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Uruguayan guitarist Santiago Bogacz is a genre-bending virtuoso with a strong penchant for improvised music. Over the years he has released many solo and duo recordings, some under the stage name Matador. On the stimulating and poignant Retrato Años Despues he joins forces with his compatriot Emiliano Aires for nine spontaneously created pieces.Aires sticks to the infrequently heard soprano clarinet, the twittering tones of which, with their hints of vibrato, complement Bogacz's resonant strings…
New York City-based Pavone and Kasten Krause met by being placed together in the ensembles of other like-minded music experimentalists. It wasn't long before they realized their unique sonic preferences, aesthetics, and approaches to their instruments were similarly aligned and worth further investigation. Over the course of two seasons, they explored and experimented with sound worlds and structures, resulting in the four pieces that make up this album. Images of One is the first release from t…
Let the Moon Be a Planet marks the first volume of Reflections, a new series of contemporary collaborations orchestrated by RVNG Intl., and documents an inspired exchange between guitarist and songwriter Steve Gunn and pianist and composer David Moore of Bing & Ruth. Conjured by a mutual curiosity, and appreciation, for the respective musician’s work, Let the Moon Be a Planet initially took form over a progression of remote sessions and ultimately harmonized when Gunn and Moore completed the alb…
"It’s unfortunately rare for an improviser, especially in a solo context, to concentrate on one idea, a single angle of attack, and to work that idea deeply, to discover hidden jewels within a relatively “narrow” range and further, to surprise the listener with unexpected divergencies. Agnas, in the three selections from a live event presented here, does this beautifully. On ‘1992’, he places his guitar on his lap and approaches it as a kind of dulcimer, generating a strong and captivating rhyth…
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
*2023 stock* Playful reverence acts as the adhesive in this recording. The muse is filled with chromatic color and interlocking light and shadows. This release celebrates a life of music-making from John Heward and Barre Philips, both whom were eighty-years young at the time of this concert. Other members of the quintet include: Lori Freedman, Joe McPhee and Dana Reason. Positive and negative space is the organizing principle of this improvised concert. Heward, a well-respected Canadian musician…
Outstanding violinist and improviser from Serbia Szilard Mezei in his latest studio recording! Alongside him on double bass are Zoltan Zoltán Csányi and percussion painter from Catalonia Vasco Trilla.
August 15th is Boring Machines’s Onga birthday and we decided to release a record as a self-present. The format is the good ol’ 7 inches and it sees My Dear Killer, our first release ever, on one side and Rella the Woodcutter, our latest addition to the roster, on the flipside. The artwork is made by BeInvisibleNow! and it‘s screenprinted in different coloured papers by (vita di)Legno .
* Edition of 70 copies. In process of stocking * Late night atmospheric soundtracks for two short movies. 'Aea' is an acoustic improvisation with tons of illustrious instruments and contributions on shamisen and shakuhachi by Lydia Schneider and slide guitar by Mohonbeena Soumalaya Mukherjee. 'Antroposcene' is a meditation of floating electronics on our disastrous pollution of the world. Mike Hovancsek is a former member of Pointless Orchestra and collaborated with Egyptian composer Halim El-Dab…
*300 copies limited edition* Well this is a dream, Ukrainian experimental composer Natalia Beylis put together "Love-In-A-Mist, Edible" over the course of three years, recording pianos she would find at other people's houses or on holiday, in Ireland, Amsterdam and Morocco. Ghostly and emotional musical polaroids - it draws immediate parallels with Dominique Lawalrée’s 'First Meeting’ which - you prob know by now - is all the comparison it needs to have our ears fully pricked.
Presented “like ho…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
*100 copies limited edition* Eventless Plot joins forces with a duo of clarinets for the aptly titled Distance Between Us, an extended composition that gives sensual expression to the nature of distance and its implied correlate, closeness – reflecting and blurring the two across multiple levels both apparent on the music's surface and hidden beneath it. As with previous releases, the ensemble forgoes straightforward narrative forms in favor of a process they call 'semi-composition,' which invol…
At the centre of this release are Vergette's Time and Tide bells: handmade instruments which create sound with the rising sea levels. One of the bells is ringing at any given time of day as the tide wraps around our coast, retreats and returns again. There are eight bells currently scattered across the UK's coasts, each existing as a democratic artwork owned by the local community. Sounds from these bells are collaged with field recordings from the coast and fragments of instrumental improvisati…
In October 2022 Musica Impulscentrum invited Amber Meulenijzer to make a composition in collaboration with the local fanfare bands of Pelt, a small municipality in the green east of Belgium. These fanfare bands are deeply rooted in Belgian culture. Even in the tiniest villages one finds at least one or several of these ensembles. The result of this confluence: a procession, a slow paced moving composition for brass instruments, performed both live and played back through twelve speakers mounted …
Ephemeralds is the first recording by Finn Loxbo’s new ensemble Kommun and marks a distinct development in the guitarist’s compositional practice. Performing together with pianist Lisa Ullén, kontrabassist Vilhelm Bromander and percussionist Ryan Packard, Loxbo has set up a situation of intense focus, dissolving individual identities into a collective sound world of resolute clarity. Each musician manipulates a collection of tightly stipulated pitch material whilst bringing the shared timbral qu…
Razen's Postcards From Hereafter was recorded using a 17th century organ tuned at 398 Hz (meantone) in a Belgian cathedral erected in 1305. The ensemble explored, with rich results, the organ's strict and limiting tuning with an arrangement that included hurdy gurdy, recorders, chalumeau, violone and nyckelharpa. The pieces on Postcards From Hereafter explore the crossover between this world and the next with improvised spiritual, religious music. Brussels-based ensemble Razen use the unique tim…
Small repress available, don't miss it **200 copies** "This record began in summer 2020, when I was staying at Andersabo, Sweden, where I run an artists' residency. I had access to a nearby church, and would set drones going on the organ while playing clarinet and piano. I started working with the combination of these long, sustained tones, combined with acoustic instruments, where the sound's duration was only as long as a breath or the pluck of a string. A lot of the last Blue Lake LP was made…
*2023 stock* The unbelievably prolific Haruomi Hosono is one of the major architects of modern Japanese pop music. With his encyclopedic knowledge of music and boundless curiosity for new sounds, Hosono has put his unmistakable stamp on hundreds of recordings as a session player, producer, and auteur of his own idiosyncratic musical world. Born and raised in central Tokyo, his adolescent obsession with American pop culture informed his early forays into country music, which he would revisit late…
*2023 stock* "This recording is a modern interpretation of sound poems written and performed by German Dadaist Hugo Ball more than a century ago. Those familiar with Ball know him as the author of these innovative works and founder of the Cabaret Voltaire, Dada’s Zurich birthplace. Despite the sound poems’ artistic legacy, they constitute only a small part of Ball’s creative output. The purpose of these liner notes, then, is to consider the complex life and work of the man behind the sound poems…
Tip! *In process of stocking* "Two distinct session, the first CD presenting free improv trio perfomances in St. Louis, MO between Paul Hartsaw on soprano & tenor saxophones, Damon Smith on double bass and Jerome Bryerton on percussion, the 2nd CD finding Hartsaw and Smith in the studio in Oakland CA for a more experimental session, Smith adding laptop & field recordings and both employing extended techniques." - Squidco