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2006 release ** After more than 25 years, the italian industrial pioneer Maurizio Bianchi goes back where it all started from. Using the four tapes released under the name Sacher-Pelz as source material, he resurrectshis very first monicker and leads you into an amazing journey throughdeep ambience, noisy soundscapes, true industrial rhythms, experimentaloutbursts and more than a touch of musique concrète. Also featured isthe first 'brand new' track from SP since 1980, showing the spirit isdefin…
2006 release ** "We've long championed the work of Maurizio Bianchi, the grim electronic sculptor whose work in the early '80s paralleled the likes of Whitehouse, Ramleh, and Matthew Bower's early power electronics project Total. As much as we would like to ramble on about Bianchi's intriguing musical and existential history in reference to this record, it's almost a moot point as it's really hard to discern any sounds that bear the signature of Mr. Bianchi. Don't let that caveat scare you off f…
Celebrating the 25th anniversary of the very first Zev studio album which originally came out on Backlash in 1981, Die Stadt is proud to announce the re-release of Production and Decay of Spacial Relations for the first time on CD. It features the original seven tracks from the vinyl plus six recodings entitled Reproduction and Decay of Spatial Relations made by Zev in May/June 2005. Back in the day, Zev used to bring boxes over from Holland when he would come back to New York City which he woul…
There's a growing consensus that the term "guilty pleasure" is an unhelpful one. It holds that we should embrace the music we love, that if we are pure of heart then all our faves should be unproblematic. Should should should. It is not a consensus to which I subscribe.Aérobruitisme Dynamique is an extraordinary piece of music by the French composer Jean-Marc Vivenza. His work sometimes gets classified as industrial, but he sees it as continuation of the bruitisme of Russolo and the futurists. T…
8th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Described by Tietchens himself as his »Industrial« album, »Geboren, um zu Dienen« was originally released on the spanish Esplendor Geometrico label in 1986. The CD version incl. three unreleased bonus tracks from the same period and comes with a full colour fold-out booklet incl. liner notes by Tietchens himself.