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Second edition of Paradigm Discs Variations compilation, originally released in 1998. Another collection of lesser-known and infrequently recorded artists living in London. Beautifully packaged and musically focused -- unlike so many "experimental" compilations loaded up with 30-second toss offs by "name" artists, this features nine pieces of ultra-quality sound fabrication, with the intent of providing durable home listening. Features: Akemi Ishijima (crackling electroacoustic genius), Michael …
2005 release ** Hand-numbered edition of 300 copies. "Territorium will not play the game of a hermetic work and will immediately reveal the topography of its ambitions: to draw an incomplete and fragmentary map of field recording and ambient music. By bringing together five artists and six compositions. A doubly geographical project, since while the album as a whole reveals a committed geography of the genre, each piece is the anomalous and reconstructed geography of a place, a type of terrain, …
1992 release ** Ten years ago the Wahrnehmungen label from Mainz, Germany, founded by the group PD was renamed Selektion (and PD changed to P16.D4). In 1984 artists joined Selektion to form a new kind of artistic project for music (S.B.O.T.H.I., SLP) as well as for visual arts. In this very recording, almost all members have, in various combinations, made their approach to an organization of sound. It is the state of things of Selektion's audio productions.Selektion are: M. Caspers, G. Lörcher, …
2003 release ** Featuring: Thomas Lehn, Toshimaru Nakamura, Tetuzi Akiyama, Günter Müller, Christof Kurzmann, Taku Sugimoto, Keith Rowe, Marcus Schmickler, Otomo Yoshihide, Burkhard Stangl, Sachiko M, Cosmos. "A document of the 2002 Amplify festival in Tokyo curated by Erstwhile's Jon Abbey. Disc 1 and 7 are smaller club shows that took place outside the Festival proper, disc 2 is a studio session that took place around the time of the festival and discs 3-6 feature eight of the twelve sets that…
Limited edition of 300 copies. Heavy Vinyl. Schnack is the Live-Duo of improvising musicians Paul Hubweber (Cologne) and Uli Böttcher (Wiesbaden). The play a fascinating and restless mix of trombone noises and real time sampling and electronics.Paul Hubweber began with trombone studies in 1971 mainly concentrating on improvised music.He has developed his own special "trombone voice" and his musical focus. It is the special affinity for the balladic and the noisy, i. e. the non-separable combinat…
A few years ago, Tu m' and Steve Roden began a correspondence. This led to the idea of a collaborative project. This led to bedroom audio experiments in American and Italy. This led to CDRs being sent through the mail to cross over the ocean. Tu m' used Steve Roden's audio as the working material for several works. Steve Roden used Tu m's audio as the working material for several works. This project contains a bit of both. Limited to 500 copies. Broken Distant Fragrant is a collaboration that wa…
The predominantly Viennese quartet Polwechsel have exhaustively explored the grey areas between composition and improvisation, electronic and acoustic, jazz and classical for much of the past decade. Austrian Christian Fennesz, while initially a guitarist, is primarily known for his abrasive yet melodic laptop explorations on labels such as Mego and Touch. Wrapped Islands documents the much-anticipated first meeting of these two driving forces of contemporary music.
Bassist Werner Dafeldecker an…
Experimenting With Household Chemicals' is a 1995 album by the laregly elusive post-minimalist Downtown experimenter Peter Zummo. Whilst possibly best known for his work on classic Arthur Russell recordings, he's been a mainstay of New York's vaunted experimental scene since the the mid-late '70s, but only released three solo albums proper. This is his 2nd, exploring "a trombone-specific method for generating melodic movement, as well as a collection of related, "spinoff" melodic material for en…
"Orton Socket is mainly comprised of main-man and mouthpiece Rob Mazurek, known for blowing horns (as well as eardrums and minds etcetera) on a variety of efforts by Stereolab, Isotope 217, his own Chicago Underground Duo, and some other folks you probably have’nt heard of. Plus Rob's done a series of records under his own name. See, he's been a spotlight kid for years now. But for 99 Explosions, Rob has reemerged incognito, armed with synthesizer and powerbook, wearing the shimmering cloak of O…
Following their maxi CD »Tinnitus Vu« on Touch in 2004 »Tocsin« is the first full lenght album produced together by these two renowned sound artists. Whereas »Tinnitus VU« was mostly the result of Z'ev reworking material by Jackman, »Tocsin« is the result of the artists agreeing to meet and work together in the studio. They created and recorded sounds from a piano (which can be found at RMS Studios London) and a stainless steel instrument (built by Z'ev circa 1989), over the course of several ho…
Released in DVD case size super jewel box.
