Eta Carinae
**Edition of 200 copies**Around the turn of the century, a psychedelic fellow from Argentina – Miguel Sosa – swapped the grass for the rainy streets of Antwerp. Miguel lived in the long-standing Villa Delfia squat and played classical acoustic guitar pieces on the street to earn the necessary survival dough, winding down with a sustained assault of endless Moog dreambient at home. In no time and seemingly out of nowhere, he’d become a weirdo fixture in town — and ten years later he vanished just…
Avatar Blue
Earlier this century Spencer Clark created a sound phantasy with Skaters and after that he pursued a new alchemy under various aliases (Charles Berlitz, Fourth World Magazine, Monopoly Child, Typhonian Highlife, etc.) and projects (like Egyptian Sports Network, Tarzana or The Temple Defectors). He’s back with a new album under a new name, Star Searchers, a futuristic eco-friendly record. It’s life on earth as you never heard it.
Not Linear
**100 copies, coloured vinyl** The collaboration between Gino Pavan and Guido Frezzato began in 1995, with the creation of the soundtrack of Giancarlo Marinelli's movie Scano Boa - Dannazione.Gino Pavan recorded and produced, in his own "Noi Studio", the music of Frezzato, then given to an ensemble of 15 musicians, among them a strings quintet, and the folk ensemble Marmaja, along with the ethnic suggestions of the percussions by African Brothers. In the following two years, their collaboration …
America Invertida
LP version. Synth ambiences, acoustic landscapes, deep songwriting, and subtle candombe percussions combine in most of the musical output released in Uruguay during the '80s. A very unique sound was developed within the narrow boundaries of Montevideo, the country's capital city, by just a small group of very talented artists. These sounds reverberated in singer-songwriting (Eduardo Darnauchans, Fernando Cabrera, Estela Magnone), jazz fusion approximations (Hugo Fattoruso's La Escuelita), experi…
Nilmonic Process
Phaserprone head honchos Jonas Asher and Jochen Hartmann return with a new collaborative effort as NIL, a synth-patch noise project destined to undermine any and all genres experimental sound. Previously as UW OWL and especially on their untouchable New Birth of Old Death tape, Asher and Hartmann created a decrepit sequence of nihilist voids featuring post-apocalyptic industrial noise with abandoned/discarded electronics. It’s easily one of the most bizarre and unknown documents ever recorded. I…