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*300 copies limited edition* A deeply confounding trip into the sublime from master of contextual dream-weaving Nozomu Matsumoto on perhaps his most heart-piercingly beautiful work to date, including a 13 minute choral section that might just be the most stunning piece of pseudo-classical/liturgical alchemy we’ve heard all year.
Leading on from his ’Remain Calm’ album to accompany visual components by regular collaborator Nile Koetting, ‘Immunotherapy’ offers therapeutic solace through a persona…
Not much is really known about the production process behind the sprawling works of Japanese composer Yosuke Tokunaga, nor about the artist himself. Whatever the process may be, its outcome yields unique soundscapes that lunge and retreat in near mechanical movement, while warm volleys of low flung claps and thumps disperse over a bed of textural hums and lingering chords. At times, Yosuke’s work manages to somehow form an atmosphere that can both feel airy and yet dense simultaneously; it is th…
*300 copies limited edition* "Jens Brands has created a large number of installations, musical performances, and interactive media works. He uses the concepts of parallel activities rather than ideas of fusion. The pieces presented on this recording focus on sonic events related to electronic music (such as intense volumes and dynamics, white noise, square or sine waves) but stay entirely acoustic. On a live performance of the ratchets, the sounds are generated with the idea of a physical, scul…
Biggest Tip! "Muziekkamer is a minimalwave project by Martin Keuning and Cees van de Oever, based in Leiden, the Netherlands, in the 1980s. The first album, 'I' (aka Kamermuziek), is a self-healing calm unified by hushed-toned electric guitars and faint synths, while the second album is a more experimental and pop minimalist/electronic sound, similar to Kubus Kassettes' work. The guitar harmonics are hazy. The long, dreamy parts, with a vague layers of guitar harmonics, is one of the best ambien…
"I got a note from Stephen. As the consummate archiver he had inherited a tape of an interview with me in 1985 done with Kevin Concannon, in particular about my music production. He points out that in it I mention “a device called a digital delay” that I had been exploring. A Deltalab Effectron II Digital Delay, which let you make little short 1 second loops and manually inject other sounds among other things – nice kind of kluge aesthetic. We knew each other through Electronic Arts Intermix wh…
50 years ago, Hokkaido-born singer-songwriter Morio Agata released his debut single, Sekishoku Ereji (Red Elegy), an emotive, shuffling piano ballad that (shockingly) sold half a million copies in Japan. While he would never have another Top-40 hit, Agata would spend the next half century issuing a series of idiosyncratic, experimental pop albums. Today, he’s a beloved cult figure, still actively touring and recording in his seventies. In his first decade as a recording artist, Agata released a …
AI-32 signals the arrival of ‘The Fifth World Recordings’, by Son of Chi (Hanyo van Oosterom) and long-term collaborator Arthur Flink. A tribute to the late Jon Hassell, who passed away in 2021, the album connects a deep running thread that goes back to the source of Chi project. Carrying on from where Hassell left off, the album takes inspiration and references from his Fourth World music concept and the ancient Hopi tradition of Native America. Illuminating the subliminal space of the arising …
Daytimes / Nighttimes is a manifesto detailing the sonic possibility of abstraction through culture. Both works combine Trombone and SP-404 to create peaceful yet emotionally charged landscapes that juxtapose each other in character. Zekkereya El-magharbel is an interdisciplinary artist currently living in Detroit. They have been a member of the Pan Afrikan Peoples Arkestra (Los Angeles) for almost 10 years and have worked/studied with luminaries such as Angel Bat Dawid, Tyshawn Sorey, Corey Smy…
Quiet Voices is a collaborative musical and sound art project, mixing ambient & electronic music, cinematic atmospheres & spoken word, founded by Jean-Yves Leloup, featuring musical pieces he composed with Hélène Vogelsinger, Villeneuve & Morando, Wild Anima, François-Eudes Chanfrault and Maxence Cyrin. Most of the composers involved in this project are all working in the field of cinema, composing music using electronic and acoustic instruments. All these musicians are also working in the field…
Seminal UK experimental composer Richard Skelton returns to Phantom Limb for new album selenodesy, interweaving his newfound love of electronics and synthesis with mastery of gritty organic texture.
“Polish composer Piotr Kurek returns to Mondoj with 'Peach Blossom', an album centered around sung and synthesised vocal harmonies, showcasing the composer’s gentle, uncanny approach to vocal treatments and arrangements. Pairing the vocals of Komi Togbonou and Martin Weigel (both actors of Münchner Kammerspiele) and spoken words by Chinese performer Xiangjie with MIDI and live recordings of various instruments like marimba, flutes, reeds as well as various percussion instruments, the Warsaw-base…
*300 copies limited edition. In process of stocking* 23 years after his EP for Drone Records (DR-28, as Crawl Unit) we are proud to release another / new work of conceptual / minimal / object drone artist Joe Colley from California. We think Joe Colley (*1972) is a master of using mechanical object sounds and electronic static, but also strange low fi found sources and field recordings, creating alienating, surrealistic effects, similar to the likes of Small Cruel Party, Jim Haynes, Das Synthet…
*2023 stock* Ash International presents Mirror Views, a new long-form work from LA-based composer Byron Westbrook. While Westbrook’s field recording process has been central for many years to both his composition and installation works, there has yet to be a major release showcasing this aspect of his artistic practice. On Mirror Views, he seamlessly blends cassette field recordings with “faked” synthesizer binaural environments created from noise and unstable tones. The album's four sections an…
Dismantling the acoustic to feed the electronic, Editions Mego presents Telepath, the new album by Material + Object. Born out of a single improvised recording session with a lone Violinist, Telepath is a startling album of future electronic music, resulting in an LP of unique and timeless tracks that reimagine a classic sound for an endless future.
Boldly departing from his previous canon of largely 'ambient' work, Material Object's Telepath renders itself out as something much stranger, someth…
Conrad Praetzel is a multi-instrumentalist/ composer/ sound designer based in Northern California. His last five albums were released under the moniker Clothesline Revival, roots Americana with a modern electronica bent that Lucinda Williams acknowledged as an influence on her album “West” in No Depression Magazine.
Conrad Praetzel’s Adventures Into Somethingness is the first album of new music released under his name in twenty-four years. Gone are the traditional roots music instrumentations he…
Submerged, resonant ambient deep dives by Sa Pa, full of diffractive slosh and captivating shadowplay that builds on examples found on that ace LP for Mana.
*300 copies limited edition* Observatories is a collaborative music project by Ian Hawgood and Craig Tattersall. This is their second opus together after their first release on IIKKI in March 2021. Born in the United Kingdom, Ian Hawgood spent most of his adult life living in Japan, Italy and Poland. Currently he calls Peacehaven (on the south coast, near Brighton) his home. Since 2009, he’s well-known with his work as the curator of the Home Normal label. He makes music using an array of reel-t…
Time bends for Imaginary Softwoods, the solo guise of producer, songwriter, and synthesist John Elliott. Though he’s working on new recordings daily, Elliott’s process for the construction of his albums moves at a much different interval, stretching out over months of considerate listening, revision, and waiting patiently for the right combinations and clashes of elemental forces to materialise on their own. The Notional Pastures of Imaginary Softwoods continues Elliott’s practice of zeroing in …
*300 copies limited edition* " Born in the mid-60s, German musician and sound designer Uwe Zahn came on the scene of electronic music with his debut full-length album for DIN, titled “Atol Scrap.” In the very same year of 2000, the influential City Centre Offices label has signed Arovane for his majestic “Tides,” which has withstood the test of time for over two decades now. Back then, electronic music was split between the dance floors and the bedroom listening, with the latter carrying the now…