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*60 copies limited edition. 2025 stock.* There are nights carved like the journey of the dead out of the livings' daylight. Mert Seger brings to our senses a two steps ritual for this debut on Kump. « Yétèkpãnra », freely inspired by the funeral rites of the Batãmmariba of Togo and Benin depicted by Dominique Sewane, runs along with no clear beginning nor any end, a sound sketch where the shapeless rustle from the depths of the night meets a procession of artefacts. In this space where the dead …
Very rare original edition on Durtro of C93's 1991 brilliant collaboration with Hilmar Örn Hilmarsson featuring Tibet, HÖH, Joolie Wood and Bjork. With insert and beautiful cover by Stapleton.
New Repress. Low-lit, introspective, grey-scale indie from Belgian artist Milan W for Nosedrip’s indispensable Stroom label. Harnessing that tricky to articulate ‘down but not out’ aesthetic that’s so key to the Stroom label, Milan’s beautifully crafted songs seep with a strong feeling of bittersweet heartbreak, sorrow and contemplation. It’s a faultless suite of spindly / spangled indie-pop gems laced with shimmering hooks, warm flourishes of melody and endearingly accented English vocals that…
Audio-visual artist Raimund Wong (Floating World Pictures) and unboundaried composer Suren Seneviratne (My Panda Shall Fly / Soundway) present their debut album on London's ever experimental Kit Records. Interweaving folk, ambient and free improvisation, A Record of Living Beings playfully confronts traditional instrumentation (khæn, shakuhachi, voice, taishogoto, cello) with live tape processing and esoteric '90s software.
The Arolb ensemble began life as Raimund's freeform collaborative radio…
2007 release ** "Jim O'Rourke first joined Mimir for Mimyriad in 1992. It was completed and released as the first Streamline CD in 1993. In 1998, a radically remixed and re-edited version was issued as a limited edition Streamline LP. This new CD release contains a remastered version of the Mimyriad LP material and comes in a reworked and updated package. '...peering down, he tried to gauge how close he might be drifting to solid ground, but the darkness made it impossible to judge. He found him…
2007 release ** "A completely remixed/reworked version of the first Mimir album which was originally recorded between 1989/'90 and released in 1991: Edward Ka-spel, Andreas Martin, Silverman and Christoph Heemann concentrate on a variety of analog synths and Krautrock guitars: '...immediately after he caught sight of the lights marking the town, he pressed the ejection button and felt himself flung upward with a greater violence than he had expected. For a moment he was enveloped in darkness; th…
100 copies. The title is a description of what I do - making music in the home studio on a keyboard (real and virtual), reflecting some kind of dream world. The phrase Homemade Ivory Dreams - references ivory that often describes a piano keyboard (being tickled). From a review in Classical Ear (UK):It carries itself with all the vivid – and here often hallucinogenic – intensity typical of Roger Doyle’s work. Structure and detail, rhythmic propulsion, tonal variation and textural intricacy all re…
"I imagine that one of the first things I heard in the world was the explosion of a Russian ammunitions factory on the outskirts of my hometown. It blew up the night I was born a new GDR-citizen. I´m not sure I heard a noise when the Wall came down, but it still echoes in my body. The echo contains many frequencies. Some of them sound like Gabber playing in my childhood room over the speakers my grandfather once stole from a Leipzig radio station. Some of them sound like me and my friends runnin…
When you’re running a label, a demo occasionally comes across your desk that makes you reconsider everything you thought your label was all about. For Balmat, such was the case with this stunning album from Stephen Vitiello, Brendan Canty, and Hahn Rowe. It sounds like nothing we’ve released so far—and that very otherness opened up a whole new world of possibilities for us. Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based…
Manolis Pappas writes: "Coming from Thessaloniki, but currently residing in Athens, Savvas Metaxas presents "Feedback Poetics", a study in ambient, minimal electronics and feedback drone, revealing a work of compelling compositional clarity. "Feedback Poetics" was recorded during a long improvisational night, with most of the piece captured in a single take. Later, a few additional sounds were added. Recorded using the Lyra-8 synthesiser by Soma Electronics and the Lemondrop granular synthesiser…
2006 release ** "Husk’ is the first product of an ongoing collaboration between Jonathan Coleclough and murmer. They first met in 2002 after appearing on the compilation LP ‘Chaleur’, and soon began work on the material that would become ‘Husk.’ Sharing a fascination with ‘found sound’, ‘Husk’ includes recordings of refrigerators, thunderstorms, sheep, car horns, ferryboats, windblown sand, crackling charcoal, as well as more conventional instrumental sounds including a variety of percussion. Mu…
*100 copies limited edition* Oxfordshire: The Black Horse Tails by The Grey Funz Derbyshire: The Drowned Village of Derwent Valley by Mark Vernon
- C-30 printed cassette housed in library case - 6x panel reseach note sleeve - Unique OS map cut-out piece - D/L code
Volume 13 in the 24x volume set of ceremonial county cassettes.