Structures with monochromes on reports of the Golden Number 1,618033989.
Recorded July 23, 2002 at Big Jesus Burger, Sydney.Mixed and mastered October/November 2002.
2003 ** "This collaboration hardly needs explanation - Mueller's gorgeous, eerie sound fields are a perfect playground for nmperign's irreverent cooperation. Two extended trio tracks creep between beauty and menace and lend evidence to the rumor that nmperign can be real bullies. Mueller accepts this behavior with aplomb and puts forth a solo track that is as eyebrow-raising as it is understated. nmperign, refusing to be upstaged, finishes the CD with an ante-upping duo track."
This third full-length by London improv collective Morphogenesis was released in 1996. Formed in 1985, Morphogenesis consisted of seven people at the time of recording, but for all the sessions, except the live track, the line-ups are amalgams of various members and instrumentation. All tracks are free improvisations that were recorded direct to two channels and later edited with no other post production. Recorded between 1993-1996. "Shorepoints" was recorded live at the LMC Festival 1994. Featu…
Mnemonists eventually evolved into the incredible Biota band. Before they did they released a series of LPs, including the art work that surrounds and informs their approach to improvisation. As Mnemonists their work is darker and more ominous than that of Biota, but the process was still the same: post-processing live improvisation to construct larger works that stood on their own two feet as compositional pieces. Think AMM, Organum, Faust; Mnemonists embraced their strategies but created somet…
"the piano's harmonic figures meet with computer sounds unexpectedly within a slowly changing acoustic environment. piano pixies sing and dance serenely in a virtual space while the noises from the instrument insitage dialogues with the computer. the music is tranquil, never aggressive and is at almost every moment polyphonic in the good old sense of the word. pretty often, the two musicians play on two different planes so that in spite of the slowness of the whole thing, the resulting complex r…
** longtime sold out at source, few copies restocked ** A fairy tale world comes to life in sublime fashion on Maja Ratkje’s latest collaboration Adventura Anatomica, a musical work for theatre she created with choreographer/danser Odd Johan Fritzøe and stage designer in November 2005. This is a world of bittersweet fairytales, of wolves and innocent maidens losing their way in a dark wood, a world of fear and despair and joyful ecstasy. In any case, emotions such as these coexist closely in Rat…
This curious quintet makes sounds that recall the glory days of Nurse With Wound: long, shapeshifting collages of psychedelic murk interrupted by random outbursts of industrial clatter, nightmarish drones, deeply bizarre audio mutations and tangible masses of sticky audio goop of impossibly vague origin. The Sleeping Moustache consists of five ten-minute tracks interspersed with five brief interstitial tracks. Everything blends together well because nothing blends together well; forced juxtaposi…
Live recording, Musique Action Festival, Vandoeuvre-Les-Nancy, France, May 26, 2001. Thanks to Dominique Répécaud and Nicolas Franer. C+P GROB 2004 Packaged in a six-panel Digipak.
Recorded in May of 2002, almost a year after Fennesz' surprisingly successful (commercially) release, Endless Summer, one might have expected that this pairing would produce an intriguing collision of opposing forces. On the one hand you have all the pop-influenced, steamily melodic and erotic explorations that Fennesz had developed in the prior years. Countering that, one could readily imagine Keith Rowe as saboteur, finding rifts in the smooth mass to deviously penetrate and deflate. This does…