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Tastaturstuecke Vol 1 introduces 9 outstanding new compositions for church organ, harpsichord and self programmed software. The album comprises the first collaborational recordings of Brian Parks (Atlanta) and Phillip Schulze (Düsseldorf). The two musicians first met in the early 2000s at the famous Wesleyan University, Connecticut, where they regularly attended seminars of their teachers Alvin Lucier and Anthony Braxton.
**100 copies** Anne-F Jacques: rotating devices, Tim Olive: magnetic pick-ups. Recorded in Montreal, May 2019 Anne-F Jacques and Tim Olive use handmade, idiosyncratic instrumentation to produce and amplify detailed sound textures, from fine-grained to coarse. They share a tactile, lo-tech approach to improvised sound composition, manipulating diverse objects and materials in conjunction with somewhat unpredictable audio pickup/amplification systems to create a music in turns serene and agitated,…
**Edition of 300 copies** Nantes trio Formanex celebrates 20 years of activism in experimental music with a 10 CD edition full of amazing collaborations with ONsemble (contemporary music group from Nantes and Saint-Nazaire) and composers they have worked with. The box set includes early works by Formanex’s own Julien Ottavi, unique compositions created by Keith Rowe, pieces by Kasper T. Toeplitz, Ralf Wehowsky, Seth Cluett, Michael Pisaro, Radu Malfatti, as well as other giants of contemporary m…
**300 copies** Plein Air the album presents recordings from a plant-driven synthesizer. A custom built instrument that uses scientific sensors and software programming to generate real-time tree leaf data. Light, photosynthesis and transpiration modifies sound: the rhythm, melody, texture, tempo and harmony shift with atmospheric conditions and tree response – electronically. The sounds of each leaf of regional deciduous trees by scientifically sensored data-sonification are much more musical th…
**300 copies** "On the morning of January 20th, 2019, I was woken up especially early at 8am (that's early for me anyway) by the sound of freezing rain bouncing off my bedroom window. Rather than trying to go back to sleep I impulsively got up, put on some clothes, brought my two autoharps, a digital recorder, a plastic tote (to protect the recorder from the elements) and an old card table outside, I set the autoharps up on the table so the freezing rain would hit the strings, placed the recorde…