Fustian Cutting
Phil Julian lives in London, and has been active in the experimental music underground since the late 90's under the alias Cheapmachines and lately under his own name. He is dedicated to analogue electronics as well as computer noise. Contact microphones, feedback and modular synthesizers are basic tools to what, after much work, could lead to the perfection of 2014's Trace LP or the excellent Quiet Trade tape. A wide spectrum from harsh noise to academic minimalism. An "anything can turn into a…
Still Life in Concrete
After a fruitful think-tank session (during which a selection of the european faction of the C.P. cognoscenti met in one of Berlin’s seedier bars to brainstorm new “candidates” for inclusion in the series, now in its 8th year) a couple of great titles were unearthed, the first of which is this fine outing, originally issued by the Columbia, MO -based Garuda label in the mid-80s consisting of a selection of “Imaginary Electroacoustics” by the composer Ed Herrmann, primarily composed utilizing the…
CMCD (Six Classic Concrete, Electroacoustic And Electronic Works 1970-1990)
This essential piece of history at last reissued, redesigned and repackaged. Keystone works from the various streams of musique concrete, electronic music, soundscape, electroacoustics and plunderphonics - including two masterworks from Eastern Europe, a territory traditionally overlooked in collections of this medium. It comprises: John Oswald's 'Parade', a complex work drawn and extended from Satie's celebrated ballet composition of 1917; Georg Katzer's monumental 'Aide Memoire' ('7 nig…
Leisure & The Elderly
** Edition of 300 copies in a silk-screened sleeve. ** As reported by Stefan Neville: "Clayton 'CJA' Noone and Jon 'Sugar Jon' Arcus are some of my oldest and dearest friends. I've been listening to their band Armpit pouring out infinite sweat and toe jams for 20+ years and I still can't work out what Armpit even is. They are the wrongest band I've ever heard. We were all part of the same gang in early 1990s Hamilton, New Zealand. Armpit would always happen in rooms next door. They would keep me…
Jukebox-Series 006
Trost continues its Trost Jukebox Series of 7"s. Okkyung Lee - cello; Lasse Marhaug - electronics. Recorded at Lasse's studio in Oslo. No overdubs, minimal editing. Mastered by Martin Siewert. Artwork by Lasse Marhaug.
Beyond the Black Crack
Paradigm Discs present a 40th anniversary vinyl reissue of Anal Magic And Rev. Dwight Frizzell's Beyond The Black Crack. It was originally released in mono, in an edition of 200 by Cavern Custom in 1976. Beyond the Black Crack was the concept of Reverend Dwight Frizzell, a musician, film maker, doctor of metaphysics and minister in the Universal Church of Life. Mentioned on the pivotal Nurse With Wound list, it remains a little known classic and one of the most unique listening experiences in mo…
Gruppo di Improvvisazione Nuova Consonanza
*2022 stock* First vinyl reissue of the landmark 1966 debut album by Gruppo di Improvvisazione Nuova Consonanza. Exact replica with gatefold sleeve (+ additional bonus CD). Coinciding with the 50th anniversary of its recording in 1966, this reissue makes one of the cornerstones of the experimental music tradition available again in its original form. A testament to the interaction between the experimental avant-garde and the free improvisation, the album was originally released on Rca, and playe…
Chuchoter Pas De Mots
CD comes with a 12 pages 8” booklet with paintings by Richard di Santo and photos by Stefano Gentile. Edition of 250 copies. Tomas Phillips is a composer, novelist, and teacher whose sound work focuses on improvisational performance and minimalism through composition. He began composing electronic music in the early 1990s, releasing limited editions under such monikers as Sea Optic, Lisbon and Eto Ami (with Dean King), and has since created music for installations and collaborations in dance an…
Rabid
'Rabid' consists of six tracks mixed by Phillip B. Klingler, aka PBK, between 2004-06 using Wolf Eyes source material, this is the Wolf Eyes lineup of 2000-05: Nate Young, John Olson and Aaron Dilloway. Klingler: 'I was given the audio sources (via cdr) by John Olson at the Ear Candy Festival in Dearborn, Michigan, in 2004. None of the compositions on the album were completed using a computer, they were all recorded live in my home studio or at gigs and radio shows directly to digital. Three of …
Goldsmiths
An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).
