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Acoustic trio with John Coxon [acoustic guitars] Ashley Wales [found percussion etc.] and AMM's Eddie Prevost. A slowly evolving and spacious piece originating from reading eddie's book 'minute particulars'. "I have a National Trojan guitar from the 1930s that i bought in a little shop in new orleans. I used this for the ‘acoustic trio’ recording with Ashley Wales and Eddie Prevost [amongst many other recordings]. I remember Eddie saying ‘the perfect instrument’ because it has both a membrane an…
Remastered CD edition of Tazartès, Ghédalia Tazartès' 1987 fourth LP. Now available as an expanded individual CD, this edition was previously only available as part of a CD containing both Tazartès and Diasporas, Tazartès' 1979 debut album, which is also now available in an expanded CD edition (TES 088CD). Immersive, transporting, and deeply arresting music from the revered autodidact and audio oddity. If you've never encountered Tazartès before, this is an excellent place to start, welco…
Next to Nothing brings together Ryoko Akama (VCS3 synthesizer), Dominic Lash (double bass, clarinet, laptop), and Bruno Duplant (percussion, tone generator) for four works devised as text scores. Recorded in Sheffield, the album explores the hyper-minimal edges of sound, asking what music remains when nearly everything is removed - when process, gesture, and form are pared to their limits. The trio’s approach is not about the absence of activity, but about amplifying the tiniest events: tones, t…
Recorded in the Littlefield Concert Hall at Mills College in Oakland, California, with minimal edits and no overdubs.. Field Transfer projects the sounds from an analog circuit into juxtaposition with facets of raw digital audio. As a performer interacts with the circuit—which consists of two square-wave oscillators activated by pressure sensors and shorting disks—instances of pulsed and modulated sound are triggered in the laptop in a manner that couples the analog and digital sources together.…
At the end of the 1960s, perhaps due to its proximity to Paris, Barcelona had become the forefront of the avant-garde and the entryway in Spain of new forms of cultural expression from Europe and the United States. Musically, that characteristic resulted in a middle-class underground that would play the part of a late local counterculture which gave birth to the so-called Barcelonés progressive rock of 1969-1973. It featured bands such as Máquina!, Om, Música Dispersa, and so on. Material from t…
2013 release ** "Chrs Galarreta (Peru). Very active in the South American experimental scene since 1995. Founder member of the independent label and association Aloardi. The sublime and the uncertainty are present in his actions, he gets them using broken electrical appliances, homemade audiovisual instruments, field streaming, field recordings, feedback systems, the induction of errors in the software-hardware and in the way to play musical instruments. Born in 1979, Anthony Baron lives and wor…
New Lost Knowns is a hallucinatory solo statement by Twig Harper (Nautical Almanac), fusing noise, tape collage, and electronic psychedelia in the tradition of Wolf Eyes and Aaron Dilloway.
2013 release ** "This is the second release from Maurizio Bianchi for Red Light sound. It begins explores the world of tubolar percussion while track two takes a completely different turn using modular synth treatments with Pharmakustik."
Orchestra Works brings together three groundbreaking compositions by Alvin Lucier, each redefining the orchestral tradition through radical explorations of sound, space, and perception. Performed by the Janáček Philharmonic Orchestra under conductors Christian Arming, Petr Kotik, and Zsolt Nagy, with cellist Charles Curtis, this album showcases Lucier’s singular ability to transform familiar instruments into vehicles for profound auditory discovery.
Lucier’s Diamonds uses split orchestras to “dr…
First ever vinyl reissue of this cult album from 1975. Défense de was the first album of Jean-Jacques Birgé and Francis Gorgé, before founding Un Drame Musical Instantane with Bernard Vitet in 1976. They had started to play together while at high school, and on their debut LP they were joined by percussionist Shiroc (who also played in Speed Limit). The album's four tracks were recorded in the family apartment of free jazz producer Sebastien Bernard, who had several nice instruments belonging to…
2013 release ** "The new solo work by inventive French soundartist is the true symphony, divided into several parts titled like 'Adagio', 'Allegro', 'Menuet', etc. but without any hints to traditional instruments or classical orchestration - just the pure white noise structures. A mediactivist, artist-researcher, composer / musician, poet and tongues destroyer, experimental film maker and anarchitect, founder and member of Apo33, Julien Ottavi is involved in research and creative work, combining…
A recording of live performances which brought together two essential figures of the contemporary scene: an oustanding Norwegian composer and vocal artist Maja S.K. Ratkje and a celebrated improviser and composer, former DNA drummer, Ikue Mori. The common sound territory, created together by Mori and Ratkje, balances between quietly growing tension and powerful outbursts of unrestrained, relentless noise. Within this harmony, Ratkje takes adventurous excursions towards the borders and unknown fa…
Alpes is a visionary collaboration between French ensemble GOL and the legendary Ghedalia Tazartes, merging ritualistic chants, electronics, and improvisation in the spirit of Nurse With Wound and Brigitte Fontaine.
Temperament as Waveform is a transatlantic exchange in process and poetics. Between 2010 and 2012, UK-based sound artist Lee Patterson and Austin’s Vanessa Rossetto traded recordings, objects, and digital files by post - each response reshaping and folding the other's sonic worlds. The album merges four wide-ranging improvisational/concrète works, each combining manipulated field recordings with amplified objects, cassette fragments, instrumental events, and filtered signal noise.
Opener “Every…
Like a true psychedelic experience, one that if you've ever had, you'll know what we mean, it presents you with a fixed length window that opens into another possible perspective of our lumbering existence. Imagine 500 milligrams administered via an eye dropper filled with mercury and you're on your way. Born of a correspondence between two fellows entrenched in parallel explorations of the unknowable and imagined, there's a mystery to the source of the sounds contained in these grooves; a myste…
On msg rcvd, Neptune employ an array of new techniques and methodologies to explore indeterminacy and difficult phenomena such as feedback. Moving away from guitar feedback, this record features amplified drum feedback as well as the introduction of two new ‘feedback-organ’ machines. Developing their career-long interest in arranging and deploying found sounds, Neptune continues to use their sonically peculiar guitars built from pieces of found metal, but add to this new devices to pick and ar…
Bo' Weavil is totally psyched to have the opportunity to release the second album by Reines d'Angleterre. This time a thoroughly studio affair. Reines d'Angleterre is a fascinating collaboration between avant outsider musician Ghédalia Tazartès and two electronic botanists, èlg and Jo aka Opéra Mort. This LP covers more of the wild ground the band started with on 'Les Comores' released back in 2010, but going further into a musical terrain that defies definite descriptiona slow trip into wizards…
"Cheerful Mats was dragged into the studio last year by David Grubbs for the ostensible purpose of contributing to a Thicket-in-the-works. The pair instead became terminally sidetracked with recording the two lengthy duets for harmonium and tenor saxophone and harmonium and fluteophone (Mat's invention -- a flute with a reed mouthpiece) that make up Apertura. Listening to Apertura, the first question is 'who is doing what?' It's not certain that even the artists themselves know." Two long …
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
a groundbreaking musical project by Nate Wooley, unites legends like Paul Lytton (Evan Parker’s longtime collaborator) and David Grubbs (Gastr Del Sol, Bastro) in an ecstatic sonic journey. Inspired by Thomas Merton’s spiritual exploration, the piece transcends religion, channeling the raw energy of free jazz and modern noise. Premiered at NYC’s Festival of New Trumpet Music, it blends improvisation, ambient textures, and bold experimentation—a testament to Wooley’s visionary artistry.