Sulaymaniyah
*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…
Jackal The Invizible
*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…
Muhammadunize
*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001. Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…
Demo
Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire
Original Cassette material from Bryns Jones home, Audio Restoration by Radboud Mens.
Bedouin In Mercedes
"Bedouin In Mercedes" by Muslimgauze is an album characterized by its powerful and prolific innovation in experimental music. It features a blend of ambient electronics, polyrhythmic drumming, and a variety of voices and sound effects that create an immersive and visceral listening experience. The music combines elements of Middle Eastern cultural influence with electronic and industrial sounds, reflecting the artist's deep political and cultural engagement, particularly concerned with the Middl…
Home Demo Tracks
"Home Demo Tracks" by Muslimgauze is a collection of eight tracks with a total duration of about 47 minutes, featuring a distinctive blend of ambient electronics and polyrhythmic drumming. The album captures the raw and experimental essence of Muslimgauze's sound, characterized by visceral percussion, diverse voices, and sound effects. It reflects the artist's unique position in underground, experimental, and industrial music circles, continuing the innovative and atmospheric style that defines …
Return of Black September
The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…
Turn On Arabic American Radio
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Eye For An Eye
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…
Hamas Arc
Originally released in 1993. The reissue contains remixed material from »Shekel Of Israeli Occupation«, which did never appear. Also on there are two remixes from tracks on »Vote Hezbollah«. From the original press release: »For over ten years this solitary voice from Manchester has created a unique sound drawn from a melange of Arabic and European instrumental music. From the very beginning the music has been based on drums and other percussion instruments. Recent advances have been attained th…
12" Single One
*300 copies limited edition* At this point the vast swathes of unreleased Muslimgauze material Bryn Jones left behind when he passed away over 25 years ago is as legendary as any of his work. And sure enough, there's still some being unearthed today. The second entry (and only 12”-sized one) is in a series of four (three 7"s and one 12") taken from one of Jones' customary completely unlabelled DATs he sent to labels seemingly as fast as he finished them.
A new series of singles collecting one of…
Tribute To Jackie Mittoo
*2025 stock. 300 copies limited edition* "Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful …
Incunabula
Having first emerged onto a post-acid house 1993, Incunabula was released as part 7 of the now legendary Artificial Intelligence series of albums and compilations from Warp. A series that gave us early records from artists who went on to sculpt the electronic landscape both in and out of the club. Being lined up against such contemporaries as Black Dog Productions (Balil and Plaid) Aphex Twin under his Polygon Window guise, Richie Hawtin's FUSE project, Speedy J, B12 & on the series' closing com…
Magonia LP
*200 copies limited edition* Overmacht means "force majeure"—a concept that perfectly captures the essence of the electronic music duo of María Pandiello and Jacco Gardner. It represents the uncontrollable forces that shape musical improvisation,where sound unfolds in response to the moment. At its core, Overmacht is musical dialogue with the unexpected, the accidental, and the fragile nature of creation.
“Magonia” is a debut album that blends playful precision with emotional depth, it's about d…
![Live Junkyard [Whispers and Lullabies]](https://cdn.soundohm.com/data/products/2025-08/a1856501702_16-jpg.jpg.500.jpg)
Live Junkyard [Whispers and Lullabies]
*30 copies limited edition* Nazlo Records proudly presents Live Junkyard [Whispers and Lullabies], a raw and enigmatic collaboration between Raaknrand and dolphin hospital, two artists operating at the fringes of experimental sound culture. Known for their restless explorations of degraded formats, liminal noise, and fragile atmospheres, the duo converge on this new document to sculpt a listening experience that feels both intimate and overwhelming.
Recorded in limbo between exhaustion and tra…
![crY [Remixed]](https://cdn.soundohm.com/data/products/2025-08/Glass_Cry_CD_01-jpg.jpg.500.jpg)
crY [Remixed]
2025 stock What is considered making music today? What is it that we like / dislike or is considered music today? Monotonous structures, global rhythm, predictability? How profound is the influence of pervasive media on how we shape our tastes? Are we able to dissect the overwhelming presence of multimedia content? —Glass. By focusing on the physical aspect of sound—in its broadest way—'crY' can be seen as a response to an explicit impulse to investigate modern commodification beyond its soothin…
ACIE E R R
2025 stock Under the new moniker A/N, French producer Apollo Noir delves deeper into his music and casts a strong yet versatile sonic alloy of atmosphere, beat, voice and texture. ACIE E R R (alliteration, French for steel) is a raw, eloquent and fickle stream of consciousness of openness and transparency. Coming from steel-city of Thiers, where his family forged a reputation as unrivaled knife manufacturers, A/N does not hide his deep bond with the age-old metal alloy and its making, which here…
Ansatz
2025 stock Following the aphex-blessed En-To-Pan and the recent ep Hegenrax [OOH-014] Holy Similaun goes further in its intimate and personal musical discourse with Ansatz [attempt / approach] to investigate uncertainty and the mutation of our "safe spaces”.
Extremely dilated fades, intermitted structures, massively warped voices, blasting industrial distortions and gaming sound effects populate the synthetic environments of a not-necessarily dystopian post-something, multifaceted and porous.The…
You Know, Everybody Wanna Say "I Do This, I Do That" Everyone Acts Like They're Hard As Shit But Just Stop
*2025 stock* Re-issued physical version of Vasco Lé's 2020 self-released debut album "You Know, Everybody Wanna Say "I Do This, I Do That" Everyone Acts Like They're Hard As Shit But Just Stop"
Manipulated sound machinery as a tool for expression.Digitized sonic fragments of the intimate,the meaningful, with rhythm as the substance of unbounded emotions. Composed between May and July 2020. From edited live improvisations and mangled samples.
My grandma speaks and my beloved partner sings.
w/ hea…
Minami-kaze α Wave
This work is produced by Henry Kawahara, following the well-received Cybernetic Defiance and Orgasm: The Essential Henry Kawahara, and one of rare 'vocal pieces' produced by him is now available on one-sided 7" and digital.
"Minami-kaze α Wave (Southerly wind alpha wave)" is, as far as we know, the only 'vocal piece' that Henry Kawahara has produced, and released under the name HMD (H Music Deperception) in 1993. The song is a vocal version of the cyber-occult exotic instrumental piece "Nanpu" i…