New Kiribati
Discrepant presents the first ever vinyl release of Kiribati, the very first instalment in the acclaimed Ambient Exotica Soundscapes by veteran English experimentalist Mike Cooper. ''This was the first release on my Hipshot c.d.r label in 1999. I wanted to create an album of imaginary soundscapes from imagined exotic places based on my travels in the Pacific Islands and South East Asia. Kiribati was the first in a series of three CDs of Ambient Exotica Soundscapes – played on lap steel, el…
Oera
This new release from the UK label Consumer Waste features four untitled improvisations from Glasgow guitarist Neil Davidson and Norwegian double bassist Michael Duch. Although unusual on the face of it, the combination of mostly bowed acoustic guitar with a likewise mostly bowed double bass is a felicitous one. The four tracks, although differing from each other in sometimes significant ways, have in common an architecture constructed of overlapping planes joined or separated by varying rhythmi…
Jukebox-Series 002
Trost starts a new 7" series called Jukebox Series, specially for one-time collaborations & projects. The paper-sleeve stays the same, labels are changing, and there's artwork by Lasse Marhaug. This time Christof Kurzmann teams up with Sofia Jernberg (Fire Orchestra) on one side, and with Ken Vandermark and Martin Brandlmayr (Radian) on the other for two versions of the beautiful song "Beggars." The lyrics are written by Joe McPhee.
Tahta Tarla
*2022 stock* Original copy of the long out of print LP album. First pressing from back in 1993, Tahta Tarla is a collaborative recording based apparantly upon long wires strung through the woods with the wind activating some of these wires with each artist seeming to be in charge of the production of one of two sides. For Toniutti's half, the scrabbling textures and aeolian drones are mostly left unprocessed with bellowing rumbles, eeries echoing, and peculiar hisses that seem to come from nowhe…
Whitewashed With Lines (Common Objects)
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
Acoustic Trio
Acoustic trio with John Coxon [acoustic guitars] Ashley Wales [found percussion etc.] and AMM's Eddie Prevost. A slowly evolving and spacious piece originating from reading eddie's book 'minute particulars'. "I have a National Trojan guitar from the 1930s that i bought in a little shop in new orleans. I used this for the ‘acoustic trio’ recording with Ashley Wales and Eddie Prevost [amongst many other recordings]. I remember Eddie saying ‘the perfect instrument’ because it has both a membrane an…
Tazartes
Remastered CD edition of Tazartès, Ghédalia Tazartès' 1987 fourth LP. Now available as an expanded individual CD, this edition was previously only available as part of a CD containing both Tazartès and Diasporas, Tazartès' 1979 debut album, which is also now available in an expanded CD edition (TES 088CD). Immersive, transporting, and deeply arresting music from the revered autodidact and audio oddity. If you've never encountered Tazartès before, this is an excellent place to start, welco…
Next to Nothing
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interesting musicians to emerge on the experimental music scene in the last few years. The musicians combine in a fruitful and intimate exchange, producing a delicate and fragile web of sounds. Four beautifully evolving and carefully paced works.."-Another …
Field Transfer
Recorded in the Littlefield Concert Hall at Mills College in Oakland, California, with minimal edits and no overdubs.. Field Transfer projects the sounds from an analog circuit into juxtaposition with facets of raw digital audio. As a performer interacts with the circuit—which consists of two square-wave oscillators activated by pressure sensors and shorting disks—instances of pulsed and modulated sound are triggered in the laptop in a manner that couples the analog and digital sources together.…
La Ciudad Secreta: The Experimental Sounds of Barcelona 1971-199
At the end of the 1960s, perhaps due to its proximity to Paris, Barcelona had become the forefront of the avant-garde and the entryway in Spain of new forms of cultural expression from Europe and the United States. Musically, that characteristic resulted in a middle-class underground that would play the part of a late local counterculture which gave birth to the so-called Barcelonés progressive rock of 1969-1973. It featured bands such as Máquina!, Om, Música Dispersa, and so on. Material from t…