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The first few minutes of ‘3 × hullo, hullo’ sound like a little mole creeping up through the soil. The little thing hoes and scoops up some sand, building a small pile of dirt. But then, anger... because this drives them mad—those who want their lawns clean and spotless. A clean lawn: a desire we inherited from the Brits. Dumped into our collective consciousness by humorless Victorians who enjoyed having their black pudding on the lawn. An uninspired impression from their misreading of Italian p…
For Nico Georis, music is a lot like nature: you may actively confront it, or just let yourself channel it. Music Belongs To The Universe, his latest offering, to be released April 4th on Leaving Records, is a searching collection of improvisatory, open-ended piano and keyboard experimentation. Threading the line between pastoral melody and desert minimalism, it rings out and warbles, crafting sounds as spacious as the landscapes from which it was conjured. Recorded between 2021 and 2023, Music …
*Limited edition of 50 copies* The Lost Tapes offers us some secret homemade gems recordings from the 1980s rich Spanish underground. The Spanish transition from fascism to democracy was not as smooth as they wanted us to believe. Still, there were many traumas to deal with, and noise music was the perfect medium to channel them. If noise in the 80s Japan was the acceleration of transgression resembling the economic boom that was going on in the country, Marcelo Expósito has worked through the u…
*75 copies limited edition* Fumitake Tamura (Leaving Records) and Jason Kolàr (Dauw, Stroom) return to Dauw with 'Suki-Ma', a cassette only mixtape including music from the same sessions that led to their debut 'Ōki-sa' which was released last year. According to the artists, 'Suki-Ma' is conceived as a mixtape rather than a new album. A draft rather than a new step. The album is out on January 21 and available on limited edition cassette.
隙間 (Suki-Ma) refers to the space or gap between objects,…
*2025 stock* Following from 2016’s Peel Away the Ivy, The Pattern Forms return with The Scenic Route; an album which embodies a fresh new direction of idiom and focus. Where Peel Away the Ivy found the group setting out their stall, bringing library music influences to their brand of classic pop songwriting, this time around they have created a much more distilled, largely instrumental studio group sound, which focuses on mood and texture as well as being a tour de force in arrangement. Adding a…
*2025 stock* Luminous Foundation's previous releases, Spontaneous Archives Vols 1 & 2, sparked with mineral fire, like shards of kosmische comet debris burning up in the Earth's atmosphere. Haig Fras is an entirely different affair, a semi- melodic, shimmering drift. Occasionally there’s a sense of oceanic melancholy and throughout an enticing organic beauty. Haig Fras collects a series impressionistic soundings inspired by the subaquatic mountain range of the same name found between Cornwall an…
*2025 stock* Cate Brook's fifth album as The Advisory Circle. A beautiful and uplifting selection of electronic pieces, inspired by late 70s and early 80s library music. Never descending into parody or obvious re-enactment Brooks is the absolute master in this field. Two members of Friendly Fires make guest appearances; Ed Macfarlane on vocals on No Way Back, and Edd Gibson co-production on Scuba. The CD & LP packaging is designed by Julian House. The elegantly simple artwork and typography, re…
*2025 stock* The Advisory Circle (aka Jon Brooks) explores darker territory than on 2012’s more pastoral As The Crow Flies. This time Brooks hints at a Wyndham-esque science fiction story, where bucolic English scenery is being manipulated and maybe even artificially generated by bizarre multi-dimensional computer technology. Brooks’ strong sense of melody and composition is still evident as are his renowned sound design and production skills. Consequently the album is a rich and rewarding exper…
*2025 much needed repress!!* What is music about? It can be about anything, I guess, but that’s not what we are talking about. That’s not why we are here. What makes the difference is if music, any music, is worth it. Then it’s something else. Like this piece, Juho Toivonen’s solo album. What I suggest as a simile to music on this vinyl, is the experience of sauna. Savusauna (smoke sauna) to be exact. The thing about savusauna is that because of the method of heating, the room gets really hot, a…
More than two decades since he blew minds with a suite of brilliant releases on Warp, Vincent Gallo returns to the world of music at long last in Butterfly, his duo with Harper Simon, with the project’s full-length debut, “The Music of Butterfly”. A gesture of gentle, DIY / bedroom left-field pop, falling within the rough territory for which Gallo became renowned during the late '90s and early 2000s, while interweaving fascinating flirtations with minimalism and experimentalism, it’s a truly ca…
*100 copies limited edition* Dauw welcomes back the multidisciplinary artist Zander Raymond to the label with a reissue of his debut album ‘separate in space’. Previously only available on USB/digital, it's now presented in a remastered version for cassette tape alongside a risograph interpretation of the initial artwork.
“I’m listening to the album right now. Are you? If so, you’re likely awash in the humble glow of these tracks, which seem to wonder and wander in equal measure. Yet there are a…
The first transmission from forthcoming Warrington-Runcorn New Town Development Plan's new album, "Your Community Hub"
"A Shared Sense of Purpose" looks at the small community centres that helped Runcorn become a five minute city, long before the current discussion about fifteen minute cities. The idea that the larger town would be divided into smaller centres, each with a set of facilities at the heart, and designed to be within five minutes walk of anyone’s front door. It looks at the faciliti…
Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft. Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk an…
Matsuyama in Ehime is the birthplace of haiku, and to this day, haiku submission boxes are placed around town. Young people gather in a haiku society-like manner. In other words, they observe and contemplate well, but their approach is generally instant, casual, and somewhat careless. There is a local disposition here, which they call “yomoda” in the dialect—a blend of humor and sadness. It’s as if they pretend to agree to demands in a laid-backway, all while delaying the big decision. It’s a ma…
Tip! CD housed in 6 panel digisleeve. 12 pages booklet and Obi. Henry House is a recurring dream song. Combining closely tuned instruments and sinetones, tape-music editing techniques, field recordings, and voice, this eighty-minute, five-part song cycle is an evolutionary step away from the spontaneity of the free jazz/noise aesthetic usually found in the music of Nate Wooley. Henry House expands on the ecstatic, durational work found in Wooley’s Seven Storey Mountain, a six-part composition th…
Exhaustion and Proliferation, two pieces created in 2024 by Cyril Bondi and d’incise for the Insub Meta Orchestra, with the help of Ed Williams for the chord choices. Both rely on their ownprinciples, within a reduced esthetic and a guided timeline. While Exhaustion offers to musiciansmultiples choices of paths and interactions, Proliferation plays with the echo; fragments of thepiece being recorded and played-back via smartphones. The IMO's music, developed throughyears of experiences, deals wi…
Arnold Böcklin's Isle of the Dead with an industrial twist Abrasive kicks and rust in oil on canvas.Four tracks that take us far down the styx. A fine offering from this Leipzig-based duo from Brest, regulars on the hardcore techno scene.
New Repress. Low-lit, introspective, grey-scale indie from Belgian artist Milan W for Nosedrip’s indispensable Stroom label. Harnessing that tricky to articulate ‘down but not out’ aesthetic that’s so key to the Stroom label, Milan’s beautifully crafted songs seep with a strong feeling of bittersweet heartbreak, sorrow and contemplation. It’s a faultless suite of spindly / spangled indie-pop gems laced with shimmering hooks, warm flourishes of melody and endearingly accented English vocals that…