Play Neutral
** 2021 Stock. ** Covering the gamut of North African guitars thru the sludge funk of World Domination Enterprises and Sun Ra’s Nuclear War, this tape catches Karl O’Connor perfectly not playing to presumptions of blistering techno, and instead exploring the post-punk tributaries and lesser trotted outsider ginnels of his sprawling record collection in a way we haven’t heard him do before. Suffice it to say listeners should expect the unexpected in a class meeting of Hospital Productions and Dow…
No-Go
Eric Random is a British pioneer of post punk electronica. Born in 1961 Eric soon joined the Buzzcocks’ road crew. At the age of 17 he became a third of a group called The Tiller Boys, the other two being Pete Shelley and Francis Cookson. They played their live debut in 1978, supporting Joy Division at Manchester’s Factory club. For Pete Shelley The Buzzcocks were his main concern, so The Tiller Boys soon fell apart. Eric founded Free Agents with Cookson and soon met Richard Kirk and Stephen Mal…
Preparing For Power
Bourbonese Qualk were an experimental music group from England who where active from 1979 until 2003. The group were always obsessively and uncompromisingly focused on controlling their work – they ran their own record label, recording studio, tour organisation and music venue (the legendary ‘Ambulance Station’) – they refused to integrate into the commercial music racket turning down publishing deals from major labels – stubbornly opting for total independence. Bourbonese Qualk were also known …
Roxy 22.05.83
O. Gudmundsen Minde is proud to present a lost chapter in Norwegian experimental and post-punk music – Autentisk Film. In the early 1980s the twin sisters Åshild & Anne Grete Kolås formed Autentisk Film. Inspired by both the new experimental electronic music of the time and arthouse cinema, the two set out to make a crossover project that worked with sound, performance and 8mm film. The music was often a mix of song-based, electronic and acoustic noise sections.
In a short, but intense, burst of…
1983
O. Gudmundsen Minde is proud to present a lost chapter in Norwegian experimental and post-punk music – Autentisk Film. In the early 1980s the twin sisters Åshild & Anne Grete Kolås formed Autentisk Film. Inspired by both the new experimental electronic music of the time and arthouse cinema, the two set out to make a crossover project that worked with sound, performance and 8mm film. The music was often a mix of song-based, electronic and acoustic noise sections.
In a short, but intense, burst of…
Different Voices For You. Different Colours For Me.
Robert Rental was a British pioneer of the post-punk DIY industrial electronic music scene in the United Kingdom. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s, and became involved with the local music scene. Robert Rental however released very little of his solo music, preferring to collaborate with Thomas Leer, as well as with Daniel Miller.
The only solo recording from The 1970s is the 7" single "Paralysis" first released on the ho…
From Backside Japan: Underground Music Scene In Niigata 1980s-90s
**Limited Edition. Including 36 page booklet** The first compilation album from Niigata, the prefecture on the Sea of Japan side. The Niigata underground music scene in 1980 to 90s was quite unique compared to other prefecture, but had never been compiled. Featuring 20 artists from all over the Niigata prefecture like as Ai To Makoto, Hirohito Taneguchi (aka. Seed Mouth).
Including 36 page booklet: Geographical overview, consideration of the music scene and explanation of each artist (Japanese/E…
Familie Hesselbach
**400 copies, release date postponed to November 2020** It was sold out for a long time. Until now. The first LP by Familie Hesselbach from Tübingen. Recorded and produced in the summer of 1982 with 17 tracks and an edition of 1000 copies, with hand-sprayed, hand-glued and stamped covers. The South German punk and new wave band caused a sensation between 1980 and 1985, first regionally and then nationwide. They indulged in a deliberate eclecticism from the musical preferences of the individual f…
Mayu 繭
Pale Cocoon’s Mayu (繭) was originally released in 1984 as a cassette box set by Pafe Record in Japan, but sunk into obscurity after its release, only to garner a strong cult following nearly two decades later during the advent of the music blog era.
Israels / Rhythmus - 1980-1985
The Omnibus band was founded by Jarda Zajpt and Petr Dikan in 1979 in Czechoslovakia. Having met at the Electronic High School, electronics was their field of expertise. Over time, Petr Dikan constructed several sound devices such as the Sileny Fridrich (SF, Crazy Frederick) Keyboard and the VSD (vsude samy draty/wires everywhere) Generator which he operated during the recordings and also at concerts.At that time, heavily influenced by Brian Eno and Robert Fripp from the King Crimson band, Jarda…
Intenta: Experimental and Electronic Music From Switzerland 1981-93
Bongo Joe Records presents an all new compilation placing the spotlight on the Swiss experimental and electronic scene of the ‘80s and the early ‘90s. The compilation Intenta assembles under-appreciated gems, sought-after titles and newly mixed versions. It places leftfield synth-pop next to otherworldly jazz, and joins the dots between lyrical post-punk excursions and proto-house experimentation.
Death Magazine 52
Between 1982 and 1984 Death Magazine 52 played around 20 shows mostly within the Black Country region of the U.K. Sometimes they played under the name Spontaneous Human Combustion which was the moniker they originally started out with. These recordings capture the core group and its floating membership at various stages of their existence. Recordings from the studio sessions and live sets, including playing to a school hall full of teenage girls at 3pm one afternoon, and as the final band to pla…
California Babylon
* LP version with insert * "California Babylon is a far more sparse and caustic offering than Factrix's debut, Scheintot, documenting their live collaboration with notorious artist Monte Cazazza, who along with recording for Throbbing Gristle's Industrial label also coined its 'Industrial Music for Industrial People' motto. Originally released on the seminal Subterranean Records in 1982, California Babylon remains one of the best collections of violent guitar and primitive machine-noise resonanc…
Schwarze Energie
The Hotel Morphila Orchester was founded in 1978 by Peter Weibel (voice/lyrics) and Loys Egg (guiter/composition). "In the old times in Vienna, every good hotel or coffeehouse had their own orchestra. Since this tradition is extinct today, we call ourselves after a hotel that doesn't exist either. Hotels have a good tradition in rock music: 'Heartbreak Hotel,' Morrison Hotel, 'Hotel California'.... The name of the hotel swings between morbid, morphium, Morpheus (god of dreams/sleep), Mephis…