不体失創造 ( Futaishitsu Souzou)
First vinyl album by Tokyo duo la scène 裸身. Three unhurried songs moving between slowcore, acid folk and psychedelic drift, with Saya's voice, Eiji's guitar and guest playing from Hiroshi Kurosawa. Issued by An'archives in 290 copies with silkscreened jacket, obi, inserts and postcard.
Ys
Joanna Newsom's 2006 masterpiece returns on double LP: five sprawling songs where harp and voice meet Van Dyke Parks' orchestral grandeur, recorded by Steve Albini, mixed by Jim O'Rourke. Named for a drowned Breton city, Ys remains overwhelming
Dalok
*300 copies limited edition* Adela Mede & Štefan Szabó never set out to make an album. United by their Slovak-Hungarian heritage and a deep love for folk music, they initially started meeting weekly to sing... just sing. Both coming from very different musical backgrounds, each brought distinct characteristics and elements to the table. Over the course of roughly a year, they met almost weekly, each bringing Hungarian folk songs that they found on old vinyl records, scouring internet archives or…
Weathered People
None More Records present Weathered People, the second album on NMR from experimental singer-songwriter Joe Woodham. Building and evolving from his previous record Worldwide Weather, Weathered People was inspired by a continuing fascination with the weather and pondering on the effect it has on us collectively. The album explores themes of psychology, wellbeing, spirituality, geology and deep time whilst always trying to be grounded and rooted by nature.
Inspired by the space and depth of compos…
Ciprés
Buenos Aires composer Ignacio Sandoval, aka YOTO, returns to London's Kit Records with a new album of dismantled Argentinian folk music. Taking root at the border between Latin American folk tradition and the kiln of Buenos Aires' distinctly bustling experimental arts scene, Ciprés is a loose-limbed collection of elegiac storytelling.
Guitar remains at the heart of YOTO's practice; each piece on Ciprés began life as a miniature improvisation, recorded in real time then gently adorned with splint…
Where the fish are as fine as the color of colors
Wistful meta-folk from the American Midwest, self-published by US musician and occasional ANF customer Erik Kramer - totally floored by this.
The Portrait You Painted Of Me
2025 stock Black vinyl. Here we have the third solo LP by London's Alison Cotton, following on previous successes, All Quiet at the Ancient Theatre (FTR 424LP, 2019) and Only Darkness Now (FTR 564LP, 2020). And as with each of Cotton's projects it is a stylistic advance as well as another example of her dark signature sound. Alison's work with bands is well documented by recordings with Saloon, 18th Day of May, Trimdon Grange Explosion, and her current, ecstatic folk/psych duo, The Left Outsides…
La Proyección
“La Proyección”, the debut LP by Jose María Lluch, architect and musician from San Sebastian, appears as a transition, a gradual shift that happened over time. Intimate and innocent, disconnected and erratic at times, the 11 compositions presented here are extracted from recordings spanning 9 years, between 2015-2024. Humbly assorted in his home studio, the music here is for letting your mind drift. The processes of composition, recording, and editing intertwine. Field recordings from daily chor…
Around Here, The Birds Plant The Trees
A blackbird at dawn inspired a living score: Natalia Beylis’ work, ‘Around Here, The Birds Plant The Trees’, is a 52-minute longform journey about land stewardship grown from the sounds and textures of a single field in Leitrim, Ireland. This recording of 'Around Here, The Birds Plant The Trees' captures the piece as it existed on Friday 12 December 2025. I mention a specific date, because the score for this work is constantly shifting and provides a new variation each time it is played, echoing…
Salos
Haunting Lithuanian folk songs and luminous choral frames, Merope’s Salos folds ancient melody into a modern hush. Centered on Indrė Jurgelevičiūtė’s lead voice and the Vilnius chamber choir, the suite drifts through seven pristine scenes folk, minimalism, and subtle electronics yielding an intimate, non-sentimental pastoral that rewards close listening.
Halfway to a Threeway
It seems like it was only a few months ago that Jim O’Rourke changed everything with the release of the incredible Eureka. And if you actually think that, then by George, you’re the Rip van Winkle of 90s rock! It hasn’t even been a few months since Jim’s twin comebacks The Visitor and Simple Songs, his most recent albums in the mold of his classic “pop music” trilogy of Bad Timing, Eureka, and Insignificance. Those two are thirteen and seven years behind us already! O’Rourke freak or not, if you…
Gwethilu: Songs For The Dark Lake
On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.
God Spill
On God Spill, Victoria Mingot drags folk guitar through faulty circuitry and hissed devotion, stacking rough improvisations, blurred vocals and glitched drones into a slow, translucent act of repair where presence and disappearance keep trading places.
An Afternoon With Victor Dimisich
Big Tip! This is one for the faithful. An Afternoon With Victor Dimisich gathers a set of recordings that until now existed only as rumour - an unearthed afternoon from the legendary pre-Flying Nun underground of Christchurch, New Zealand, surfacing more than four decades after it was first committed to tape, and never issued in any form before now.
The Victor Dimisich Band took shape in 1980, when Stephen Cogle and Peter Stapleton broke away from Bill Direen's Vacuum to follow their own songwr…
Tinderbox
On Tinderbox, Myer U Clark leans into what he calls “musical jank”: loose‑limbed indie‑folk where wiry guitars, Harold‑and‑Maude whimsy and ghosts of English folk and Delta blues wrap around love songs that stumble, blush, and somehow land on their feet.
Long Live Brown Wimpenny
On Long Live Brown Wimpenny, Brown Wimpenny turn the folk revival into a street‑level commons: an 11‑piece, multi‑city collective collapsing the gap between stage and floor with roaring, communal takes on songs that belong to everyone and no one.
Remscéla
Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.
A Mistake by Mistakes
*Coming in a hand made & screen printed box* Hey, did I ever tell you about that time when things are going ok. When the music is never over, and stars are crushing down on you. Since I was little, I come to this music store every chance I got. I sneak in through the alley. I still make this trip a lot. Some weeks ago, during a trip, they played this “A Mistake by Mistakes” cassette tape compilation, out on that enigmatic Berlin, Neukölln based label Kashual Plastik. Sick folk-not-folk-modern-fo…
Stella Kola
Originally self-released in 2023, Stella Kola, the debut album from Beverly Ketch (Jow Jow, Weeping Bong Band) and Robert Thomas (Sunburned Hand of the Man, Dalthom), now returns in a renewed edition - bringing wider attention to a record that already felt like a quietly essential artifact from the moment it first appeared.Given the pair’s respective roots - and the presence of collaborators drawn from across the Northeast experimental underground - one might expect “a brutal blast of acid swirl…
Sommer Im Pfirsichhain
Last copies...Second edition of 500 on transparent red vinyl. Brannten Schnüre is an experimental dark folk group out of Würzburg, Germany. Christian Schoppik composed and played all the music, Katie Rich whispers, recites and sings. Together they make astoundingly beautiful folk with a rich instrumentation leaning towards the atonal spectrum. Instrumental wanderings stand alongside Nico-esque poetry tales. Christian plays the accordeon and in some songs guitar and flute. Inspired by hierophants…