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Reconfiguring the laments from their debut album, Old Saw distill a wilted and hollow reflection from their original recordings. Lines freshly traced, erased, and reassembled from cassette and reel-to-reel machines, presented here like new writing on an old postcard.
There are cult bands and then there's Souled American. In 1988, the Illinois group arguably invented "alternative country" with the album Fe. While the alt-country sound is widely recognized as Southern roots rock with an indie-punk sensibility largely defined by Uncle Tupelo's No Depression released two years later — Souled American's early music feels as if it was formed in a vacuum, inspired by the timestretching space of reggae. But over the course of the following decade, Souled American's …
There are cult bands and then there's Souled American. In 1988, the Illinois group arguably invented "alternative country" with the album Fe. While the alt-country sound is widely recognized as Southern roots rock with an indie-punk sensibility largely defined by Uncle Tupelo's No Depression released two years later — Souled American's early music feels as if it was formed in a vacuum, inspired by the timestretching space of reggae. But over the course of the following decade, Souled American's …
Jim Strong is a US based artist and musician who in recent years has left a trail of enigmatic releases on labels such as Vitrine, More Mars and Chocolate Monk. He will also be familiar to some for his past work with Melkings, Eyes of the Amaryllis, and Weyesblood. Now HoP is pleased to announce Jim’s first solo vinyl outing. My Enemies Are Mine To Keep is Jim’s most clearly defined statement to date. Its sides illustrate his self-sufficient, world-building methods through a mixture of orchestra…
Jordan Deal’s 2022 debut GOGO Underworld (Cor Ardens) hipped us to their multidisciplinary practice which shapeshifts across film, sculpture, sound & performance. Now we are proud to present the next chapter in Jordan’s recorded legacy. Seas of Triple Consciousness was recorded between monasteries & churches in rural France and Jordan’s home in Philadelphia. It takes cues from the gospel, blues and folk traditions as well as avant-garde composition techniques.
Essentially a song-suite centred ar…
*200 copies limited edition* Roughly three years after the release of Balts, Schreel Van De Velde’s debut album on Blickwinkel, the guitar and drums improv-centered duo is happy to present their sophomore album A One And A Two. The Brussels-based musicians sound more decisive than ever: the loud became louder, the quiet became quieter, the weird became weirder and the nostalgic became more nostalgic. The fruit peeled off one of its own shells, getting closer to its heart.
The album came about as…
Hugely influential and appearing nearly everywhere within Washington D.C.'s contemporary music scene as bandleaders and contributing artistic voices, cellist and vocalist Janel Leppin and guitarist Anthony Pirog have long been creative partners as well as life partners. Their Cuneiform Records debut Where is Home (2012) is considered a crucial modern recording from the region. Following that release, the two have crafted a double-LP opus which crosses genres and mirrors their exploratory and dia…
Fohn brings connection, displacement and new identities into the moment, on pastoral debut album Seanteach - informed by island life, marine folklore and musical tradition.
What might appear to be the most unlikely collaboration of 2024 proves also to be one of the most invigorating listens of the year! Shackleton & Six Organs of Admittance are in full aural/metaphysical alignment in their mutual effort to become Jinxed by Being. On first listen, it becomes immediately clear that this fusion of Shackleton's bass-heavy cosmic dread and Six Organs' ritual folksong makes total sense. Longtime listeners know that both Shackleton and Six Organs of Admittance have been u…
Crumbling tape loops, broken glass sounds, micro-cassette feedback and songs for piano, voice and guitar sit side by side on this uniquely tender release by Danish artist Franciska. Submitted to the label on a cassette sent via mail with typewritten credits, 'Modfase' is masterfully restrained, constructed with a care and gentleness that's hard to find in today's "ambient" and "experimental" music circles. Each side contains multiple pieces which quickly shift between musique concrete, tape musi…
In the late 1980s two globetrotting Milanese composers joined forces to produce an acclaimed and prescient record made in equal parts from their own performances and ethnic field recordings, a little in the manner of Eno/Byrne's My Life in the Bush of Ghosts - but rather more evolved. This 30th anniversary release includes some early pieces, not already available on CD made this way but, mainly, features the entirety of their score for Theodore Carl Dreyer's legendary silent film, Vampyr - perfo…
‘Lacuna and Parlor’ is anchored in the left-field chamber music and incidental recordings that have long accented more eaze’s roving sound. Composed with one ear pressed to the rich textures of instrumental recording environments, this is a resonant and tactile collection tinged in rephrased space and skewed time. Taking the rudiments of tonal music theory as her conceptual base, more eaze formed the compositions around her own manipulations of these core principles. Simple chord progressions st…
*2024 stock. 200 copies limited edition* “Is anybody really free, prisoners of the strange society, why is it we're forced to be products of the new reality? Drifting through time and space and all the while feeling out of place”, a late DIY spirit once asked into the blue. Years later, a soulmate uncalled answered, “Let the shadow rise high and turn me to stone, because I hold true to a god of my own. Don't need a rainbow to show me the way, I got my own religion, I'm a child of clay”.
Now, al…
*2024 stock* Laure Boer is Kashual again. And not so Plastik. Zoning dark-ish into her inner realms of journey music. Poetic, psychic, reflective, ejective. She sings. Weeps. Speaks. Intimate looping narratives, celebrating personal glories and all those worries. Stylistically alternating from electroacoustic dimensions to drone guitar amp personas, from folk melodiousness to witchy avant-notes. Ten drifters for the Lomaxed creatures, earthbound, and always up there in the luminaries. Music that…
*300 copies limited edition. Screenprinted artwork on old re-used cover jackets + insert.* Another transatlantic collaborative project on Förlag För Fri Musik, this time Blod teams up with Shadow Pattern from Canada. A seemingly impossible match that somehow works like a charm, the lo-fi folk of Gustaf Dicksson beautifully tangled up with the brutish concrete music of Nathan Ivanco. Recorded in the the winter of 2024 in Gothenburg, Sweden and Hamilton, Ontario, Canada. Mixed and arranged by Nath…
The End is the fourth studio album by German musician Nico. It was recorded in summer 1974 at Sound Techniques studio in London and produced by John Cale. It was released in November 1974. The End is her fifth collaboration with John Cale and second with him as producer. It carries the same harmonium-based sound heard on The Marble Index (1968) and Desertshore (1970), with the addition of Brian Eno's synthesizers and electronic instruments. The song "You Forget to Answer" tells of the misery fel…
Sold out at source. Klara Lewis and Yuki Tsuji's collaboration builds on Tsuji's singular guitar playing and Lewis's resolutely explorative soundscapes. Salt Water is their debut album. Klara Lewis is a sound sculptor and loop finder. She has spent the last decade creating albums equally tender and brutal for Editions Mego as well as in collaborations with Nik Colk Void, Peder Mannerfelt and now Yuki Tsujii. Lewis has presented her audiovisual work at festivals such as Sonar, Mutek, Dark Mofo an…
Comes in mini LP replica with obi and insert with lyrics & insert of notes mostly in Japanese. In 1972, the left-wing intellectual film critic Uwe Nettelbeck suggested to Anthony Moore that he should write some (relatively speaking) straight songs. He took up the challenge, inviting his old school friend Peter Blegvad over to Hamburg to form the band Slapp Happy. They were joined for a session in Wümme by the young singer Dagmar Krause and Faust as their rhythm section; the recording became the …