*50 copies limited edition* Greek composer Savvas Metaxas is based in Thessaloniki, Greece. His music revolves around field recordings, experimentation and minimalism. As a prolific musician and sound artist, his music has been released by Superpang, Glistening Examples, LINE, Falt and Flaming Pines among others. He works to defend experimental music through his active participation in the Granny Records and Dasa Tapes labels. Field recordings, seen as a tool, are both the collection of samples …
2025 stock 2013 repress, originally released 1997. CD version of the new album by this Texas outfit, following 2 released on Sedimental. Purely droning ambiance. "...finds Stars of the Lid adding harmonica and didgeridoo to an arsenal of sound sources that already includes guitars, effects and field recordings."
Sorry For Laughing is a project by Gordon H. Whitlow who is also a member of legendary US avantgarde collective Biota, formerly Mnemonists or Mnemonist Orchestra. Their music is a mixture of modern classical, experimental sounds, noise, industrial, avangarde, songwriting and free jazz. In 1986 Gordon H. Whitlow released a cassette under the name Sorry For Laughing: "The compositions stem from my beginning days with the avant-garde recording ensemble Biota, shortly after completion of the Bellowi…
“I did this piano/Rhodes recording, played live, without overdubs. I believe your approach to sound could match very well these tracks….” That’s how Giovanni Di Domenico’s collaboration with Rutger Zuydervelt started, though the first seeds were planted when the duo did a short live improv together in 2019, and Giovanni joining Hydra Ensemble on stage in 2022.
Painting a Picture / Picture a painting is -as the title suggest- an album of two long-form pieces, swapping the working method for each …
*150 copies limited edition* "It is not easy to draw inspiration from a great figure of music ... i don’t have her talent or anything like that ... But i still took the risk of trying something ... Even to go through the window in the eyes of some ... Too interested in poetry and the hypnotic force that emerges from her pieces ... Sometimes tinkered with implausible machines and fragile ... Gigantic in our eyes that are stuck blissfully behind our little screens ... Or instruments used as nobod…
Huge Tip! Drag City and Yoga Records are delighted to return to the music of Matthew Young. Following Recurring Dreams (1981, reissued 2014) and Traveler's Advisory (1986, reissued 2010), Undercurrents (2025) collects eight oddly dissimilar pieces that somehow fit together perfectly. Although unique enough to be called outsider, Young’s new album occupies a musical world accessible to fans of many genres. Composed and recorded over the span of several decades, Undercurrents displays the wide ran…
All sounds in this record were collected in solitary afternoons or sleepless nights, while studying electric guitar and effect boxes, an FM synth and a sampler, and were taken care of as if they were plants that you would move around the house to see where they like it best. Occasionally they met other sounds from far back in time, and they got along well. All these sounds talk to me of fragility and effort; to me they taste like gratitude and affection and joy. - FIlippo Mazzei
Simon Balestrazzi: analog and digital synthesizers, treatments, crotalesPaolo Monti: synthesizer, guitar, live electronicsNicola Quiriconi: synthesizers, electronics, magnetic tapes, contact microphones, voice
recorded between 2020 - 2024