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*2024 stock* Øra Fonogram announces the worldwide release of Rökkur, the joint album of Norwegian composer and performer Maja S. K. Ratkje and Icelandic ensemble Nordic Affect (Halla Steinunn Stefánsdóttir, Marie Stockmarr Becker, Hanna Loftsdóttir, Guðrún Óskarsdóttir).
What is ‘rökkur’?
‘Rökkur’ is the Icelandic word for twilight — the hour when shadows fall, a time of transition, ambiguity, and magic. When ‘rökkur’ fell in pre-electric times, a space appeared for storytelling, reading, yarn s…
Electric Cave, the sequel to Emil's debut, Electric Forest (2022). A dystopian world, inspired by science fiction. Rigid electronics combine and collide with spontaneous, human improvisation. This time the soundscape has moved from an open forest to a deep, dark cave.
*2024 stock* This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.
This recording documents the first ever meeting between Susan Alcorn and Catherine Sikora. When musicians improvise with each other, a space is created that is unique and specific to the musicians who are playing. With Susan and Catherine, the space that presented itself was enormous, with great freedom and tonal flexibility, opening up endless possibilities for expression.
Silver Dawn is an ethereal collection of improvised vignettes performed on solo Hardanger d’amore, a sympathetic-stringed relative of the Norwegian Hardanger fiddle. Resonant strings and wordless vocals are gently guided by the cyclical momentum of dance and the instrument’s lingering overtones, magnifying moments of transience in suspensions of time.
Iinterdependenzen is a selection of 11 solo improvisations that evolved during Maria Reich’s solo impro research. All pieces are uncut and were recorded in different places over 6 months on an iPhone. The situation, the material becomes audible, the wood, the bow hair, the room, the recording device, the musician. "There is no part of me that is alone...."
The ensemble is all powerhouse performers but, like a stream is one stream with one name below the confluence, though they may lend their distinctive voices, this is a singularly cohesive unit that subsumes individual style. Each musician recorded themselves separately, except Angharad Davies and Magda Mayas, who were recorded by Tony Buck.
Other Minds is pleased to present Lost Horse Wash Drone, a new recording by composer and guitarist Giacomo Fiore. The CD features Fiore’s playing on a variety of justly-tuned guitars alongside field recordings from Joshua Tree National Park. The concept for this album grew out of Giacomo Fiore’s week-long residency at the Lou Harrison House in Joshua Tree, California in March 2023. Immersed in the surroundings of the desert, Fiore delved into an exploration of Lou Harrison's musical legacy, draw…
Douglas Ewart is no stranger to present moments. He has been a creative force – and AACM pillar – for decades and brings his life-affirming energy and formidable artistic prowess to bear wherever he goes. Emphatic Now finds him in Provo with fellow improvising gurus, Christian Asplund and Steven Ricks. The E A R Trio (get it?) found time to record their musical encounter at Brigham Young University during Ewart’s 2022 residency there (12 years in the making). They planned for a long session in M…
Crescent is the first solo album from acclaimed composer and performer Kamala Sankaram. Summoning a wide array of timbres and styles, the album traces the impact of human technologies on the natural world, fusing the sounds of steam engines, helicopters, and electromagnetic static with field recordings from across New York State in both composed and improvised settings for voice, percussion, and electronics. The song cycle Crescent is a showcase for Sankaram’s expressive singing and use of exten…
A double album consisting of two versions of Magnus Granberg's 2021 composition 'Holde Träume, kehret wieder!' The first version is for the Nattens inbrott quartet, for which the piece was originally written. The second version, with some extra parts added, is perfomed by Magnus Granberg's longstanding group Skogen, and is performed by a septet. Also includes high-quality jpegs of the superb artwork for the CD by Magnus Gramén, a pdf of the cover artwork and an interview with Magnus Granberg abo…
Through the medium of a distinctly synthesised, sustained ambience, seasoned artist and composer Jasmine Guffond arrives on OOH to explore the tension between technology and human creativity in an increasingly ambiguous playing field. »Alien Intelligence« came into being during Guffond's residency at fabled Parisian institution GRM in 2021. While learning how to generate sound and make music with the in-house Serge modular synthesiser, the Australian artist noticed the typical role of human inpu…
De Nor is a social sculpture made by Dennis Tyfus and FVWW Architects housed at Middelheim Museum / open air sculpture park. When activated it houses concerts performances lectures book- and record presentations and parties, when not activated it remains part of the museum’s collection. For 'De Nor 2024’ compilation LP / DL everyone that is playing at De Nor in the summer of 2024 was asked to submid a recording of maximum 2 minutes in length. Some took the liberty to mess with th…
The first track is Transient '64, produced in 1964, composer Yoriaki Matsudaira. In the production process, a cluster of sine waves with a transient tone, referred to as 'transient sound', was created. The second track is Assemblages for Tape, produced in 1969, composer Yoriaki Matsudaira. Until now, electronic music has used sound sources with fixed waveforms, such as sine waves, sawtooth waves, square waves, and white noise. With these oscillators, it is impossible to create free tones. The ph…
A diagonal chance encounter – chromatic undergrowth blossoming to a myriad tints of inner weatherings. Formations, fields, densities gather and dissipate. Outwards inverted, spiralling across. Orange dawn flowers upon the temple of the addicts. Radiating motionless fire. Sipping the morphium of the aether. Choir of the undertow and the roots of the air. Ljubljana-based piano player Neža Naglič (1984) devoted herself to exploring extended piano techniques in the context of free improvised music a…
With this new project, their fourth full-length work, Tupperwear completely departs from the "stylish" electronics and trends to delve into a profound exploration of the fundamentals of music. It involves a quest or even a game through the extrapolation of geometry into various musical parameters, encompassing classical aspects like pitch, timbre, rhythm, intensity, etc., as well as noise, textures, or the implicit mathematics in natural or irrational elements. Pentagonono delves into cosmology …
"The initial idea was that this collaboration should reflect a dialogue between two artists who have not yet met and that it should express something about the gulf between them, both literally and metaphorically. In the exchange of materials and ideas something is inevitably lost along the way – whether it be misunderstandings due to interpretation, language, slippage of meaning or simply things going astray. From the outset we decided to make a feature out of what might be lost in this interch…
*Limited edition of 200 copies.* Blickwinkel welcomes composer and multi-instrumentalist Francis Plagne to the label with a reissue of Asleep in a beached boat, an album that was initially released on his own Mould/Mouse Museum label in 2021 on cassette. The album was mostly given away to friends but now gets a wider release through a limited vinyl and digital edition.
Gentle melodies set an airy atmosphere and are intertwined with tensive dialogs between rhythms and textures coming from a wide…
The drone-pop consternations of Ekin Fil emerge through vaporous tone and forlorn, distant song, as if plucked from a dream. These exist on their own accord, moving with their own internal logic of an emotion heaviness that belies any the passing observation of this as mere shoegazing ambience. Her songs, her compositions find themselves adjacent the fragmented etherealization of Elisabeth Fraser's voice from a forgotten scene of a particular David Lynch film, as a Asmr trigger for Proustian rec…