“Vital and alive, complex and abstract, and yet remarkably approachable and engrossing, both P16.D4’s “Kühe In 1/2 Trauer” and “Distruct” entirely rewrite longstanding perceptions of how sophisticated a great deal of post-industrial music actually was.”
One of our records of 2023.
Bladder Flask
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling (LP)
FormatLPLabelSonorisGenreElectronic
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"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertiginously swirl about all manner of daft sundries, with no regard for the mess that may be left afterwards. This is why I like this stuff and some of the worries of the world can be, if not alleviated, at least disguised in the scent of Bladder Flask’s audio compost pot-pourri." - Bananafish
Release notes
Includes an insert
| A | It Takes A Bliss | ||
| B | Musical Behind Head |
- Frédéric Alstadt
- Lacquer Cut By
- John Mylotte
- Performer
- Nigel Jacklin
- Performer
- Philip Rupenus
- Performer
- Richard Rupenus
- Performer
- Sean Breadin
- Performer
- Colin Potter
- Remastered By































































