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Tip! *300 copies limited edition. In process of stocking* First ever release of concrete and electronic collage works by Belgian underground sound explorer Jan Bruyndonckx. This album contains autonomous compositions, music for film and documentary; all independently recorded in his private studio between 1958 and 1965. A small collection of adventurous and mysterious sound evocations with text/poetry recited by Julien Schoenaerts.
A totally unexpected and absorbing side of electro-acoustic-jazz and dark electronics from this new 8 piece ensemble; reaching into bass depths and pop dimensions via microscopic miniature sounds and widescreen vistas. A huge recommendation if you’re into Supersilent, Arve Henriksen, Deathprod, Gruppo Di Improvvisazione Nuova Consonanza, Luigi Nono, Rashad Becker!
*2022 repress* Pauline Oliveros (b. 1930) is an accordionist and composer who currently resides in Kingston, New York. Her instrument is tuned in just intonation and she often includes it in her meditative improvisational music. Her music is not meditative in the sense that it is intended for listening to while meditating, rather each piece is a form of meditation, such as her aptly-titled "Sonic Meditations." "Accordion & Voice was the first of my recordings as a soloist. I was living in an A-f…
*200 copies limited edition* Norscq is a French composer and music producer. He founded the iconoclastic cult group The Grief in 1984. Since 1998, he worked as The Atlas Project for two albums and then under his name and working from time to time with Black Sifichi in the duet Super Stoned. He’s known for being musically unpredictable with a particularly fine work on the sound. This brought many other musicians and performers to him for recording, mixing, mastering, remixing, sound engineering ……
The general idea of this piece was to imagine a fresco comparable to a Lied, where the soloist's voice is accompanied by electronic sounds combined with concrete and instrumental sounds processed on a computer — sounds from nature and transformed orchestral sounds. Only German corresponded to the conditions I had set for myself — expressionism, distance from the text (which does not really need to be understood), musical language.Goethe's “Four Seasons” was written in the fall of 1797, after the…
Released on Karl Kronfeld's Synoptik Records, it was the label's only release, thus becoming a rare, sought after, private pressing. Weird, intriguing atmospheres and a plethora of synthesized sounds, sequencers, cold sounding keyboards and even mellotron parts make this a darker offering than Aphorisms Insane. Venturing into stark, spooky post-industrial territories it manages to combine the primitive cosmicism of early Tangerine Dream with the dystopic sound-scapes of Asmus Tietchens, 80's Con…
Curd Duca follows up last year's "Waves 1", his first album in two decades, with another flawless examination of sound and texture, contorting church bells, percussion, musical samples and field recordings methodically - and often humorously. After his impressive 1990s/00s run on Normal and Mille Plateaux, he disappeared for 20 years before emerging from the aether last year. "Waves 2" takes off into more experimental realms, expanding on Duca's unusual combination of avantgarde aesthetics and o…
**2022 repress ** Since its original release in 1977, Ragnar Grippe’s seminal debut album entitled “Sand” has been adorned with immense praise and influenced a myriad of ambient musicians and minimalist composers. Grippe’s unique approach of bonding post-modern classical composition into the tape techniques of musique concrète allowed him to be one of the leading experimental electronic musicians of the late 20th century. Originally trained as a classical cellist, Grippe had relocated to Paris i…
First vinyl offering from both Kjostad, and Ligature. FFO: Crude tape manipulation, field recording, harsh noise, spoken word, sound collage. Macronympha meets Yeast Culture.
Tim Olive returns for his third album on Notice, a rare solo outing from this avid collaborator. “Ribbon” is a document of his highly developed relationship with amplified object manipulation, in a manner most cathartic and engaged, and yet informed by compositional sensibility. This release is constructed from multiple tracks of a variety of sound sources recorded in his studio in Kobe, Japan; these tracks have then been edited and layered, in shifting densities and evolving textures. Despite t…
*Edition of 100* This release initiates a series of propositions between Bonnetta and Hamann exploring film sound design as a relation of anecdotal music. Each side is composed of location recordings, musical fragments, foley, in-studio recordings, outtakes, and sketches gleaned from various re-recording processes. In the absence of images, these sound propositions reflect on the possibilities of a particular form of ‘aural cinema,’ of fictional spaces constructed from the reordering and recasti…
*2022 stock. 250 copies edition* 'Mectpyo/Blut' came out in 1980 as a ninety-minute cassette and between that and this official double CD Banned Production and Bacteria Field released it on cassette, but also came out as a double LP by Marquis Records and a single LP in Japan on no particular label. This release marks the transition from using the name Sacher Pelz to M.B. and was his first official release as M.B. (or MB, whatever you prefer).Four pieces here, each about twenty-two minutes (henc…
Russian synthesist Vladislav Dobrovolski conducts ruminative k-hole analog and electronic swamps on this evocative tome, blending surrealist cinematic cues with fairytale gusts of expertly-tweaked synth music.
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.
Tip! **50 copies** Nikolaienko's “Nostalgia Por Mesozóica” is an exploration of "experimental exotica" consisted of synthesized tropical attributes — an artificial landscape isolated behind the glass frame. Reminiscent of recording techniques and sonorities ubiquitous in the 60’s and 70’s, it could conceivably have been intended as a soundtrack for the Mesozoic Era exhibition at your favorite Natural History museum.
Want bespoke jingles for your commercial productions? Require pre-tailored musical solutions for your dramatic creations? Need them quickly and cheaply? Here's the answer.
“Hauntology” is one of those difficult philosophy words that seems designed to exist on the margins of our consciousness. The term originates in the work of the notorious Algerian-born French philosopher Jacques Derrida, and is first mentioned in his book Specters of Marx, which was originally delivered as a series of lectures at the University of California in 1993. In Derrida, the concept of hauntology is very much a political one. But the word "hauntology" has gained the currency it has today…
Nazlo Records presents De Arbeid by Wouter Van Veldhoven. One-sided 11" transparent lathe-cut record, silkscreened on the b-side and housed in a hard-pvc 12" silkscreened sleeve limited to 50 copies design by Wouter van Veldhoven, @something.for.nobody and @samopal_studio
Tip! Tanzprocesz presents Gymnast Of Gaps by O Reche Modo. Poetic Arte Povera. Blind landscapes. Cinemascope for mumps. Welcome to the magnetic forest.