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Electronic /

Descending Moonshine Dervishes
Terry Riley's Descending Moonshine Dervishes was originally released in 1982. Recorded live in Berlin in 1975, and largely improvised, Riley plays a modified Yamaha organ with variable resistors to facilitate tuning in just intonation. This is a 50+ minute recording divided into two halves for vinyl. Terry Riley turned the music world upside down with his 1964 work In C, a revolutionary concept based on 53 modules that can be improvised upon by any number of musicians for an indeterminate amount…
Light In The Shadow
*In process of stocking. 2022 stock.* A winner of electronic music awards in Europe and the United States, Ikue Mori is one of the most respected composers working in the growing field of laptop electronics. A dedicated and passionate perfectionist, she has created a completely unique and original sound world unlike any other electronic composer around. Her newest CD adds a beautiful melodic twist to her moody, detailed and unique soundscapes and is her most stunning creation to date. Essential …
Aleph
*2022 stock.* In his liner notes to Aleph, Terry Riley explains that the work was created as "an improvised meditation on the various meanings of this supreme emanation from the Hebrew alphabet." It was made using a Korg Triton Studio 88 synth with his own sound design, and employing a just intonation scale used by Lou Harrison on his last work, "Nek Chand for Just Intonation National Steel Guitar," which was performed by Riley's son Gyan on the album Serenado. Riley has been using the scale for…
Empire
RED trio made a stunning debut in 2010. In this second album they play with British music veteran John Butcher pushing musical boundaries to the new realms of gripping and exciting kingdom of free improvisation. Rodrigo Pinheiro, piano. Hernani Faustino, double bass. Gabriel Ferrandini, drums and percussion. John Butcher, tenor and soprano saxophone. Recorded April 6, 2010 at Namouche Studio Lisbon by Joaquim Monte. Mixed by John Butcher. Mastered by Ar nas Zujus at MAMAstudios. Design by …
Aerae
**last copies** Kassel Jaeger lives and works in Paris. He’s a member of the GRM (Groupe de Recherches Musicales) and his album is a weave of improvisations executed on various instruments (koto, rebab, positive organ, Coupigny modular synthesizer), captured and then treated as if they were field recordings. It’s about reducing the instrumental gesture to simple expressive material, shaping it while loosing control over it, letting it grow until there is no more readability in terms of ways of p…
Tiny Red Tables b/w Big American Hole
Last copy available "at one point during the free noise tour evan parker pulled out a little black notebook and read back to us all the names of weird bands we'd been discussing. really funny / embarrassing coming from the mouth of e.p.we played at this one club that had all of these tall red tables with tiny circle tops. e.p. said that our new unit should be called "tiny red tables", but later he was talking about some 7" and said, "you know, with the big american hole" ... so we decided that w…
Trap street
ALAN TOMLINSON alto & tenor trombones. STEVE BERESFORD electronics & objects. ROGER TURNER drum set & percussion. Digital studio recording made in London by Mike Dailey - 2002 July 24.Excerpts from sleeve notes: “Is this a record? As the first full-length documentation of Alan Tomlinson since his 1980 solo LP issued by Bead and the 1986 FERALS (with Hugh Davies, Phil Minton & Roger Turner) on Leo, it must be. Most of you will know about Roger Turner, who has appeared on several recordings, and a…
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