes made up of distorted guitar drones, heavy layers of synth and restless, tropical drum machine trances, kraut and shimmering drone....Somewhere between Sun Araw, High Wolf and Ducktails, according to the artist “inspired by night rides around Shibuya“. Hot and sultry these nights were, we assume. Absolutely mesmerizing stuff from start to finish. Limited to 250 copies
** 500 copies ** Tom Recchion’s Proscenium, released by Elevator Bath, is a beautiful piece of ambient/drone that was originally created for Janie Geiser’s play, Invisible Glass. Proscenium is a subtle and remarkably controlled collection of atmospheres. The air of mystery, deliberate pacing, the deep tones and unidentified sounds of Recchion's 2006 album Sweetly Doing Nothing have been explored even further here. It's a logical development but the results are unexpected and strikingly original,…
2009 release ** "A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estra…
2012 release ** The most recent solo incarnation of pioneer Campbell Kneale (Birchville Cat Motel, Black Boned Angel, et al.), this is the definitive OLWDTW release spanning two discs. Crowning achievement in a prolific and highly collectable catalog. Solo project of Campbell Kneale, formerly Birchville Cat Motel, and one-half of Black Boned Angel. Packaged in an oversized 5.5" square folder with two art inserts and music spanning two discs, each in an envelope.