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Babau is the pantropical project of Artetetra founders Matteo Pennesi and Luigi Monteanni in which a fascination with exotica, world music 2.0 and field recordings meets the compositional and improvisational techniques of computer music. Their latest work, the album »Stock Fantasy Zone«, was recently released on Discrepant and they have been nominated Shape artists 2023. The duo has participated in various Italian and non-Italian festivals such as Fusion, Club to Club, Nextones, Outernational Da…
Outstanding fever dream collage of Moroccan field recordings and curiously pitched synthesis by Portugal’s O Morto - an addendum to his new album that surely holds up on its own, riveting merits.
Reissue of a 1994 tape incorporating elements of post-punk, dark ambient, and neofolk. C’33’ had appeared on countless compilations throughout the 90s from the likes of RRRecords, Strength Through Awareness Branch, and Bandaged Hand Produce.
Lithuania label Greyscale is up to a 29th full length here and once more it is a deeply moving journey. Phases of Gravity is behind it and serves up what amounts to an audio scrapbook that recounts a period in which the Hungarian artist conducted something of a rebirth. Anchorage then is a very personal work where the sounds are stripped back to their most distilled essence. It is always atmospheric in its fusion of ambient and dub with ocean explorations like the opener next to more weight and …
Since relocating to Brazil some years back, Needs Music co-founder Lars Bartkuhn has returned to his long-held love of musical improvisation. Although it’s a product of his jazz roots and classical training, the German producer has constantly found new ways to apply it to his work in the sphere of electronic music. ‘Dystopia’, his first solo album for almost nine years, was born out of two interlinked ideas: a desire to create improvised music without the aid of computer sequencers or an electro…
* Double album housed in a wonderful sleeve designed by Oleg Galay. Including one 12'' color insert. High quality pressing * The second part of the famous collaboration between two UK based electronic pioneers: John Bolloten aka The Rootsman and Bryn Jones aka Muslimgauze. For this album the original The Rootsman material from his albums “Into The Light” and “52 Days to Timbuktu” was remixed and deconstructed by Muslimgauze. As always with Bryn Jones, all material is inspired by Arab culture.
We…
Wewantsounds is delighted to announce the vinyl reissue of Ramuntcho Matta's rare first self titled album from 1985, mixing funk, no wave and ambient soundscapes. The album released on tiny French label Mosquito was conceived as the soundtrack for French choreographer Regine Chopinot's play "VIA" with costumes by fashion rising star Jean-Paul Gaultier. It was recorded at a buoyant time in Paris when Matta - who had just spent a few years in New York following the death of his brother Gordon Matt…
Tip! Originally conceived as a mock live bootleg for Turn Us Alias 2020 (Macao’s Saturnalia festival online edition), Stock Fantasy Zone is the new album by Babau dedicated to the unearthly delights of unconscious reticular motion, wacky 2D shredding and daily side quests. Directly from inside the Stack, finally imagine a zone where all activities are possible but purposeless, all primary objectives are achieved without even moving and the game-logic has finally disappeared leaving back a virtua…
As part of the first batch of tapes of 2022/23, Artetetra is presenting a split featuring two éminences grises of minimal but highly imaginative audio storytelling. Kinked and Señor Service, who fully deserve the title of bedroom superstars, use their screens and musical tools as gateways and magic wands to dissolve the listener into uncertain and nebulous musical worlds, creating the clever illusion of a narrative. But remember, it's just an illusion! Pure audio préstidigitation for children an…
Artetetra is honored to present a journey through music with Trans Zimmer & The DJs' debut album. A dense, musical-like jewel of midi composition and arrangement. For this self-titled album, the film composer "Trans Zimmer" teamed up with production crew "The DJs" and together disassembled a number of orchestral compositions through their sharp sound design craft and absurd, whimsical lyrics. The DJs selected 11 of their favorite arrangements and got down to the midi grind, pouring over every si…
Rainbow Island is a quartet born in Rome in 2013. Since its foundation the band confirmed themselves as skilled explorers of virtual dub, deranged non-narrative storytelling and manipulations of digital riddim music in between fourth and fifth worlds. Audacious and dynamic polydimensional dwellers, Rainbow Island are the most up-to-date sonic guide to our complex contemporaneity and, after the LCD Jiāng swims in “Crystal Smerluvio Riddims” culminating in the Bobblers direct encounters of “Dances…
I:Cube has made a new album. It is a very “hands on” album, as the eight tracks on show were created almost entirely by improvising with electronic hardware – synthesizers, sequencers, drum machines and effects units – and recorded in real time, with very little after-editing. It is also his first album in a decade, should you be keeping track. During the time he spent recording it, which was in part inspired by the processes behind his ‘Cubo Live Sessions’ series, I:Cube had fun, experimented, …
Limited Edition Picture Disc We have repeatedly surprised you with unusual releases that sound uncharacteristic for wellknown artists. Remember Merzbow with guitars, synth (almost said synth-pop) and drum machine? Well, Muslimgauze's turn came up. Emak Bakia – long out of print masterpieces from 1994. Even in the huge Bryn Jones' discography Emak Bakia really stands out of albums from the period due its rather unique (house-music related) sound and short, by the standards of Bryn Jones, tracks. …
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
Spittle Records present a compilation titled Tears In My Eyes (1983-1985) focusing on the Italian band The End. "The name was simple and maybe not so original, but very appropriate for a band active in provincial Italy of the early '80s. A band playing British post-punk inspired songs with English lyrics and a focus on man's existential crisis. Nothing to do with gothic or dark as we used to call it in Italy, in fact even if the boys (all under 20 at the time they got together in 1983) liked dre…
Music composed and produced by Burnt Friedman 2019 – 2022 Published by Freibank Cover photography – 1875, photographer unknown, group of Andamanese people, person in tropical suit presumably German ethnologist and explorer Fedor Jagor "The vocabulary of modern ‘Western’ music or of the so–called Global North has finally been spelled out. The ever more hasty striving to move forward led to a music that is ‘starving among this embarrassment of riches’. In those days, the music that was oscillati…
"A pivotal, early release of electronic new wave, this single oddly gained more notoriety for its B-side, "Warm Leatherette." Amidst jolting zaps, pops, and blipping skips, Daniel Miller robotically intones about the pleasures of car crash as foreplay: "A tear of petrol is in your eye/The hand brake penetrates your thigh/Quick -- let's make love/Before you die." The track sounds like a darkly cartoonish version of a malfunctioning dot matrix printer: clinically pristine, minimal, and sinister. A…
Tanzprocesz CEO Jo Tanz (Femme, Opéra Mort, Placenta Popeye, Reines D'Angleterre) unloads an electropsychedelic opus dripping with emotional intensity. Blurry synth slow-cookers, baroque abstractions, vibrating static spasms and Jo’s trademark lethargically possessed vocals ooze over 12 inches of vinyl divided into 5 self-contained movements via forward and reverse cut grooves and intercut double grooves. Translucent neon pink vinyl with hand screen printed inner sleeves featuring groove maps t…