Aerodynamics
Tip! Welcome to the 20th Century: "My point of departure for the octet was to treat the ensemble as a flock of clarinets and develop swarm-like scenarios. At the same time, I thought of the 8 players as a kind of acoustic 8-channel-installation with the musicians surrounding the audience. This could be seen as an expansion of the stereo analogy we sometimes work with in The International Nothing. While The Nothin’ is all about developing a very personal language of new sounds with self-invented …
Vies Sylvestres
*200 copies limited edition* blickwinkel warmly welcomes Brussels-based composer Roxane Métayer to the label with her new album Vies Sylvestres, out on November 21 on vinyl and digital formats. The album was conceived and developed during performances and travels in Japan in 2023, where its sounds and ideas gradually came together.
Vies Sylvestres continues the direction of her previous release on Kraak, where Métayer built imagined narratives unfolding in forests or urban spaces inhabited by an…
Dark Kitchen
Dark Kitchen, the latest collaboration from Tom Jackson and Daniel Thompson, emerges as a striking exploration of sound and emotion. Released through Confront Recordings, a label renowned for adventurous and boundary-pushing music, this album exemplifies the duo’s deep commitment to improvisation and sonic innovation. From haunting textures to dynamic interplay, Dark Kitchen offers listeners a richly layered experience that challenges the conventional boundaries of modern music. Jackson and Thom…
Towers of Silence
Confront Recordings proudly presents Towers of Silence, an evocative new album by acclaimed artists Don Malfon and Vasco Trilla. This release explores sonic landscapes that blur the boundaries between experimental jazz and ambient improvisation, inviting listeners into a deeply immersive auditory experience. On Towers of Silence, Malfon and Trilla weave intricate textures and haunting melodies, crafting a soundscape both intense and contemplative. Their masterful interplay demonstrates a profoun…
Kassandra
The two unusually groundbreaking and genre-free artists from each extremity of the globe release their long-awaited album, Kassandra, presenting their unique musical universe and collaboration together over many years as a duo of intimate interplay on saxophone and vocals. This album marks a profound exploration of sound, where the ethereal voice of Juliana Venter merges seamlessly with the expressive and masterful saxophone of Rolf-Erik Nystrøm.
Kassandra defies traditional genre boundaries, we…
Understrøm
kÖök continues their journey into the unknown and invites vocalist Sarah Camille and folk musician, Harding fiddler and harpist Tuva Færden into their musical universe. Over a few days in the studio, the four musicians have played and experimented with sound and interplay, and the result is a unique soundscape consisting of poetry, improvised Norwegian folk tunes and extended use of instruments, voice and space.
The music and song titles paint a picture of a gloomy world, but with hope for a bri…
Pathopoeia/Tomba Emmanuelle
*200 copies limited edition* "Opposite directions, two different places, other means of expression—and the same extraordinary sensitivity with which Rożynek guides her sonic narrative. Two acousmonia, in which sound gradually gains vibration and density, finally blooming open and unfolding straight towards us. Pathopoeia is a term borrowed from the theory of rhetorical figures used in Baroque music—codified melodic progressions with specific assigned meanings. This figure leads sounds downward, …
Next To The Entire All
Next to the entire All is an astonishing work by Danish experimental sound quartet We like We, consisting of Katrine Grarup Elbo (violin), Josefine Opsahl (cello), Sara Nigard Rosendal (percussion) and Katinka Fogh Vindelev (voice). Although classically trained, all four share a desire for exploring, experimenting and shaping a sound of their own, something which is truly present on this album. Both instrumentation and composition feel glued together with an abundant sense of playfulness and vis…
Mont-real Split
Mont-real (Split) brings together Sam Shalabi and the duo of Mike Gangloff & Liam Grant for a two-track release on Carbon Records. The split, out October 24, 2025, showcases Shalabi's singular experimental approach alongside Gangloff and Grant’s free-folk, string-driven improvisation, bridging Montreal’s avant scenes with Appalachian-influenced drone and psych.
The Birds of Marsville
The Birds of Marsville, the seventeenth album from Friendly Rich, is a whimsical and experimental sound guide to 76 imaginary birds inhabiting the fictional island of Marsville. Featuring orchestrion, chamber ensemble, and a playful mix of genres, the work brings together carnivalesque sonorities, witty narratives, and a centuries-spanning tradition of birdsong composition.
October Flowers for Joe McPhee
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.
Uranian Void
On Uranian Void, Jessika Kenney turns her ear toward the resonances of her own subconscious. Blurring sine waves, hydrophone recordings, a ghazal of Hafez, solo instruments, original texts, and voice, the album is a meditation on sound, space, and the fragile edges of perception. Kenney’s voice weaves in and out of every space perceived. Evocations of memory coalesce into compositions inspired by years of inquiry into acoustic phenomena, where shimmer and shadow are equally alive. Produced and r…
Tulpa
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
Riparian
Composer and violist Eyvind Kang announces the release of Riparian, his first album of solo viola d’amore performances via Kou Records. Kang is a long time collaborator of Jessika Kenney, Bill Frisell, Laurie Anderson, Bennie Maupin, Stuart Dempster and many other luminaries, as well as a substantial contributor to recordings by SUNN O))) (Monoliths and Dimensions) and Blonde Redhead (Misery is a Butterfly). He is a disciple of spiritual jazz violinist Michael White and a lifelong student of rag…
Ratsnake
Ratsnake by Chloe Kim is a daring solo percussion suite that channels years of improvisational research into a visceral, highly personal language. Produced by Randall Dunn after Kim’s formative New York sojourn, the album fuses jazz-rooted control with exploratory vulnerability, establishing Kim as a bold new voice in solo drumset music.
Unterhaltungen mit Larven und Überresten
Unterhaltungen mit Larven und Überresten by Läuten der Seele (Christian Schoppik) unfolds as a haunting electroacoustic collage. Looping fragments from vintage “Heimatfilme,” field recordings, and diverse instruments evoke a surreal, dream-prone nostalgia. The album balances hypnotic repetition with spectral detail, drifting between tenderness and uncanny unease.
Pièces Monophoniques
Pièces Monophoniques by Marc Melià transforms reduction into revelation. Composed using a single analog monophonic synthesizer, it unfolds nine meditative studies on tone, silence, and resonance. The result is a luminous work where simplicity becomes substance, and constraint opens a portal to emotion and timeless stillness.
Aare
Christian Kobi’s new album Aare is a deeply immersive solo sound art work built around sine waves and field recordings, inspired by the experience of underwater listening in the river Aare. Released by Cubus Records in a limited vinyl edition, it offers 40 minutes of hypnotic, flowing sonic textures that subtly shift as they evoke both the meditative constancy and dynamic richness of aquatic environments.
Not Here but Under the Sea
** 2025 stock ** Thomas Schulz (1950-2021), predominantly perceived as a visual artist, has continuously been as much a sound researcher and sound designer and a musical improvisor as well. He performs with Marino Zappelini (Sax) and opera singer Jane Smith at J.J.Donguy (Paris 1982) and meets Shelley Hirsch, with whom he shares a longtime friendship, at Büro Berlin. Listening to John Cage and attending an early concert of the Seesselberg brothers awakes his interest in sound and composition, bu…
Simultaneous
Simultaneous reveals Pamela Z’s fascination with the intersection of speech and music, blending voice, electronics, chamber ensemble, and video into an immersive, multi-layered exploration. Through looping, gesture control, and narrative fragments, the piece meditates on simultaneity—how overlapping events and speech form new harmonies and meaning.